The itinerary <em>TITULORECORRIDO</em> has been successfully created. Now you can add in works from the Collection browser
<em>TITULOOBRA</em> added to <em>TITULORECORRIDO</em> itinerary

Collection <Back
Search

Explore the collection

Refine results
122 results
Herod’s Feast (sketch)
Oil on canvas. XVII century
Carreño de Miranda, Juan
Herod’s Feast (sketch)
Oil on canvas. XVII century
Carreño de Miranda, Juan

Herod and Herodias appear at the right of the composition. Sitting at a table painted in foreshortened perspective, they look on—the king with a stupefied expression—as Salome presents them with the p [+]

The Duchess of Alba with María de la Luz on her arms
Indian ink, Wash on laid paper. 1794 - 1795
Goya y Lucientes, Francisco de
The Duchess of Alba with María de la Luz on her arms
Indian ink, Wash on laid paper. 1794 - 1795
Goya y Lucientes, Francisco de

The child Maria de la Luz, a daughter of slaves, was emancipated in January 1796 in the Duchess of Alba´s will as a gesture of generosity and grandeur. The drawing shows the affection shown for her by [+]

Saint John the Evangelist
Black chalk, Grey-brown wash on yellow laid paper. XVIII century
Maella, Mariano Salvador
Saint John the Evangelist
Black chalk, Grey-brown wash on yellow laid paper. XVIII century
Maella, Mariano Salvador

Dibujo preparatorio para una pechina muy ancha, de forma trapezoidal. En él se representa a San Juan Evangelista sentado sobre una nube en actitud de escribir sobre un libro que apoya en sus rodillas, [+]

Saint Leocadia before the Praetor
Black chalk, Grey-brown wash on yellow laid paper. 1775
Maella, Mariano Salvador
Saint Leocadia before the Praetor
Black chalk, Grey-brown wash on yellow laid paper. 1775
Maella, Mariano Salvador

Dibujo rematado en medio punto. En él nos encontramos a la derecha, sobre dos gradas, junto a una gran columna, el magistrado en su solio. Ante él, Santa Leocadia rechaza el sacrificio, a que la invit [+]

She leaves it wondering
Brush, Bistre, Grey-brown ink, Black chalk lines, Wash on laid paper. 1812 - 1814
Goya y Lucientes, Francisco de
She leaves it wondering
Brush, Bistre, Grey-brown ink, Black chalk lines, Wash on laid paper. 1812 - 1814
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

Allegory of the House of Barberini
Black chalk, Pencil, Grey-brown wash, White lead on white paper. 1631
Cortona, Pietro Da (Pietro Berrettini)
Allegory of the House of Barberini
Black chalk, Pencil, Grey-brown wash, White lead on white paper. 1631
Cortona, Pietro Da (Pietro Berrettini)

This drawing depicts the story of the nymphs Florilla and Melissa, twin daughters of Heaven and the Earth, lovers of music (Florilla) and flowers (Melissa), the honeymaker. The young nymphs were respe [+]

The Pentecost
Black chalk, Pencil, Grey-brown wash on dark yellow paper. First third of the XVIII century
Procaccini, Andrea
The Pentecost
Black chalk, Pencil, Grey-brown wash on dark yellow paper. First third of the XVIII century
Procaccini, Andrea

Es apunte preparatorio para el óvalo del mismo tema que realizó Procaccini sobre la puerta de la sacristía nueva de Santa Maria dell Orto. En la Academia de San Fernando de Madrid se conserva una seri [+]

The Agony in the Garden
Black chalk, Grey wash on dark yellow paper. XVIII century
Anonymous
The Agony in the Garden
Black chalk, Grey wash on dark yellow paper. XVIII century
Anonymous

Las figuras, de pequeño tamaño en relación al espacio; Cristo arrodillado en unas rocas, con los brazos abiertos, a su derecha, en alto, vuela el ángel con el cáliz en las manos. En la parte baja, los [+]

Judith with the Head of Holofernes
Black chalk, Grey-brown wash, White lead on grey paper. XVII century
Anonymous
Judith with the Head of Holofernes
Black chalk, Grey-brown wash, White lead on grey paper. XVII century
Anonymous

Dibujo en el que se representa a Judith, ricamente vestida, que sostiene la cabeza de Holofernes con la mano izquierda. Al fondo aparece la sirvienta. Se relaciona con la técnica de la xilografía al c [+]

The Martyrdom of Saint Stephen
Black chalk, Pencil, Grey-brown ink, Blue wash on yellow paper. XVII century
Zanchi, Antonio
The Martyrdom of Saint Stephen
Black chalk, Pencil, Grey-brown ink, Blue wash on yellow paper. XVII century
Zanchi, Antonio

Dibujo en el que se representa en el centro, arrodillado, el Santo rodeado de los sayones que le arrojan piedras. Mientras que en la parte superior es representada la Trinidad (Texto extractado de Men [+]

The Evangelist Saint Luke seated in a landscape and other studies
Pencil, Pencil ground, Grey-brown ink, Touches of chalk / pencil, White lead, Wash on dark yellow paper. 1580 - 1581
Veronese, Paolo (Paolo Cagliari)
The Evangelist Saint Luke seated in a landscape and other studies
Pencil, Pencil ground, Grey-brown ink, Touches of chalk / pencil, White lead, Wash on dark yellow paper. 1580 - 1581
Veronese, Paolo (Paolo Cagliari)

The pose of the Evangelist, seated on a mound in a landscape, with one leg astride the back of the ox, his attribute, recalls the painted figure of St. Luke in one of four irregularly shaped compartme [+]

Huntsman on Horseback Chasing a Stag in a Wood, Watched by a Maiden
Pencil, Pencil ground, Grey-brown ink, Wash on paper. Second third of the XVI century
Il Bergamasco
Huntsman on Horseback Chasing a Stag in a Wood, Watched by a Maiden
Pencil, Pencil ground, Grey-brown ink, Wash on paper. Second third of the XVI century
Il Bergamasco

The traditional attribution to Castello, which appears in an old inscription on the reverse of the mount, needs to be taken seriously. Not only is the pen work reminiscent of Castello´s handling of th [+]

Saint John the Baptist
Black chalk, Pencil, Red chalk, Grey-brown wash on dark yellow paper. XVII century
Tiarini, Alessandro
Saint John the Baptist
Black chalk, Pencil, Red chalk, Grey-brown wash on dark yellow paper. XVII century
Tiarini, Alessandro

Dibujo en el que se presenta San Juan Bautista de frente, con las manos juntas y la pierna derecha doblada y apoyada en una roca; en otra, el cordero dormido y en la parte superior Dios Padre (Texto e [+]

Ecce Homo
Pencil, Pencil ground, Grey-brown ink, Wash on dark yellow paper. First third of the XVII century
Ansaldo, Giovanni Andrea
Ecce Homo
Pencil, Pencil ground, Grey-brown ink, Wash on dark yellow paper. First third of the XVII century
Ansaldo, Giovanni Andrea

The old attribution to Ansaldo is unquestionably correct, and the economical pen-and-wash style corresponds precisely with that of his documented drawings in the same technique, for example the Birth [+]

Severity is not always good
Indian ink, Wash on dark yellow laid paper. 1816 - 1820
Goya y Lucientes, Francisco de
Severity is not always good
Indian ink, Wash on dark yellow laid paper. 1816 - 1820
Goya y Lucientes, Francisco de

A boy trying to do his homework buries his face in his hands to protect himself from the threat of an old woman´s whip. The brutality of the punishment is decisively underlined by the authoritative pr [+]

The Old Women are filled with laughter because they know he hasn’t a penny
Brush, Pencil, Indian ink wash, Iron gall ink on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de
The Old Women are filled with laughter because they know he hasn’t a penny
Brush, Pencil, Indian ink wash, Iron gall ink on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de

This preparatory drawing for the etching Capricho 5, Two of a Kind (G02093) is part of The Dreams, a series of twenty-six pen-and-ink drawings that serve as the basis for the Caprichos in the first st [+]

Ecce Homo
Black chalk, Grey-brown wash on brown paper. XVII century
Ghitti, Pompeo
Ecce Homo
Black chalk, Grey-brown wash on brown paper. XVII century
Ghitti, Pompeo

La composición de este Ecce Homo se encuentra incluida en un medio punto, donde aparecen las tres figuras de tres cuartos, Cristo en el centro rodeado por tres sayones.La atribución antigua a Ghitti e [+]

The presentation of the Virgin at the Temple
Black chalk, Ink, Grey-brown wash on laid paper. Ca. 1697
Giordano, Luca
The presentation of the Virgin at the Temple
Black chalk, Ink, Grey-brown wash on laid paper. Ca. 1697
Giordano, Luca

When the Virgin Mary was three years old her parents, Anna and Joachim, led her to the Temple of Jerusalem. There the young Virgin, without the assistance of her parents, climbed the staircase leading [+]

Up