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Nothing. The Event will tell
Touches of white chalk, Grey-brown wash, Gouache / tempera on blue laid paper. 1814 - 1815
Goya y Lucientes, Francisco de
Nothing. The Event will tell
Touches of white chalk, Grey-brown wash, Gouache / tempera on blue laid paper. 1814 - 1815
Goya y Lucientes, Francisco de

This preparatory drawing for number 69 of the Disasters of War, Nothing. The Event will tell, very freely presents the original idea, and does not belong to the group of red-chalk drawings for that final work, which it only distantly resembles. More has been written about Nothing. The Event will tell, than about any other preparatory drawing for the Disasters. Its cryptic character has sparked a v

Street Performers
Grey-brown wash on dark yellow laid paper, continuous red paper. 1812 - 1820
Goya y Lucientes, Francisco de
Street Performers
Grey-brown wash on dark yellow laid paper, continuous red paper. 1812 - 1820
Goya y Lucientes, Francisco de

Sketchbook F, sheet 7. The earliest works in this sketchbook were drawn on reused paper. The circular mark near the top left of this sheet is an artifact of a stamp that guaranteed authenticity by an expert or institution. The seal in blue ink at the top is that of the Museo Nacional de Pinturas or Museo de la Trinidad, where the drawing was previously housed. In a festive atmosphere, a dancer wit

Majo keeping time by clapping
Black chalk, Touches of white chalk on blue laid paper, brown paper. 1777
Goya y Lucientes, Francisco de
Majo keeping time by clapping
Black chalk, Touches of white chalk on blue laid paper, brown paper. 1777
Goya y Lucientes, Francisco de

This fast and loose sketch, made in black chalk with very few lines and surely drawn from life, is a preparatory work for a figure in the tapestry cartoon Dance on the banks of the Manzanares (1777). The individuality of the face is achieved with a single line; a few short lines mark the sideburn, and vigorous, confident strokes depict the hat. The scarce clarity highlights the contours, and defin

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