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Allegory of Justice and Peace
Oil on canvas. 1753 - 1754
Giaquinto, Corrado
Allegory of Justice and Peace
Oil on canvas. 1753 - 1754
Giaquinto, Corrado

This allegorical work, signed on the column lying on the ground in the centre of the composition, shows two women in Roman garb sitting on clouds. Representing Justice and Peace, they embrace and seem [+]

The Alchemist
Oil on panel. 1631 - 1640
Teniers The Younger, David
The Alchemist
Oil on panel. 1631 - 1640
Teniers The Younger, David

And alchemist, recognizable by his characteristic cap, fans the fire in his laboratory. The presence of books, flasks and other instruments in the foreground reveal his pseudo-scientific activity. In [+]

Saint Anthony Preaching to the Fish
Oil on canvas. 1646
Carreño de Miranda, Juan
Saint Anthony Preaching to the Fish
Oil on canvas. 1646
Carreño de Miranda, Juan

This is the earliest surviving work signed and dated by Carreño, and its style is still closely linked to masters from the first half of the century. Palomino, who knew and had contact with Car [+]

Dream of consummate witches
Pencil, Iron gall ink, Black chalk lines on dark yellow laid paper. 1796 - 1797
Goya y Lucientes, Francisco de
Dream of consummate witches
Pencil, Iron gall ink, Black chalk lines on dark yellow laid paper. 1796 - 1797
Goya y Lucientes, Francisco de

This is a preparatory drawing for the etching Blow (G02157), which is Capricho 69. Together, the twenty-six pen-and-ink drawings that constitute the basis for The Caprichos are known as The Dreams. Th [+]

Blow
Drypoint, Japanese chisel, Burnished aquatint, Etching on ivory laid paper. 1797 - 1799
Goya y Lucientes, Francisco de
Blow
Drypoint, Japanese chisel, Burnished aquatint, Etching on ivory laid paper. 1797 - 1799
Goya y Lucientes, Francisco de

The etching Blow is Capricho number 69. The initial idea for Capricho 69, Blow, already appears in drawing 57 of Album B, and its descriptive title, Aunt Oilstains lights the Hearth, Witches to Gather [+]

Console
Gilt-bronze, Paragone, Jasper. 1781 - 1786
Ferroni, Juan Bautista; Real Laboratorio de Piedras Duras del Buen Retiro
Console
Gilt-bronze, Paragone, Jasper. 1781 - 1786
Ferroni, Juan Bautista; Real Laboratorio de Piedras Duras del Buen Retiro

The tabletop, which bears its date of completion, is decorated with trompe l’oeil decorations organized like a messy table. A painting with two Oriental figures is surrounded by various books, a ruler [+]

Console Table
Gilt-bronze, Paragone, Jasper. 1775 - 1783
Ferroni, Juan Bautista; Real Laboratorio de Piedras Duras del Buen Retiro
Console Table
Gilt-bronze, Paragone, Jasper. 1775 - 1783
Ferroni, Juan Bautista; Real Laboratorio de Piedras Duras del Buen Retiro

The decoration of the tabletop is a trompe l’oeil design of the "disordered table" type. The objects refer to the liberal arts, including paintings, of which two are anamorphic and one a silhouette po [+]

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