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Judith offering the Head of Holofernes
Oil on panel. 1636
Bray, Salomon de
Judith offering the Head of Holofernes
Oil on panel. 1636
Bray, Salomon de

This painting entered the Prado as an original by Philips de Koninck (1619-1688), though in the 1873 catalogue it is attributed to Salomon Koninck (1609-1656). Adecade later, in the 1885 edition, Bred [+]

The Immaculate Conception
Pencil, Blue wash on yellow laid paper. XVII century
Anonymous
The Immaculate Conception
Pencil, Blue wash on yellow laid paper. XVII century
Anonymous

En pie, sobre el creciente de la luna, con las manos juntas y la cabeza ligeramente vuelta a la derecha. Tres ángeles niños le acompañan con la palma, el cetro y el espejo, símbolos de la letanía mari [+]

The Martyrdom of Saint Stephen
Black chalk, Pencil, Grey-brown ink, Blue wash on yellow paper. XVII century
Zanchi, Antonio
The Martyrdom of Saint Stephen
Black chalk, Pencil, Grey-brown ink, Blue wash on yellow paper. XVII century
Zanchi, Antonio

Dibujo en el que se representa en el centro, arrodillado, el Santo rodeado de los sayones que le arrojan piedras. Mientras que en la parte superior es representada la Trinidad (Texto extractado de Men [+]

Apollo Shooting Arrows at the Children of Niobe
Pencil, Grey ink, Wash on blue paper. XVIII century
Anonymous
Apollo Shooting Arrows at the Children of Niobe
Pencil, Grey ink, Wash on blue paper. XVIII century
Anonymous

As J.A. Gere pointed out in 1981 (pencil note on the modern museum mount), the composition is taken from Polidoro´s facade decoration of the Palazzo Milesi, Rome. Judging from the style, the cop [+]

Two winged putti supporting an escutcheon on top of a cornice
Pencil, Grey-brown ink, White lead, Wash on blue paper. XVI century
Garofalo (Attributed To)
Two winged putti supporting an escutcheon on top of a cornice
Pencil, Grey-brown ink, White lead, Wash on blue paper. XVI century
Garofalo (Attributed To)

It looks like an artist from central Italy between the mid to late 16th century. [+]

Saint Roch in Glory
Grey ink, White lead, Wash on blue paper. Late XVI century
Anonymous
Saint Roch in Glory
Grey ink, White lead, Wash on blue paper. Late XVI century
Anonymous

This good copy, probably datable from the late sixteenth century, is after Tintoretto´s fresco in the Sala dell´Albergo, the Scuola Grande di San Rocco, Venice. [+]

Military ruler seated on a throne, listening to the pleas of a man standing before a counsel
Pencil ground, Blue ink, Wash on paper. Late XVI century
Anonymous
Military ruler seated on a throne, listening to the pleas of a man standing before a counsel
Pencil ground, Blue ink, Wash on paper. Late XVI century
Anonymous

The drawing may be Napolitan, by an artist in the orbit of Belisario Corenzio (active 1590-1646), though this is no more than a guess. The dramatic, light blue-grey wash reminded Paul Joannides of the [+]

Horse Leaping
Pencil, Pencil ground, Grey-brown ink, Grey-brown wash, Blue wash on yellow paper. XVII century
Anonymous
Horse Leaping
Pencil, Pencil ground, Grey-brown ink, Grey-brown wash, Blue wash on yellow paper. XVII century
Anonymous

The composition is based on one of the prints in Tempesta´s Serie dei cavalli. The print in question is the fifteenth in the series. [+]

Flight into Egypt
Pencil, Grey-brown ink, Blue wash on yellow paper. XVII century
Anonymous
Flight into Egypt
Pencil, Grey-brown ink, Blue wash on yellow paper. XVII century
Anonymous

As a Pouncey observed (note on the mount), this is a copy after Camillo Procaccini. [+]

The Baptism of Christ
Pencil, Black ink, Blue wash on dark yellow laid paper. 1667
Ruiz González, Pedro
The Baptism of Christ
Pencil, Black ink, Blue wash on dark yellow laid paper. 1667
Ruiz González, Pedro

Jesús, semiarrodillado en una piedra, aguarda el bautismo. San Juan agachado recoge el agua del río Jordán. Dos ángeles, tras Jesús, sostienen sus vestiduras; otros a la derecha dialogan. En el cielo [+]

Way to Calvary
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on blue paper. Second half of the XVI century
Tibaldi, Pellegrino (Attributed To)
Way to Calvary
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on blue paper. Second half of the XVI century
Tibaldi, Pellegrino (Attributed To)

Traditionally placed as after Pellegrino Tibaldi, whose frescoes of The Stories of Christ´s Passion painted in 1587-90 in the Escorial are similar in format to the composition of this drawing. [+]

The Triumph of David
Black chalk, Grey-brown wash, White lead on blue paper. 1688
Anonymous
The Triumph of David
Black chalk, Grey-brown wash, White lead on blue paper. 1688
Anonymous

Dibujo que presenta en primer termino a David en pie, con la espada y la honda en el brazo derecho y apoyado el izquierdo sobre la cabeza de Goliath que yace sobre un ara; en ella dos angelitos suenan [+]

Moses Closing the Waters of the Red Sea over Pharaoh's Hosts
Pencil, Grey-brown ink, Blue wash on blue paper. XVI century
Anonymous
Moses Closing the Waters of the Red Sea over Pharaoh's Hosts
Pencil, Grey-brown ink, Blue wash on blue paper. XVI century
Anonymous

The composition by Polidoro da Caravaggio is known from a number of drawn copies (Ravelli, 1978, pp. 224-225, nos. 273-277). Like the subject of the following drawing, Moses Closing the Waters of the [+]

The Adoration of the Magi
Pencil, Grey-brown wash, Blue wash on yellow laid paper. 1689
Gazul, Agustín
The Adoration of the Magi
Pencil, Grey-brown wash, Blue wash on yellow laid paper. 1689
Gazul, Agustín

En la escena se presenta, a la izquierda, ante el portal, a la Virgen sentada con el Niño en pie en sus rodillas. Tras ella San José acodado y con la cabeza apoyada en el brazo. Melchor, arrodillado, [+]

Three Figures from a Composition of The Gathering of the Manna
Pencil, Grey-brown ink, Blue wash on yellow paper. XVI century
Anonymous
Three Figures from a Composition of The Gathering of the Manna
Pencil, Grey-brown ink, Blue wash on yellow paper. XVI century
Anonymous

The figures of a woman with a basket on her head, a young man with a large amphora and a youth holding a basket to his side are found on the left of a composition by Polidoro da Caravaggio of The Gath [+]

The Youthful St. John the Baptist
Pencil, Grey-brown ink, White lead, Wash on blue paper. XVIII century
Anonymous
The Youthful St. John the Baptist
Pencil, Grey-brown ink, White lead, Wash on blue paper. XVIII century
Anonymous

This is clearly a pastiche in the manner of Parmigianino, apparently by an eighteen-century hand, after a prototype that remains to be identified. [+]

Penitent Magdalen
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on blue paper. Early Finales del siglo XVI - XVII century
Anonymous
Penitent Magdalen
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on blue paper. Early Finales del siglo XVI - XVII century
Anonymous

[+]

Hercules Firing an Arrow at the Centaur Nessus, who flees with the Nymph Dejanira on his Back
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on blue paper. 1550 - 1560
Brusasorci, Domenico (Attributed To)
Hercules Firing an Arrow at the Centaur Nessus, who flees with the Nymph Dejanira on his Back
Pencil, Pencil ground, Grey-brown ink, White lead, Wash on blue paper. 1550 - 1560
Brusasorci, Domenico (Attributed To)

Classified in the collections of Brun and Fernández Durán as by Paolo Farinati (1524-1606). The silvery finish, suggested by the copious white heightening on a support of light blue-grey [+]

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