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Venice was the predominant subject of most of Rico’s paintings, since he spent the summer months there for over thirty years. He was particularly interested in the bustling commercial life of the dock [+]
Una barca de vela izada permanece en la orilla junto a un grupo de personas. La pincelada briosa y muy empastada, observable a simple vista, delata que el cuadro se trata de un apunte rápido, tomado d [+]
On the shore, Saint Francis receives a young man dressed in a black habit, ruff collar and hat, whom Christ carries over the water. In the background: a boat and an embankment with two figures.This ca [+]
After being brought to Iria, in Galicia, by boat -the scene visible in the background of the painting- Saint James’s body was carried in a cart pulled by two bulls. In this painting, Athanasius and Th [+]
David Roberts was one of the British romantic painters who traveled through Spain, capturing images that best represented the landscape and picturesque aspects of this country, especially in Andalusia [+]
Es un fragmento de una composición mayor. Figuró en la colección del duque del Arco (1745 y 1794). En 1818 consta en el Palacio de Aranjuez, desde donde es enviado al Museo (Texto extractado de Posada [+]
Es el cuadro más avanzado en la evolución de la obra de Claudio de Lorena que posee el Museo del Prado. Formaba pareja con otro lienzo perdido o destruido a comienzos del siglo XIX. En el inventario d [+]
Saint Anthony, whom the artist has been able to place in the immediate foreground of this panel by using a landscape format, closely resembles the saint depicted in the Saint Anthony triptych in Lisbo [+]
This emblematic picture is undoubtedly the best-known work on a social theme produced by Sorolla in his youth. It is also an especially good example of how fully the artist became involved in a genre [+]
This painting is illustrative of the beach scenes monopolised in Utrecht by the Willaerts family, who combined the two typical genres of Dutch painting in their work: seascapes and genre scenes. They [+]
These two seascapes (P1581 and P1582) are traditionally considered pendants. In the Museum`s older catalogues and inventories they are attributed to Cornelis Molenaer (ca. 1540-1589) until 1933. As of [+]
The format and the dimensions of this picture and the high horizon line allow for rendition of a large landscape, which displays what are generally regarded as the defining characteristics of Patinir` [+]
In addition to the originality of its subject, this painting by Patinir is also remarkable for its unusual composition within Patinir`s oeuvre. The artist has divided the space vertically into three z [+]
Having delivered the Bacchus and Ariadne in 1523 Titian then painted The Andrians, also inspired by Philostratus (Imagines I, 25). The scene is set on the island of Andros, a place so favoured by Bacc [+]
While Carlos de Haes was the first in Spain to begin plein air painting, he didn´t always paint his landscapes that way. The present work is an example of a studio painting based on sketches made dire [+]
A panorama whose exquisitely contrasting colors -in the sky and in the dark green trees- reflect a prodigious mastery of light drawn from knowledge of Venetian techniques and Bolognese aesthetic conce [+]
This mythological scene is one of the three currently-known paintings by Pieter Fris. It depicts the moment when Orpheus, having descended into the realm of darkness to search for his wife Eurydice, k [+]
Among the hunters depicted here are Ferdinand I, King of the Romans, on the left in the foreground, and the Elector of Saxony in the centre. On the other side of the river and holding a crossbow is th [+]
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