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The parable of Lazarus (Luke 16: 19-31) has been interpreted in many ways: an apology of charitable works; a comparison between salvation and perdition, and between gentiles (Lazarus) and Jews (Epulon [+]
The lack of an autograph work of this theme by Jacopo suggests that the idea for the composition came from Francesco at the end of the 1570s, by which time he had gained greater independence from his [+]
There is a print by Pietro Monaco (1707-1772), published by Guglielmo Zerletti in Venice in 1763, which reproduces a painting of the Marriage at Cana then attributed to Jacopo and owned by the lawyer [+]
Although in 1660 Boschini mentioned a Self-Portrait of Jacopo Bassano in the Aromatario collection in Venice, the only surviving versions are replicas attributed to Leandro. The Prado work is identica [+]
