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The Immaculate Conception
Pencil, Blue wash on yellow laid paper. XVII century
Anonymous
The Immaculate Conception
Pencil, Blue wash on yellow laid paper. XVII century
Anonymous

En pie, sobre el creciente de la luna, con las manos juntas y la cabeza ligeramente vuelta a la derecha. Tres ángeles niños le acompañan con la palma, el cetro y el espejo, símbolos de la letanía mari [+]

Nothing. The Event will tell
Touches of white chalk, Grey-brown wash, Gouache / tempera on blue laid paper. 1814 - 1815
Goya y Lucientes, Francisco de
Nothing. The Event will tell
Touches of white chalk, Grey-brown wash, Gouache / tempera on blue laid paper. 1814 - 1815
Goya y Lucientes, Francisco de

This preparatory drawing for number 69 of the Disasters of War, Nothing. The Event will tell, very freely presents the original idea, and does not belong to the group of red-chalk drawings for that fi [+]

The Baptism of Christ
Pencil, Black ink, Blue wash on dark yellow laid paper. 1667
Ruiz González, Pedro
The Baptism of Christ
Pencil, Black ink, Blue wash on dark yellow laid paper. 1667
Ruiz González, Pedro

Jesús, semiarrodillado en una piedra, aguarda el bautismo. San Juan agachado recoge el agua del río Jordán. Dos ángeles, tras Jesús, sostienen sus vestiduras; otros a la derecha dialogan. En el cielo [+]

Pietà
Pencil, Pencil ground, Red chalk, Grey-brown ink, White lead on blue paper. 1580 - 1586
Candid, Pieter
Pietà
Pencil, Pencil ground, Red chalk, Grey-brown ink, White lead on blue paper. 1580 - 1586
Candid, Pieter

This is without a doubt one of the finest drawings done in Italy during the sixteenth century from the Prado´s collection. Peter Candid, the artist responsible, was not however Italian by birth but Ne [+]

The Adoration of the Magi
Pencil, Grey-brown wash, Blue wash on yellow laid paper. 1689
Gazul, Agustín
The Adoration of the Magi
Pencil, Grey-brown wash, Blue wash on yellow laid paper. 1689
Gazul, Agustín

En la escena se presenta, a la izquierda, ante el portal, a la Virgen sentada con el Niño en pie en sus rodillas. Tras ella San José acodado y con la cabeza apoyada en el brazo. Melchor, arrodillado, [+]

Sketch of a Standing Boy
Charcoal on blue laid paper. 1903
Blay y Fábrega, Miguel
Sketch of a Standing Boy
Charcoal on blue laid paper. 1903
Blay y Fábrega, Miguel

En este apunte se aprecia la espontaneidad y la gran capacidad de observación de Blay, que utiliza aquí una técnica muy cercana a los dibujos modernistas, de trazos descriptivos, muy largos y lineales [+]

Fun (Marsyas?)
Pencil, Grey-brown ink, Wash on brown paper. XVI century
Anonymous (Follower Of Cambiaso, Luca)
Fun (Marsyas?)
Pencil, Grey-brown ink, Wash on brown paper. XVI century
Anonymous (Follower Of Cambiaso, Luca)

Laid down onto an old, blue-paper backing, with an Italian attribution to Cambiaso. Close in handling to drawings by Luca Cambiaso himself, but probably not good enough to be by him. [+]

The Virgin and Child Appearing to St. John of Matha and St. Felix of Valois
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on tinted paper, dark yellow laid paper. Ca. 1580
Calvaert, Denys
The Virgin and Child Appearing to St. John of Matha and St. Felix of Valois
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on tinted paper, dark yellow laid paper. Ca. 1580
Calvaert, Denys

The two saints kneeling in the foreground are the little-known St. John of Matha, a native of Faucon in Provence, and St. Felix of Valois, who lived at the turn of the twelfth century. Both were found [+]

Tabernacle for the cathedral of Oviedo
Pencil, Pencil ground, Grey ink, Black ink, Grey-brown ink, Red ink, Blue ink, Pink ink, Wash on laid paper. 1863 - 1869
Madrazo y Kuntz, Juan de
Tabernacle for the cathedral of Oviedo
Pencil, Pencil ground, Grey ink, Black ink, Grey-brown ink, Red ink, Blue ink, Pink ink, Wash on laid paper. 1863 - 1869
Madrazo y Kuntz, Juan de

The cathedral of Oviedo, in the nineteenth century, undergoes the reform of the main chapel completed with the installation of the new altar and tabernacle in 1869, created by the architect Juan de Ma [+]

Majo keeping time by clapping
Black chalk, Touches of white chalk on blue laid paper. 1777
Goya y Lucientes, Francisco de
Majo keeping time by clapping
Black chalk, Touches of white chalk on blue laid paper. 1777
Goya y Lucientes, Francisco de

This fast and loose sketch, made in black chalk with very few lines and surely drawn from life, is a preparatory work for a figure in the tapestry cartoon Dance on the banks of the Manzanares (1777). [+]

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