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The west or Velázquez façade of the Museo del Prado
Albumen on photographic paper. 1860 - 1862
Clifford, Charles
The west or Velázquez façade of the Museo del Prado
Albumen on photographic paper. 1860 - 1862
Clifford, Charles

Designed by Juan de Villanueva, the building that houses the Museo del Prado has always been an indispensable landmark in Madrid’s urban landscape. Since the mid 1820s, numerous artists have taken an [+]

An Elderly Couple Entreated by a Young Woman
Pencil, Grey-brown ink on blue paper. Second half of the XVI century
Luini, Aurelio
An Elderly Couple Entreated by a Young Woman
Pencil, Grey-brown ink on blue paper. Second half of the XVI century
Luini, Aurelio

This impressive study is a rare example of Aurelio Luini´s finished drawings in pen. The artist is better known for his more rapid pen studies, a feature of which is a rather ragged, disorderly [+]

The Martyrdom of Saint Stephen
Black chalk, Pencil, Grey-brown ink, Blue wash on yellow paper. XVII century
Zanchi, Antonio
The Martyrdom of Saint Stephen
Black chalk, Pencil, Grey-brown ink, Blue wash on yellow paper. XVII century
Zanchi, Antonio

Dibujo en el que se representa en el centro, arrodillado, el Santo rodeado de los sayones que le arrojan piedras. Mientras que en la parte superior es representada la Trinidad (Texto extractado de Men [+]

Presentation of the Virgin in the Temple
Pencil, Grey-brown ink, White lead, Wash on blue paper. Third quarter of the XVI century
Trometta
Presentation of the Virgin in the Temple
Pencil, Grey-brown ink, White lead, Wash on blue paper. Third quarter of the XVI century
Trometta

By far the most prestigious commission of Trometta´s entire career was the fresco decoration of the ceiling of the choir of the church of S. Maria in Aracoeli, Rome. On 30 January 1565 he contracted t [+]

Apollo Shooting Arrows at the Children of Niobe
Pencil, Grey ink, Wash on blue paper. XVIII century
Anonymous
Apollo Shooting Arrows at the Children of Niobe
Pencil, Grey ink, Wash on blue paper. XVIII century
Anonymous

As J.A. Gere pointed out in 1981 (pencil note on the modern museum mount), the composition is taken from Polidoro´s facade decoration of the Palazzo Milesi, Rome. Judging from the style, the cop [+]

Dibujo para unas volutas con la forma de una arpía
Pencil, Pencil ground, Grey-brown ink on blue paper. Last third of the XVI century
Cambiaso, Luca
Dibujo para unas volutas con la forma de una arpía
Pencil, Pencil ground, Grey-brown ink on blue paper. Last third of the XVI century
Cambiaso, Luca

The fantastic creature in the present sheet resembles those appearing as crests of helmets in some ornamental suits of armor manufactured in Northern Italy in the middle of the sixteenth century, part [+]

Two winged putti supporting an escutcheon on top of a cornice
Pencil, Grey-brown ink, White lead, Wash on blue paper. XVI century
Garofalo (Attributed To)
Two winged putti supporting an escutcheon on top of a cornice
Pencil, Grey-brown ink, White lead, Wash on blue paper. XVI century
Garofalo (Attributed To)

It looks like an artist from central Italy between the mid to late 16th century. [+]

Design for scrollwork in the form of a gryphon
Pencil, Pencil ground, Grey-brown ink on blue paper. Last third of the XVI century
Cambiaso, Luca
Design for scrollwork in the form of a gryphon
Pencil, Pencil ground, Grey-brown ink on blue paper. Last third of the XVI century
Cambiaso, Luca

[+]

Saint Roch in Glory
Grey ink, White lead, Wash on blue paper. Late XVI century
Anonymous
Saint Roch in Glory
Grey ink, White lead, Wash on blue paper. Late XVI century
Anonymous

This good copy, probably datable from the late sixteenth century, is after Tintoretto´s fresco in the Sala dell´Albergo, the Scuola Grande di San Rocco, Venice. [+]

Military ruler seated on a throne, listening to the pleas of a man standing before a counsel
Pencil ground, Blue ink, Wash on paper. Late XVI century
Anonymous
Military ruler seated on a throne, listening to the pleas of a man standing before a counsel
Pencil ground, Blue ink, Wash on paper. Late XVI century
Anonymous

The drawing may be Napolitan, by an artist in the orbit of Belisario Corenzio (active 1590-1646), though this is no more than a guess. The dramatic, light blue-grey wash reminded Paul Joannides of the [+]

Christ in Glory between Moses and Elijah, with Three Apostles Crouching on the Ground, from The Transfiguration
Red chalk, Blue ink, White lead on brown paper. XVI century
Anonymous
Christ in Glory between Moses and Elijah, with Three Apostles Crouching on the Ground, from The Transfiguration
Red chalk, Blue ink, White lead on brown paper. XVI century
Anonymous

This is a mediocre copy of Raphael´s famous altarpiece now in the Pinacoteca Vaticana, Rome, which the artist began in 1519 and which was left unfinished at his death. [+]

Horse Leaping
Pencil, Pencil ground, Grey-brown ink, Grey-brown wash, Blue wash on yellow paper. XVII century
Anonymous
Horse Leaping
Pencil, Pencil ground, Grey-brown ink, Grey-brown wash, Blue wash on yellow paper. XVII century
Anonymous

The composition is based on one of the prints in Tempesta´s Serie dei cavalli. The print in question is the fifteenth in the series. [+]

Jupiter and Semele
Pencil, Pencil ground, Grey-brown ink, Blue wash on paper. XVI century
Anonymous
Jupiter and Semele
Pencil, Pencil ground, Grey-brown ink, Blue wash on paper. XVI century
Anonymous

[+]

Flight into Egypt
Pencil, Grey-brown ink, Blue wash on yellow paper. XVII century
Anonymous
Flight into Egypt
Pencil, Grey-brown ink, Blue wash on yellow paper. XVII century
Anonymous

As a Pouncey observed (note on the mount), this is a copy after Camillo Procaccini. [+]

The Baptism of Christ
Pencil, Black ink, Blue wash on dark yellow laid paper. 1667
Ruiz González, Pedro
The Baptism of Christ
Pencil, Black ink, Blue wash on dark yellow laid paper. 1667
Ruiz González, Pedro

Jesús, semiarrodillado en una piedra, aguarda el bautismo. San Juan agachado recoge el agua del río Jordán. Dos ángeles, tras Jesús, sostienen sus vestiduras; otros a la derecha dialogan. En el cielo [+]

Way to Calvary
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on blue paper. Second half of the XVI century
Tibaldi, Pellegrino (Attributed To)
Way to Calvary
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on blue paper. Second half of the XVI century
Tibaldi, Pellegrino (Attributed To)

Traditionally placed as after Pellegrino Tibaldi, whose frescoes of The Stories of Christ´s Passion painted in 1587-90 in the Escorial are similar in format to the composition of this drawing. [+]

Pietà
Pencil, Pencil ground, Red chalk, Grey-brown ink, White lead on blue paper. 1580 - 1586
Candid, Pieter
Pietà
Pencil, Pencil ground, Red chalk, Grey-brown ink, White lead on blue paper. 1580 - 1586
Candid, Pieter

This is without a doubt one of the finest drawings done in Italy during the sixteenth century from the Prado´s collection. Peter Candid, the artist responsible, was not however Italian by birth but Ne [+]

Moses Closing the Waters of the Red Sea over Pharaoh's Hosts
Pencil, Grey-brown ink, Blue wash on blue paper. XVI century
Anonymous
Moses Closing the Waters of the Red Sea over Pharaoh's Hosts
Pencil, Grey-brown ink, Blue wash on blue paper. XVI century
Anonymous

The composition by Polidoro da Caravaggio is known from a number of drawn copies (Ravelli, 1978, pp. 224-225, nos. 273-277). Like the subject of the following drawing, Moses Closing the Waters of the [+]

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