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The Immaculate Conception
Oil on canvas. Ca. 1645
Castillo Saavedra, Antonio del
The Immaculate Conception
Oil on canvas. Ca. 1645
Castillo Saavedra, Antonio del

All parts of this extraordinarily meticulous work are related to each other from a formal and iconographic standpoint. The Virgin appears in the foreground, where she occupies a considerable portion o [+]

The Riva degli Schiavoni in Venice
Oil on canvas. 1873
Rico y Ortega, Martín
The Riva degli Schiavoni in Venice
Oil on canvas. 1873
Rico y Ortega, Martín

Venice was the predominant subject of most of Rico’s paintings, since he spent the summer months there for over thirty years. He was particularly interested in the bustling commercial life of the dock [+]

The Painter Aureliano de Beruete
Oil on canvas. 1902
Sorolla y Bastida, Joaquín
The Painter Aureliano de Beruete
Oil on canvas. 1902
Sorolla y Bastida, Joaquín

The Painter Aureliano de Beruete is the most outstanding of all the portraits made by Sorolla. In this work he successfully combined the Velázquez inspiration that was a feature of his oeuvre d [+]

The Finding of Moses
Oil on canvas. 1639 - 1640
Claude (Lorrain, Byname Of Claude Gellée)
The Finding of Moses
Oil on canvas. 1639 - 1640
Claude (Lorrain, Byname Of Claude Gellée)

A broad landscape is the setting for Moses’s rescue from the Nile River by the Egyptian Pharaoh’s daughter and her retinue. In the foreground, a shepherd sleeps, indifferent to the events taking place [+]

Rest on the Flight into Egypt
Oil on panel. 1518 - 1520
Patinir, Joachim
Rest on the Flight into Egypt
Oil on panel. 1518 - 1520
Patinir, Joachim

The Virgin and Child are placed on a hill in the centre of the foreground, isolated from the rest of the figures, as in the Berlin panel (Gemäldegalerie ). The dark forest here begins in the midd [+]

View of the Bridge at Martorell
Oil on canvas. 1787
Sánchez, Mariano Ramón
View of the Bridge at Martorell
Oil on canvas. 1787
Sánchez, Mariano Ramón

Trained from childhood at the Academy of San Fernando in Madrid, Mariano Sánchez specialized in landscapes and views. Contemporary documents reveal also a talent for miniatures and portraits, w [+]

Landscape with Wayfarers, Boy and Dog
Oil on canvas. 1639 - 1641
Swanevelt, Herman Van
Landscape with Wayfarers, Boy and Dog
Oil on canvas. 1639 - 1641
Swanevelt, Herman Van

The painting entered the Museum`s holdings as an original work by Herman van Swanevelt, an attribution that has been maintained by subsequent catalogues. In 1973 Valdivieso identifies it as the landsc [+]

Landscape with Hermit bound in Chains
Oil on canvas. 1634 - 1639
Swanevelt, Herman Van
Landscape with Hermit bound in Chains
Oil on canvas. 1634 - 1639
Swanevelt, Herman Van

This painting entered the Museum`s holdings as a copy of a work by Jan Both, described as Saint Francis in Penitence and listed as the companion piece to Landscape with Saint Francis in Meditation. It [+]

The Haywain Triptych
Oil on panel. 1512 - 1515
Bosch, Hieronymus
The Haywain Triptych
Oil on panel. 1512 - 1515
Bosch, Hieronymus

Bosch thus shows how man, irrespective of his social class or place of origin, is so possessed by the desire to enjoy and acquire material possessions that he allows himself to be deceived or seduced [+]

The Archangel Raphael and Tobias
Oil on canvas. 1639 - 1640
Claude (Lorrain, Byname Of Claude Gellée)
The Archangel Raphael and Tobias
Oil on canvas. 1639 - 1640
Claude (Lorrain, Byname Of Claude Gellée)

This painting shows the moment when, following an angel’s instructions, Tobias pulls out an enormous fish’s heart and entrails to cure his father’s blindness with them (Book of Tobit: VII, 15). The se [+]

View of Toledo
Oil on canvas. 1900 - 1905
Arredondo y Calmache, Ricardo
View of Toledo
Oil on canvas. 1900 - 1905
Arredondo y Calmache, Ricardo

Toledo was one of the cities that attracted the interest of artists and writers, from the romantics to the Generation of 1898. It possessed a rich and varied past, from its pre-Roman origins to its st [+]

Landscape with Saint Mary of Cervelló
Oil on canvas. Ca. 1637
Claude (Lorrain, Byname Of Claude Gellée)
Landscape with Saint Mary of Cervelló
Oil on canvas. Ca. 1637
Claude (Lorrain, Byname Of Claude Gellée)

The scene is set in a lush wooded clearing that opens into the distance at the center. A brightly lit anchorite in a Mercedarian habit kneels in the foreground, praying in front of a crucifix. The spa [+]

The Bridge at Molins de Rey
Oil on panel. Ca. 1788
Sánchez, Mariano Ramón
The Bridge at Molins de Rey
Oil on panel. Ca. 1788
Sánchez, Mariano Ramón

Sánchez worked at the Madrid court and was commissioned to paint several views of the regions of Spain, with particular emphasis on ports, during the reign of Charles III. This painting belongs [+]

Dance Alongside a Bridge on the Manzanares Canal
Oil on canvas. 1784
Bayeu y Subías, Ramón
Dance Alongside a Bridge on the Manzanares Canal
Oil on canvas. 1784
Bayeu y Subías, Ramón

A cartoon for the tapestry to be hung in the Prince of Asturias´s quarters at the El Pardo Palace. Two Majos appear at the center of the composition, playing characteristic 18th-century Spanish [+]

View of the Port of Santa María
Oil on canvas. 1781 - 1785
Sánchez, Mariano Ramón
View of the Port of Santa María
Oil on canvas. 1781 - 1785
Sánchez, Mariano Ramón

Trained from childhood at the Academy of San Fernando in Madrid, Mariano Sánchez specialized in landscapes and views. Contemporary documents reveal also a talent for miniatures and portraits, w [+]

Lady with a Fan
Oil on panel. 1570 - 1573
Sánchez Coello, Alonso
Lady with a Fan
Oil on panel. 1570 - 1573
Sánchez Coello, Alonso

In this half-length portrait, the lady is wearing a dark brown velvet overdress luxuriously ornamented with gold chain-stitched embroidery, slit sleeves, and a high collar open in front in the Flemish [+]

River Ford
Oil on canvas. Ca. 1636
Claude (Lorrain, Byname Of Claude Gellée)
River Ford
Oil on canvas. Ca. 1636
Claude (Lorrain, Byname Of Claude Gellée)

A bridge and river over a sunset in the background divide the landscape in depth. At the center of the foreground, three shepherds, seven head of cattle and two goats are framed by copses of woods on [+]

Gaspar de Guzmán, Count-Duke of Olivares, on Horseback
Oil on canvas. Ca. 1636
Velázquez, Diego Rodríguez de Silva y
Gaspar de Guzmán, Count-Duke of Olivares, on Horseback
Oil on canvas. Ca. 1636
Velázquez, Diego Rodríguez de Silva y

Along with Philip IV and Velázquez, the third name intimately associated with the Buen Retiro Palace is Gaspar de Guzmán, Count-Duke of Olivares (1587-1645). When Philip IV took the thro [+]

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