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Venice was the predominant subject of most of Rico’s paintings, since he spent the summer months there for over thirty years. He was particularly interested in the bustling commercial life of the dock [+]
Una barca de vela izada permanece en la orilla junto a un grupo de personas. La pincelada briosa y muy empastada, observable a simple vista, delata que el cuadro se trata de un apunte rápido, tomado d [+]
On the shore, Saint Francis receives a young man dressed in a black habit, ruff collar and hat, whom Christ carries over the water. In the background: a boat and an embankment with two figures.This ca [+]
Es un fragmento de una composición mayor. Figuró en la colección del duque del Arco (1745 y 1794). En 1818 consta en el Palacio de Aranjuez, desde donde es enviado al Museo (Texto extractado de Posada [+]
This emblematic picture is undoubtedly the best-known work on a social theme produced by Sorolla in his youth. It is also an especially good example of how fully the artist became involved in a genre [+]
The format and the dimensions of this picture and the high horizon line allow for rendition of a large landscape, which displays what are generally regarded as the defining characteristics of Patinir` [+]
While Carlos de Haes was the first in Spain to begin plein air painting, he didn´t always paint his landscapes that way. The present work is an example of a studio painting based on sketches made dire [+]
Among the hunters depicted here are Ferdinand I, King of the Romans, on the left in the foreground, and the Elector of Saxony in the centre. On the other side of the river and holding a crossbow is th [+]
Morera painted various views of this lake in the region of Umbria. This canvas was sent back to Spain during his first study year at the Spanish Academy in Rome. It reveals his interest in the winter [+]
Philip II owned two pictures of this saint painted by Titian. The first can be identified with the portrait of Saint Margaret mentioned by the painter in a letter sent to the then Prince Philip on II [+]
The Virgin and Saint John are depicted on a sailboat, crossing tranquil seas on their way to Ephesis. The somber and distracted expressions on both their faces indicate they are lost in thought. The h [+]
In the work the corpses of two castaways are represented, the youngest with his chest exposed. Both lie between the nets and tackle that are scattered on the bottom of a boat guided by a sailor in the [+]
After being brought to Iria, in Galicia, by boat -the scene visible in the background of the painting- Saint James’s body was carried in a cart pulled by two bulls. In this painting, Athanasius and Th [+]
David Roberts was one of the British romantic painters who traveled through Spain, capturing images that best represented the landscape and picturesque aspects of this country, especially in Andalusia [+]
Es el cuadro más avanzado en la evolución de la obra de Claudio de Lorena que posee el Museo del Prado. Formaba pareja con otro lienzo perdido o destruido a comienzos del siglo XIX. En el inventario d [+]
Saint Anthony, whom the artist has been able to place in the immediate foreground of this panel by using a landscape format, closely resembles the saint depicted in the Saint Anthony triptych in Lisbo [+]
This painting is illustrative of the beach scenes monopolised in Utrecht by the Willaerts family, who combined the two typical genres of Dutch painting in their work: seascapes and genre scenes. They [+]
These two seascapes (P1581 and P1582) are traditionally considered pendants. In the Museum`s older catalogues and inventories they are attributed to Cornelis Molenaer (ca. 1540-1589) until 1933. As of [+]
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