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The Penintent Saint Jerome
Oil on canvas. Ca. 1650
Murillo, Bartolomé Esteban
The Penintent Saint Jerome
Oil on canvas. Ca. 1650
Murillo, Bartolomé Esteban

Jerome meditates before a crucifix in the solitude of his retreat. The numerous objects depicted around him refer to different aspects of his life. The books, papers and writing equipment allude to hi [+]

The Apparition of the Virgin to Saint Bernard
Oil on canvas. Ca. 1655
Murillo, Bartolomé Esteban
The Apparition of the Virgin to Saint Bernard
Oil on canvas. Ca. 1655
Murillo, Bartolomé Esteban

The Virgin appears miraculously to Saint Bernard to offer him her milk as a reward for his praises and defense. The Saint is surprised while studying and falls to his knees. His desk and bookshelves a [+]

The Apostle James
Oil on canvas. Ca. 1655
Murillo, Bartolomé Esteban
The Apostle James
Oil on canvas. Ca. 1655
Murillo, Bartolomé Esteban

The Apostle James can be identified by the pilgrim’s staff in his right hand and the cockle shell on his breast. Standing firmly before a dark background, his face and powerful body indicate the lesso [+]

The penitent Saint Jerome
Oil on canvas. 1650 - 1652
Murillo, Bartolomé Esteban
The penitent Saint Jerome
Oil on canvas. 1650 - 1652
Murillo, Bartolomé Esteban

[+]

Saint Anne teaching the Virgin to read
Oil on canvas. Ca. 1655
Murillo, Bartolomé Esteban
Saint Anne teaching the Virgin to read
Oil on canvas. Ca. 1655
Murillo, Bartolomé Esteban

Painters from Seville were very fond of this apocryphal episode from the Virgin’s childhood. Here, Murillo used it to bring various levels of reality into a single pictorial space: first, historical r [+]

Penitent Magdalen
Oil on canvas. XVII century
Murillo, Bartolomé Esteban (Copy)
Penitent Magdalen
Oil on canvas. XVII century
Murillo, Bartolomé Esteban (Copy)

[+]

The Annunciation
Oil on canvas. Ca. 1650
Murillo, Bartolomé Esteban
The Annunciation
Oil on canvas. Ca. 1650
Murillo, Bartolomé Esteban

The Archangel Gabriel has descended from the heavens and kneels before Mary to announce the birth of Christ. The Angel holds some white lilies symbolising purity in his left hand while with the right [+]

Saint Augustine between Christ and the Virgin
Oil on canvas. Ca. 1664
Murillo, Bartolomé Esteban
Saint Augustine between Christ and the Virgin
Oil on canvas. Ca. 1664
Murillo, Bartolomé Esteban

While meditating on which of the two to focus his devotions, Christ on the cross and the Virgin appeared to Saint Augustine. Christ offered him the blood from the wound in his side, while Mary rewarde [+]

The Foundation of Santa Maria Maggiore in Rome. The Patrician's Dream
Oil on canvas. 1664 - 1665
Murillo, Bartolomé Esteban
The Foundation of Santa Maria Maggiore in Rome. The Patrician's Dream
Oil on canvas. 1664 - 1665
Murillo, Bartolomé Esteban

This painting and its companion, The Patrician Reveals his Dream to the Pope (P995), are among Murillo’s most renowned works. The two arched works were intended to hang beneath a small dome in the rec [+]

The Annunciation
Oil on canvas. Ca. 1660
Murillo, Bartolomé Esteban
The Annunciation
Oil on canvas. Ca. 1660
Murillo, Bartolomé Esteban

A New Testament scene (Luke 1, 26-38) that depicts the Archangel Gabriel´s Annunciation to the Virgin Mary and her acceptance of the fact that she will become the Mother of God through the intercessio [+]

The Annunciation
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Real Establecimiento Litográfico de Madrid; Guglielmi, Augusto; Madrazo y Agudo, José de; Murillo, Bartolomé Esteban
The Annunciation
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Real Establecimiento Litográfico de Madrid; Guglielmi, Augusto; Madrazo y Agudo, José de; Murillo, Bartolomé Esteban

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

The penitent Magdalen
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1837
González Villamil, Antonio -Lithographer- (The Original Work, According To Inscriptions, Attributed To Murillo, Bartolomé Esteban); Murillo, Bartolomé Esteban (Copy); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
The penitent Magdalen
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1837
González Villamil, Antonio -Lithographer- (The Original Work, According To Inscriptions, Attributed To Murillo, Bartolomé Esteban); Murillo, Bartolomé Esteban (Copy); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

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