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Head of a Woman
Charcoal, Blurred / softened / rubbed on dark yellow laid paper. XVII century
Carreño de Miranda, Juan
Head of a Woman
Charcoal, Blurred / softened / rubbed on dark yellow laid paper. XVII century
Carreño de Miranda, Juan

Sibyl
Pencil, Prepared with a stylus, Blurred / softened / rubbed on paper. 1525 - 1530
Romano, Giulio (Giovanni Francesco Penni)
Sibyl
Pencil, Prepared with a stylus, Blurred / softened / rubbed on paper. 1525 - 1530
Romano, Giulio (Giovanni Francesco Penni)

This is the most Raphaelesque of all the sixteenth-century Italian drawings in the Prado, the confident style of drawing in black chalk echoing that of Raphael´s own late drawings in the medium, above all his studies for heads in the Transfiguration in the PinacotecaVaticana, in the British Museum, London, the Ashmolean Museum, Oxford, and elsewhere. Here in the Prado drawing, the execution is fin

The Virgin and Child
Black chalk, Blurred / softened / rubbed on laid paper. Second half of the XVIII century
Anonymous
The Virgin and Child
Black chalk, Blurred / softened / rubbed on laid paper. Second half of the XVIII century
Anonymous

Dibujo en el que se representa a la Virgen sentada, junto a la cuna, con el Niño Jesús en las rodillas, coge unas frutas de una mesita próxima. (Texto extractado de Pérez Sánchez, Alfonso E.: Catálogo de Dibujos. II. Dibujos Españoles. Siglo XVIII (C-Z), Museo del Prado, Madrid, 1977, p. 115).

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