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Portrait of a Man
Oil on panel. 1521
Dürer, Albrecht
Portrait of a Man
Oil on panel. 1521
Dürer, Albrecht

This portrait is one of Dürer’s great creations. It offers a three-quarters view of an unidentified person who occupies most of the canvas. Dürer places him in front of a dark background tha [+]

Tomás de Iriarte
Oil on canvas. Ca. 1785
Inza, Joaquín
Tomás de Iriarte
Oil on canvas. Ca. 1785
Inza, Joaquín

An in-depth study of Joaquín Inza is yet to be conducted that would allow us to gauge his role and importance in the panorama of Spanish art in the second half of the eighteenth century. Inza i [+]

The west or Velázquez façade of the Museo del Prado
Albumen on photographic paper. 1860 - 1862
Clifford, Charles
The west or Velázquez façade of the Museo del Prado
Albumen on photographic paper. 1860 - 1862
Clifford, Charles

Designed by Juan de Villanueva, the building that houses the Museo del Prado has always been an indispensable landmark in Madrid’s urban landscape. Since the mid 1820s, numerous artists have taken an [+]

Christ the Saviour blessing
Black chalk, White chalk on blue paper. XVIII century
Bayeu, Francisco
Christ the Saviour blessing
Black chalk, White chalk on blue paper. XVIII century
Bayeu, Francisco

Estudio preparatorio en el que se representa al Salvador bendiciendo de pie, de frente, sobre la bola del mundo. (Texto extractado de Arnáez, R.: Catálogo de Dibujos. II. Dibujos Españoles. Siglo XVII [+]

Sea with Vesuvius in the Background
Watercolour on white paper. 1874
Fortuny, Mariano
Sea with Vesuvius in the Background
Watercolour on white paper. 1874
Fortuny, Mariano

In the summer of 1874, Fortuny found the Tyrrhenian sea to be a constant stimulus for painting outdoors. The cobalt-blue of the expanse of water is the predominant feature of this seascape, depicted f [+]

Head of Christ
Black chalk, White chalk on blue paper. XVIII century
Bayeu, Francisco
Head of Christ
Black chalk, White chalk on blue paper. XVIII century
Bayeu, Francisco

Estudio de la cabeza de Cristo para la figura del dibujo preparatorio Cristo y un ángel entre nubes (D03305), conservado en el Museo Nacional del Prado. (Texto extractado de Arnáez, R.: Catálogo de Di [+]

The Immaculate Conception
Pencil, Blue wash on yellow laid paper. XVII century
Anonymous
The Immaculate Conception
Pencil, Blue wash on yellow laid paper. XVII century
Anonymous

En pie, sobre el creciente de la luna, con las manos juntas y la cabeza ligeramente vuelta a la derecha. Tres ángeles niños le acompañan con la palma, el cetro y el espejo, símbolos de la letanía mari [+]

An Elderly Couple Entreated by a Young Woman
Pencil, Grey-brown ink on blue paper. Second half of the XVI century
Luini, Aurelio
An Elderly Couple Entreated by a Young Woman
Pencil, Grey-brown ink on blue paper. Second half of the XVI century
Luini, Aurelio

This impressive study is a rare example of Aurelio Luini´s finished drawings in pen. The artist is better known for his more rapid pen studies, a feature of which is a rather ragged, disorderly [+]

The Martyrdom of Saint Stephen
Black chalk, Pencil, Grey-brown ink, Blue wash on yellow paper. XVII century
Zanchi, Antonio
The Martyrdom of Saint Stephen
Black chalk, Pencil, Grey-brown ink, Blue wash on yellow paper. XVII century
Zanchi, Antonio

Dibujo en el que se representa en el centro, arrodillado, el Santo rodeado de los sayones que le arrojan piedras. Mientras que en la parte superior es representada la Trinidad (Texto extractado de Men [+]

The Presentation of the Virgin in the Temple
Pencil, Grey-brown ink, White lead, Wash on blue paper. Third quarter of the XVI century
Trometta
The Presentation of the Virgin in the Temple
Pencil, Grey-brown ink, White lead, Wash on blue paper. Third quarter of the XVI century
Trometta

By far the most prestigious commission of Trometta´s entire career was the fresco decoration of the ceiling of the choir of the church of S. Maria in Aracoeli, Rome. On 30 January 1565 he contracted t [+]

Apollo Shooting Arrows at the Children of Niobe
Pencil, Grey ink, Wash on blue paper. XVIII century
Anonymous
Apollo Shooting Arrows at the Children of Niobe
Pencil, Grey ink, Wash on blue paper. XVIII century
Anonymous

As J.A. Gere pointed out in 1981 (pencil note on the modern museum mount), the composition is taken from Polidoro´s facade decoration of the Palazzo Milesi, Rome. Judging from the style, the cop [+]

Dibujo para unas volutas con la forma de una arpía
Pencil, Pencil ground, Grey-brown ink on blue paper. Last third of the XVI century
Cambiaso, Luca
Dibujo para unas volutas con la forma de una arpía
Pencil, Pencil ground, Grey-brown ink on blue paper. Last third of the XVI century
Cambiaso, Luca

The fantastic creature in the present sheet resembles those appearing as crests of helmets in some ornamental suits of armor manufactured in Northern Italy in the middle of the sixteenth century, part [+]

Two winged putti supporting an escutcheon on top of a cornice
Pencil, Grey-brown ink, White lead, Wash on blue paper. XVI century
Garofalo (Attributed To)
Two winged putti supporting an escutcheon on top of a cornice
Pencil, Grey-brown ink, White lead, Wash on blue paper. XVI century
Garofalo (Attributed To)

It looks like an artist from central Italy between the mid to late 16th century. [+]

Design for scrollwork in the form of a gryphon
Pencil, Pencil ground, Grey-brown ink on blue paper. Last third of the XVI century
Cambiaso, Luca
Design for scrollwork in the form of a gryphon
Pencil, Pencil ground, Grey-brown ink on blue paper. Last third of the XVI century
Cambiaso, Luca

[+]

Nothing. The Event will tell
Touches of white chalk, Grey-brown wash, Gouache / tempera on blue laid paper. 1814 - 1815
Goya y Lucientes, Francisco de
Nothing. The Event will tell
Touches of white chalk, Grey-brown wash, Gouache / tempera on blue laid paper. 1814 - 1815
Goya y Lucientes, Francisco de

This preparatory drawing for number 69 of the Disasters of War, Nothing. The Event will tell, very freely presents the original idea, and does not belong to the group of red-chalk drawings for that fi [+]

Saint Roch in Glory
Grey ink, White lead, Wash on blue paper. Late XVI century
Anonymous
Saint Roch in Glory
Grey ink, White lead, Wash on blue paper. Late XVI century
Anonymous

This good copy, probably datable from the late sixteenth century, is after Tintoretto´s fresco in the Sala dell´Albergo, the Scuola Grande di San Rocco, Venice. [+]

Military ruler seated on a throne, listening to the pleas of a man standing before a counsel
Pencil ground, Blue ink, Wash on paper. Late XVI century
Anonymous
Military ruler seated on a throne, listening to the pleas of a man standing before a counsel
Pencil ground, Blue ink, Wash on paper. Late XVI century
Anonymous

The drawing may be Napolitan, by an artist in the orbit of Belisario Corenzio (active 1590-1646), though this is no more than a guess. The dramatic, light blue-grey wash reminded Paul Joannides of the [+]

Idyll
Watercolour, Gouache / tempera on paper. 1868
Fortuny, Mariano
Idyll
Watercolour, Gouache / tempera on paper. 1868
Fortuny, Mariano

This watercolor offers a profile view -similar to a low relief- of a child or young faun sitting on a fragment of an Ionic entablature with egg-and-dart decorations above an astragal. The slender, nud [+]

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