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En pie, sobre el creciente de la luna, con las manos juntas y la cabeza ligeramente vuelta a la derecha. Tres ángeles niños le acompañan con la palma, el cetro y el espejo, símbolos de la letanía mari [+]
This preparatory drawing for number 69 of the Disasters of War, Nothing. The Event will tell, very freely presents the original idea, and does not belong to the group of red-chalk drawings for that fi [+]
Jesús, semiarrodillado en una piedra, aguarda el bautismo. San Juan agachado recoge el agua del río Jordán. Dos ángeles, tras Jesús, sostienen sus vestiduras; otros a la derecha dialogan. En el cielo [+]
This is without a doubt one of the finest drawings done in Italy during the sixteenth century from the Prado´s collection. Peter Candid, the artist responsible, was not however Italian by birth but Ne [+]
En la escena se presenta, a la izquierda, ante el portal, a la Virgen sentada con el Niño en pie en sus rodillas. Tras ella San José acodado y con la cabeza apoyada en el brazo. Melchor, arrodillado, [+]
En este apunte se aprecia la espontaneidad y la gran capacidad de observación de Blay, que utiliza aquí una técnica muy cercana a los dibujos modernistas, de trazos descriptivos, muy largos y lineales [+]
Laid down onto an old, blue-paper backing, with an Italian attribution to Cambiaso. Close in handling to drawings by Luca Cambiaso himself, but probably not good enough to be by him. [+]
The two saints kneeling in the foreground are the little-known St. John of Matha, a native of Faucon in Provence, and St. Felix of Valois, who lived at the turn of the twelfth century. Both were found [+]
The cathedral of Oviedo, in the nineteenth century, undergoes the reform of the main chapel completed with the installation of the new altar and tabernacle in 1869, created by the architect Juan de Ma [+]
This fast and loose sketch, made in black chalk with very few lines and surely drawn from life, is a preparatory work for a figure in the tapestry cartoon Dance on the banks of the Manzanares (1777). [+]
Sketchbook F, sheet 7. The earliest works in this sketchbook were drawn on reused paper. The circular mark near the top left of this sheet is an artifact of a stamp that guaranteed authenticity by an [+]
Manuel Salvador Carmona was the most important academic engraver in 18th-century Spain. In addition to impressions of his prints, the Museo del Prado also has a large group of his drawings, including [+]
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