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Born in El Escorial in 1609, don Fernando was the son of Philip III and Margarita de Austria, and thus Philip IV´s brother. As a result, he held very high posts. In 1619, he was appointed cardinal and [+]
The sitter`s elaborate dress, the baton of command he holds in his right hand and the sword on which his left hand rest all indicate that he is a military figure. The military context in further sugge [+]
This painting depicts the battle of Fleurus, near Brussels, which pitted troops from the Catholic League commanded by General Gonzalo Fernández de Córdoba against Protestant Union soldie [+]
While there is no documentation indicating this work was made for the Torre de la Parada, its subject suggests a relation to paintings intended for that hunting lodge. Unlike other painters, Vel&aacut [+]
Born to Philip IV and Elizabeth of Bourbon in 1629, Baltasar Carlos was crown prince until his death in 1646. As such, he was the subject of numerous paintings, most of which are related to Velá [+]
The inscription at the lower left serves to date this portrait between October 1635 and the same month the following year. At that time, following his first Italian visit and his permanent and conscie [+]
Bordeaux Sketchbook [H], sheet 6. Goya constructed his drawings with minimal spatial references and summary descriptions of objects that help to define the subject, but occasionally their schematic na [+]
Es una litografía de Juan Antonio López (activo en Madrid entre 1826 y 1840) que reproduce un lienzo obra del taller de Diego Rodríguez de Silva y Velázquez conservado en el Museo Nacional del Prado ( [+]
Es una litografía de Florentino Decraene (1793-1852) que reproduce el lienzo de Velázquez conservado en el Museo Nacional del Prado (P01172). La estampa se encuadernó en el segundo volumen, cuadernill [+]
Es una litografía de Juan Antonio López que reproduce un lienzo obra del taller de Diego Rodríguez de Silva y Velázquez conservada en el Museo Nacional del Prado (P01233).Baltasar Carlos había nacido [+]
Es una litografía de Pierre-Jules Jollivet que reproduce uno de los lienzos de la serie de batallas del Salón de Reinos del palacio del Buen Retiro de Eugenio Cajés conservado en el Museo Nacional del [+]
The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]
Es una litografía de Pierre-Jules Jollivet (1784-1871) que reproduce uno de los lienzos de la serie de batallas del Salón de Reinos del palacio del Buen Retiro de Eugenio Cajés conservado en el Museo [+]
Es una litografía de Pierre-Jules Jollivet (1784-1871) que reproduce uno de los lienzos de la serie de batallas del Salón de Reinos del palacio del Buen Retiro de Eugenio Cajés conservado en el Museo [+]
The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]
Es una litografía de Florentino Decraene (1793-1852) que reproduce el lienzo de Velázquez conservado en el Museo Nacional del Prado (P01172). La estampa se encuadernó en el segundo volumen, cuadernill [+]
Es una litografía de Juan Antonio López (activo en Madrid entre 1826 y 1840) que reproduce un lienzo obra del taller de Diego Rodríguez de Silva y Velázquez conservado en el Museo Nacional del Prado ( [+]
Es una litografía de Pierre-Jules Jollivet (1794-1871) que reproduce uno de los lienzos de la serie de batallas del Salón de Reinos del palacio del Buen Retiro de Eugenio Cajés conservado en el Museo [+]
