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Herod’s Feast (sketch)
Oil on canvas. XVII century
Carreño de Miranda, Juan
Herod’s Feast (sketch)
Oil on canvas. XVII century
Carreño de Miranda, Juan

Herod and Herodias appear at the right of the composition. Sitting at a table painted in foreshortened perspective, they look on—the king with a stupefied expression—as Salome presents them with the p [+]

The Duchess of Alba with María de la Luz on her arms
Indian ink, Wash on laid paper. 1794 - 1795
Goya y Lucientes, Francisco de
The Duchess of Alba with María de la Luz on her arms
Indian ink, Wash on laid paper. 1794 - 1795
Goya y Lucientes, Francisco de

The child Maria de la Luz, a daughter of slaves, was emancipated in January 1796 in the Duchess of Alba´s will as a gesture of generosity and grandeur. The drawing shows the affection shown for her by [+]

Allegory of the House of Barberini
Black chalk, Pencil, Grey-brown wash, White lead on white paper. 1631
Cortona, Pietro Da (Pietro Berrettini)
Allegory of the House of Barberini
Black chalk, Pencil, Grey-brown wash, White lead on white paper. 1631
Cortona, Pietro Da (Pietro Berrettini)

This drawing depicts the story of the nymphs Florilla and Melissa, twin daughters of Heaven and the Earth, lovers of music (Florilla) and flowers (Melissa), the honeymaker. The young nymphs were respe [+]

The Martyrdom of Saint Stephen
Black chalk, Pencil, Grey-brown ink, Blue wash on yellow paper. XVII century
Zanchi, Antonio
The Martyrdom of Saint Stephen
Black chalk, Pencil, Grey-brown ink, Blue wash on yellow paper. XVII century
Zanchi, Antonio

Dibujo en el que se representa en el centro, arrodillado, el Santo rodeado de los sayones que le arrojan piedras. Mientras que en la parte superior es representada la Trinidad (Texto extractado de Men [+]

Huntsman on Horseback Chasing a Stag in a Wood, Watched by a Maiden
Pencil, Pencil ground, Grey-brown ink, Wash on paper. Second third of the XVI century
Il Bergamasco
Huntsman on Horseback Chasing a Stag in a Wood, Watched by a Maiden
Pencil, Pencil ground, Grey-brown ink, Wash on paper. Second third of the XVI century
Il Bergamasco

The traditional attribution to Castello, which appears in an old inscription on the reverse of the mount, needs to be taken seriously. Not only is the pen work reminiscent of Castello´s handling of th [+]

The presentation of the Virgin at the Temple
Black chalk, Ink, Grey-brown wash on laid paper. Ca. 1697
Giordano, Luca
The presentation of the Virgin at the Temple
Black chalk, Ink, Grey-brown wash on laid paper. Ca. 1697
Giordano, Luca

When the Virgin Mary was three years old her parents, Anna and Joachim, led her to the Temple of Jerusalem. There the young Virgin, without the assistance of her parents, climbed the staircase leading [+]

Dream of Lies and Fickleness
Black chalk, Pencil, Bistre, Iron gall ink, Wash on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de
Dream of Lies and Fickleness
Black chalk, Pencil, Bistre, Iron gall ink, Wash on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de

This is a preparatory drawing for an unpublished plate from Los Caprichos. The only remaining print of that plate is a single proof printed on the back of another etching at the Biblioteca Nacional (1 [+]

Since I told him se moves nicely, he can't speak without wriggling
Black chalk, Pencil, Bistre, Iron gall ink, Wash on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de
Since I told him se moves nicely, he can't speak without wriggling
Black chalk, Pencil, Bistre, Iron gall ink, Wash on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de

This preparatory drawing for the etching Capricho 7, God forgive her: Even thus he cannot make her out (G02095) is part of The Dreams, a series of twenty-six pen-and-ink drawings that serve as the ba [+]

Growing after death
Pencil, Iron gall ink, Black chalk lines on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de
Growing after death
Pencil, Iron gall ink, Black chalk lines on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de

This preparatory drawing for an unpublished plate from the Caprichos is one of twenty-six pen-and-ink drawings known as The Dreams, which constitute the basis for Los Caprichos. They are headed by Dre [+]

Shameful Profit
Black chalk, Red chalk on dark yellow laid paper. 1810 - 1814
Goya y Lucientes, Francisco de
Shameful Profit
Black chalk, Red chalk on dark yellow laid paper. 1810 - 1814
Goya y Lucientes, Francisco de

A preparatory drawing for an unpublished plate from the Disasters of War, of which only two prints are known. The composition is framed in red chalk and the corners are emphasized with touches of the [+]

The Mystic Marriage of Saint Catherine
Black chalk, Ink, Grey-brown wash on white paper. 1607
Rovere, Giovanni Battista Della
The Mystic Marriage of Saint Catherine
Black chalk, Ink, Grey-brown wash on white paper. 1607
Rovere, Giovanni Battista Della

Dibujo en el que se representa ante un fondo de paisaje, en primer termino, arrodillada, a Santa Catalina a quien el Niño entrega el anillo. Como su compañero D02070, el dibujo aparece firmado y fecha [+]

The Apparition of the Virgin to Saint Bernard
Black chalk, Pencil, Grey-brown ink on dark yellow paper. 1601 - 1650
Anonymous
The Apparition of the Virgin to Saint Bernard
Black chalk, Pencil, Grey-brown ink on dark yellow paper. 1601 - 1650
Anonymous

Dibujo en el que se representa a la Virgen en pie a la izquierda que avanza de frente sobre una nube sostenida por angelitos. A la derecha en la parte baja, San Bernardo aparece arrodillado. Copia pos [+]

Study of a prophet / Human figure with a child
Pencil, Grey-brown ink on dark yellow paper. Ca. 1627
Guercino (Giovanni Francesco Barbieri)
Study of a prophet / Human figure with a child
Pencil, Grey-brown ink on dark yellow paper. Ca. 1627
Guercino (Giovanni Francesco Barbieri)

This drawing was first identified by Manuela Mena Marqués as a preparatory study for Prophet Jeremiah, one of a group of six prophets painted in fresco by Guercino for the cupola of Piacenza’s [+]

Scene from Inferno, with demons subduing the damned
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. Second half of the XVI century
Il Bastianino (Attributed To)
Scene from Inferno, with demons subduing the damned
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. Second half of the XVI century
Il Bastianino (Attributed To)

Classified as anonymous in the collections of Brun (?) and Fernández Durán. The figures correspond, with differences, to those in the bottom right of Bastianino´s fresco of the Last Judg [+]

God the Father Appearing to Moses
Black chalk, Pencil, Grey-brown ink, White chalk on dark yellow paper. XVI century
Anonymous (Copy Tintoretto, Jacopo Robusti)
God the Father Appearing to Moses
Black chalk, Pencil, Grey-brown ink, White chalk on dark yellow paper. XVI century
Anonymous (Copy Tintoretto, Jacopo Robusti)

This is a copy after one of the upright oval panels in the ceiling of the Sala Superiore of the Scuola Grande di S. Rocco, Venice. [+]

The Baptism of Christ
Pencil, Black ink, Blue wash on dark yellow laid paper. 1667
Ruiz González, Pedro
The Baptism of Christ
Pencil, Black ink, Blue wash on dark yellow laid paper. 1667
Ruiz González, Pedro

Jesús, semiarrodillado en una piedra, aguarda el bautismo. San Juan agachado recoge el agua del río Jordán. Dos ángeles, tras Jesús, sostienen sus vestiduras; otros a la derecha dialogan. En el cielo [+]

Who will win?
Indian ink, Wash on dark yellow laid paper. 1816 - 1820
Goya y Lucientes, Francisco de
Who will win?
Indian ink, Wash on dark yellow laid paper. 1816 - 1820
Goya y Lucientes, Francisco de

This work corresponds to Album E, one of seven albums or series of drawings that Goya created over the course of his life. This album is also known as the “black borders” album, due to the distinctive [+]

The Illness of Reason
Black chalk, Pencil, Iron gall ink on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de
The Illness of Reason
Black chalk, Pencil, Iron gall ink on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de

A preparatory drawing for the etching, Capricho 50. The Chinchillas (G02138). The group of twenty-six pen drawings that constitute the basis for The Caprichos in its initial phase, make up the Dreams [+]

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