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Isabel de Borbón, Wife of Philip IV
Oil on canvas. Ca. 1620
Villandrando, Rodrigo de
Isabel de Borbón, Wife of Philip IV
Oil on canvas. Ca. 1620
Villandrando, Rodrigo de

The daughter of Henri IV of France and Marie de Médicis, Isabel de Borbón (1603-1644) was the first wife of Philip IV and the mother of Prince Baltasar Carlos and María Teresa of [+]

Self-portrait
Oil on canvas. 1910
Simonet Lombardo, Enrique
Self-portrait
Oil on canvas. 1910
Simonet Lombardo, Enrique

Painted shortly before he permanently settled in Madrid, this self-portrait shows Simonet engaged in painting. Visible in the background is the portrait of his father. The figure of the artist and the [+]

Enrique Simonet y Baca, the artist’s father
Oil on canvas. 1893
Simonet Lombardo, Enrique
Enrique Simonet y Baca, the artist’s father
Oil on canvas. 1893
Simonet Lombardo, Enrique

Simonet painted this portrait in Malaga on his return from a study period in Rome and following the success of Flevit super illam (1892). The image conveys the artist’s esteem for his father, a land r [+]

Salvador Martínez Cubells, Father of the Artist
Oil on canvas. 1901
Martínez Cubells y Ruiz Diosayuda, Enrique
Salvador Martínez Cubells, Father of the Artist
Oil on canvas. 1901
Martínez Cubells y Ruiz Diosayuda, Enrique

Este retrato de Salvador Martínez Cubells, pintado en 1901 por su hijo Enrique a la vuelta de un viaje por Alemania, nos muestra al artista, envejecido, ligeramente encorvado, casi de media figura y d [+]

The penitent Magdalen
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Blanco, Enrique; Giordano, Luca (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The penitent Magdalen
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Blanco, Enrique; Giordano, Luca (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Enrique Blanco (activo en Madrid entre 1826 y 1837) que reproduce el óleo de Luca Giordano conservado en el Museo Nacional del Prado (P01105), anteriormente atribuido a Bartolomé [+]

A Sybil
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Blanco, Enrique; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
A Sybil
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Blanco, Enrique; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

A Sybil
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1836
Blanco, Enrique; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
A Sybil
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1836
Blanco, Enrique; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Enrique Blanco que reproduce el lienzo de Diego Rodríguez de Silva y Velázquez conservado en el Museo Nacional del Prado (P01197). En el inventario de las pinturas del palacio de [+]

Christ the Saviour with the Eucharist
Pen lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Blanco, Enrique; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Christ the Saviour with the Eucharist
Pen lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Blanco, Enrique; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Enrique Blanco (activo en Madrid entre 1826 y 1837) que reproduce el lienzo de Juan de Juanes conservado en el Museo Nacional del Prado (P00844). Esta estampa se entregaba con el [+]

A Sybil
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1836
Blanco, Enrique; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
A Sybil
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1836
Blanco, Enrique; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Estampa de Enrique Blanco que reproduce un lienzo de Diego Rodríguez de Silva y Velázquez conservada en el Museo Nacional del Prado (P01197). En el inventario de las pinturas del palacio de La Granja [+]

Christ the Saviour with the Eucharist
Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Blanco, Enrique; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Christ the Saviour with the Eucharist
Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Blanco, Enrique; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Enrique Blanco (activo en Madrid entre 1826 y 1837) que reproduce el lienzo de Juan de Juanes conservado en el Museo Nacional del Prado (P00844). Esta estampa se entregaba con el [+]

Prince Don Carlos
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Blanco, Enrique; Real Establecimiento Litográfico de Madrid
Prince Don Carlos
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Blanco, Enrique; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

Prince Don Carlos
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Blanco, Enrique; Real Establecimiento Litográfico de Madrid
Prince Don Carlos
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Blanco, Enrique; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

Penitent Magdalene
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Blanco, Enrique; Giordano, Luca (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Penitent Magdalene
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Blanco, Enrique; Giordano, Luca (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Enrique Blanco (activo en Madrid entre 1826 y 1837) que reproduce el óleo de Luca Giordano conservado en el Museo Nacional del Prado (P01105), anteriormente atribuido a Bartolomé [+]

Penitent Magdalene
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Blanco, Enrique; Giordano, Luca (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Penitent Magdalene
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Blanco, Enrique; Giordano, Luca (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Enrique Blanco (activo en Madrid entre 1826 y 1837) que reproduce el óleo de Luca Giordano conservado en el Museo Nacional del Prado (P01105), anteriormente atribuido a Bartolomé [+]

La gallega de la moneda
Crayon lithography, Pen lithography, Lithographic aquatint on wove paper. 1826 - 1837
Blanco, Enrique; Anonymous; Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
La gallega de la moneda
Crayon lithography, Pen lithography, Lithographic aquatint on wove paper. 1826 - 1837
Blanco, Enrique; Anonymous; Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

The penitent Magdalen
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Blanco, Enrique; Giordano, Luca (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The penitent Magdalen
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Blanco, Enrique; Giordano, Luca (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

The Penitent Magdalen
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Blanco, Enrique; Giordano, Luca (After); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
The Penitent Magdalen
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Blanco, Enrique; Giordano, Luca (After); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

Es una litografía de Enrique Blanco (activo en Madrid entre 1826 y 1837) que reproduce el óleo de Luca Giordano conservado en el Museo Nacional del Prado (P01105), anteriormente atribuido a Bartolomé [+]

Rabble
Drypoint, Etching, Wash, Burnisher, Burin on wove paper. 1810 - 1814
Goya y Lucientes, Francisco de
Rabble
Drypoint, Etching, Wash, Burnisher, Burin on wove paper. 1810 - 1814
Goya y Lucientes, Francisco de

Disasters of War,28, Rabble.In this series of prints executed between 1810 and 1814 Goya offers a critical and personal vision of the consequences of the Spanish Peninsular War (1808-14) that is remot [+]

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