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The Immaculate Conception
Pencil, Blue wash on yellow laid paper. XVII century
Anonymous
The Immaculate Conception
Pencil, Blue wash on yellow laid paper. XVII century
Anonymous

En pie, sobre el creciente de la luna, con las manos juntas y la cabeza ligeramente vuelta a la derecha. Tres ángeles niños le acompañan con la palma, el cetro y el espejo, símbolos de la letanía mari [+]

Apollo Shooting Arrows at the Children of Niobe
Pencil, Grey ink, Wash on blue paper. XVIII century
Anonymous
Apollo Shooting Arrows at the Children of Niobe
Pencil, Grey ink, Wash on blue paper. XVIII century
Anonymous

As J.A. Gere pointed out in 1981 (pencil note on the modern museum mount), the composition is taken from Polidoro´s facade decoration of the Palazzo Milesi, Rome. Judging from the style, the cop [+]

Saint Roch in Glory
Grey ink, White lead, Wash on blue paper. Late XVI century
Anonymous
Saint Roch in Glory
Grey ink, White lead, Wash on blue paper. Late XVI century
Anonymous

This good copy, probably datable from the late sixteenth century, is after Tintoretto´s fresco in the Sala dell´Albergo, the Scuola Grande di San Rocco, Venice. [+]

Military ruler seated on a throne, listening to the pleas of a man standing before a counsel
Pencil ground, Blue ink, Wash on paper. Late XVI century
Anonymous
Military ruler seated on a throne, listening to the pleas of a man standing before a counsel
Pencil ground, Blue ink, Wash on paper. Late XVI century
Anonymous

The drawing may be Napolitan, by an artist in the orbit of Belisario Corenzio (active 1590-1646), though this is no more than a guess. The dramatic, light blue-grey wash reminded Paul Joannides of the [+]

Christ in Glory between Moses and Elijah, with Three Apostles Crouching on the Ground, from The Transfiguration
Red chalk, Blue ink, White lead on brown paper. XVI century
Anonymous
Christ in Glory between Moses and Elijah, with Three Apostles Crouching on the Ground, from The Transfiguration
Red chalk, Blue ink, White lead on brown paper. XVI century
Anonymous

This is a mediocre copy of Raphael´s famous altarpiece now in the Pinacoteca Vaticana, Rome, which the artist began in 1519 and which was left unfinished at his death. [+]

Horse Leaping
Pencil, Pencil ground, Grey-brown ink, Grey-brown wash, Blue wash on yellow paper. XVII century
Anonymous
Horse Leaping
Pencil, Pencil ground, Grey-brown ink, Grey-brown wash, Blue wash on yellow paper. XVII century
Anonymous

The composition is based on one of the prints in Tempesta´s Serie dei cavalli. The print in question is the fifteenth in the series. [+]

Jupiter and Semele
Pencil, Pencil ground, Grey-brown ink, Blue wash on paper. XVI century
Anonymous
Jupiter and Semele
Pencil, Pencil ground, Grey-brown ink, Blue wash on paper. XVI century
Anonymous

[+]

The Virgin and Child
Blue chalk, Brown chalk, Red chalk, Charcoal, White chalk on white paper. XVIII century
Anonymous
The Virgin and Child
Blue chalk, Brown chalk, Red chalk, Charcoal, White chalk on white paper. XVIII century
Anonymous

Dibujo con representación de la Virgen y el Niño relacionado con el estilo de los artistas venecianos del siglo XVIII (Texto extractado de Mena Marqués, M.: Catálogo de dibujos. VII. Dibujos italianos [+]

Flight into Egypt
Pencil, Grey-brown ink, Blue wash on yellow paper. XVII century
Anonymous
Flight into Egypt
Pencil, Grey-brown ink, Blue wash on yellow paper. XVII century
Anonymous

As a Pouncey observed (note on the mount), this is a copy after Camillo Procaccini. [+]

The Triumph of David
Black chalk, Grey-brown wash, White lead on blue paper. 1688
Anonymous
The Triumph of David
Black chalk, Grey-brown wash, White lead on blue paper. 1688
Anonymous

Dibujo que presenta en primer termino a David en pie, con la espada y la honda en el brazo derecho y apoyado el izquierdo sobre la cabeza de Goliath que yace sobre un ara; en ella dos angelitos suenan [+]

Moses Closing the Waters of the Red Sea over Pharaoh's Hosts
Pencil, Grey-brown ink, Blue wash on blue paper. XVI century
Anonymous
Moses Closing the Waters of the Red Sea over Pharaoh's Hosts
Pencil, Grey-brown ink, Blue wash on blue paper. XVI century
Anonymous

The composition by Polidoro da Caravaggio is known from a number of drawn copies (Ravelli, 1978, pp. 224-225, nos. 273-277). Like the subject of the following drawing, Moses Closing the Waters of the [+]

Three Figures from a Composition of The Gathering of the Manna
Pencil, Grey-brown ink, Blue wash on yellow paper. XVI century
Anonymous
Three Figures from a Composition of The Gathering of the Manna
Pencil, Grey-brown ink, Blue wash on yellow paper. XVI century
Anonymous

The figures of a woman with a basket on her head, a young man with a large amphora and a youth holding a basket to his side are found on the left of a composition by Polidoro da Caravaggio of The Gath [+]

The Youthful St. John the Baptist
Pencil, Grey-brown ink, White lead, Wash on blue paper. XVIII century
Anonymous
The Youthful St. John the Baptist
Pencil, Grey-brown ink, White lead, Wash on blue paper. XVIII century
Anonymous

This is clearly a pastiche in the manner of Parmigianino, apparently by an eighteen-century hand, after a prototype that remains to be identified. [+]

Penitent Magdalen
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on blue paper. Early Finales del siglo XVI - XVII century
Anonymous
Penitent Magdalen
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on blue paper. Early Finales del siglo XVI - XVII century
Anonymous

[+]

Unidentified scene from Ancient History
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on blue paper. Second half of the XVI century
Anonymous
Unidentified scene from Ancient History
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on blue paper. Second half of the XVI century
Anonymous

The original drawing recorded in this copy was probably intended as a design for maiolica. The subject may be Artaxerxes pointing to the head of Cyrus. [+]

Saint Cecilia
Black chalk, White chalk on blue paper. First third of the XVIII century
Anonymous
Saint Cecilia
Black chalk, White chalk on blue paper. First third of the XVIII century
Anonymous

La composición perfectamente encuadrada. En el centro, Santa Cecilia, sentada y tocando un órgano, un angelito, ante ella, le muestra la partitura. Dibujo romano del primer tercio del siglo XVIII, que [+]

Fun (Marsyas?)
Pencil, Grey-brown ink, Wash on brown paper. XVI century
Anonymous
Fun (Marsyas?)
Pencil, Grey-brown ink, Wash on brown paper. XVI century
Anonymous

Laid down onto an old, blue-paper backing, with an Italian attribution to Cambiaso. Close in handling to drawings by Luca Cambiaso himself, but probably not good enough to be by him. [+]

Saint Andrew
Pencil ground, Ink, Blue wash on dark yellow paper. XVII century
Anonymous
Saint Andrew
Pencil ground, Ink, Blue wash on dark yellow paper. XVII century
Anonymous

Copia de una estampa de Golzio, bien conocida y copiada infinidad de veces.En el reverso encontramos una serie de apuntes de desnudos.Es probable que, como dice la anotación, sea obra madrileña. No fi [+]

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