The itinerary <em>TITULORECORRIDO</em> has been successfully created. Now you can add in works from the Collection browser
<em>TITULOOBRA</em> added to <em>TITULORECORRIDO</em> itinerary

Collection <Back
Search

Explore the collection

Refine results
13 results
The Cure of Folly, or the Extraction of the Stone of Madness
Oil on oak panel. 1501 - 1505
Bosch, Hieronymus
The Cure of Folly, or the Extraction of the Stone of Madness
Oil on oak panel. 1501 - 1505
Bosch, Hieronymus

In the centre of a rectangular surface Bosch incised a circle in which he depicted this scene of Extracting the stone of madness. The resulting image is a mirror that offers a reflection of folly and [+]

Growing after death
Pencil, Iron gall ink, Black chalk lines on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de
Growing after death
Pencil, Iron gall ink, Black chalk lines on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de

This preparatory drawing for an unpublished plate from the Caprichos is one of twenty-six pen-and-ink drawings known as The Dreams, which constitute the basis for Los Caprichos. They are headed by Dre [+]

Study of a prophet / Human figure with a child
Pencil, Grey-brown ink on dark yellow paper. Ca. 1627
Guercino (Giovanni Francesco Barbieri)
Study of a prophet / Human figure with a child
Pencil, Grey-brown ink on dark yellow paper. Ca. 1627
Guercino (Giovanni Francesco Barbieri)

This drawing was first identified by Manuela Mena Marqués as a preparatory study for Prophet Jeremiah, one of a group of six prophets painted in fresco by Guercino for the cupola of Piacenza’s [+]

Sibyl
Pencil, Prepared with a stylus, Blurred / softened / rubbed on paper. 1525 - 1530
Romano, Giulio (Giovanni Francesco Penni)
Sibyl
Pencil, Prepared with a stylus, Blurred / softened / rubbed on paper. 1525 - 1530
Romano, Giulio (Giovanni Francesco Penni)

This is the most Raphaelesque of all the sixteenth-century Italian drawings in the Prado, the confident style of drawing in black chalk echoing that of Raphael´s own late drawings in the medium, above [+]

Mummy’s Boy
Black chalk lines, Red chalk on silk paper. Ca. 1797
Goya y Lucientes, Francisco de
Mummy’s Boy
Black chalk lines, Red chalk on silk paper. Ca. 1797
Goya y Lucientes, Francisco de

Preparatory drawing for Capricho 4, Mummy´s Boy (G01931, G02092). Its colour and the fact that it did not cover the surface of the paper particularly well made red chalk unsuitable for dark scenes. Th [+]

The Worship of the Golden Calf
Pencil ground, Grey wash, White lead on brown paper. Ca. 1600
Anonymous (Circle Of Tintoretto, Jacopo Robusti)
The Worship of the Golden Calf
Pencil ground, Grey wash, White lead on brown paper. Ca. 1600
Anonymous (Circle Of Tintoretto, Jacopo Robusti)

The composition of this drawing corresponds to the middle and lower sections of Tintoretto´s great canvas of The Worship of the Golden Calf, which hangs on the left-hand wall of the choir of the churc [+]

Teacher witch giving lessons of bravery to her disciple on the latter’s first flight. Training witches
Pencil, Iron gall ink, Black chalk lines on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de
Teacher witch giving lessons of bravery to her disciple on the latter’s first flight. Training witches
Pencil, Iron gall ink, Black chalk lines on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de

This preparatory drawing for the etching Capricho 66, There it goes (G02102) is part of The Dreams, a series of twenty-six pen-and-ink drawings that serve as the basis for the Caprichos. Headed by Dr [+]

Since I told him se moves nicely, he can't speak without wriggling
Black chalk, Pencil, Bistre, Iron gall ink, Wash on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de
Since I told him se moves nicely, he can't speak without wriggling
Black chalk, Pencil, Bistre, Iron gall ink, Wash on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de

This preparatory drawing for the etching Capricho 7, God forgive her: Even thus he cannot make her out (G02095) is part of The Dreams, a series of twenty-six pen-and-ink drawings that serve as the ba [+]

Wild merchants
Pencil, Iron gall ink, Black chalk lines on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de
Wild merchants
Pencil, Iron gall ink, Black chalk lines on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de

This preparatory drawing for the etching Capricho 11, Lads Making Ready (G02099 / G00644) is part of The Dreams, a series of twenty-six pen-and-ink drawings that serve as the basis for the Caprichos. [+]

At the height of their flight, the haughty witches are cast down
Pencil, Iron gall ink, Black chalk lines on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de
At the height of their flight, the haughty witches are cast down
Pencil, Iron gall ink, Black chalk lines on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de

A preparatory drawing for the etching, Capricho 62, Who could believe it! (G02150). Together, the twenty-six pen-and-ink drawings that constitute the basis for The Caprichos are known as The Dreams. T [+]

Powerful witch taken out by the finest flyers because of her hydropsy
Pencil, Iron gall ink, Black chalk lines on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de
Powerful witch taken out by the finest flyers because of her hydropsy
Pencil, Iron gall ink, Black chalk lines on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de

This preparatory drawing for the etching Capricho 65, Where is mommy going? (G02102) is part of The Dreams, a series of twenty-six pen-and-ink drawings that serve as the basis for the Caprichos. Head [+]

This man was told his face was indecent so he wore his breeches on his head
Pencil, Red wash, Iron gall ink, Black chalk lines on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de
This man was told his face was indecent so he wore his breeches on his head
Pencil, Red wash, Iron gall ink, Black chalk lines on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de

This preparatory drawing for the etching Capricho 54, The shameful one (G02156) is part of The Dreams, a series of twenty-six pen-and-ink drawings that serve as the basis for The Caprichos. Headed by [+]

Majo keeping time by clapping
Black chalk, Touches of white chalk on blue laid paper. 1777
Goya y Lucientes, Francisco de
Majo keeping time by clapping
Black chalk, Touches of white chalk on blue laid paper. 1777
Goya y Lucientes, Francisco de

This fast and loose sketch, made in black chalk with very few lines and surely drawn from life, is a preparatory work for a figure in the tapestry cartoon Dance on the banks of the Manzanares (1777). [+]

Up