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The Vision of Saint Peter Nolasco
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Legrand, Luis Carlos -Lithographer- (After Zurbarán, Francisco de); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Vision of Saint Peter Nolasco
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Legrand, Luis Carlos -Lithographer- (After Zurbarán, Francisco de); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

The Vision of Saint Peter Nolasco
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Legrand, Luis Carlos -Lithographer- (After Zurbarán, Francisco de); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Vision of Saint Peter Nolasco
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Legrand, Luis Carlos -Lithographer- (After Zurbarán, Francisco de); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Luis Carlos Legrand (activo en Madrid entre 1829 y 1858) que reproduce el óleo de Francisco de Zurbarán conservado en el Museo Nacional del Prado (P01236). Esta estampa se entrega [+]

The Virgin and Child with the Infant Saint John the Baptist
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Guglielmi, Augusto -Lithographer- (The Original Work, According To Inscriptions, Attributed To Not Identified); Orley, Bernard Van (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Virgin and Child with the Infant Saint John the Baptist
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Guglielmi, Augusto -Lithographer- (The Original Work, According To Inscriptions, Attributed To Not Identified); Orley, Bernard Van (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Augusto Guglielmi (activo en Madrid entre 1829 y 1837) que reproduce un lienzo de Bernard van Orley (P01932) cuya autoría era desconocida en el siglo XIX tal y como figura en la e [+]

The Finding of Moses
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Guglielmi, Paolo -Lithographer- (After Veronese, Paolo (Paolo Cagliari)); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
The Finding of Moses
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Guglielmi, Paolo -Lithographer- (After Veronese, Paolo (Paolo Cagliari)); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

The Finding of Moses
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Guglielmi, Paolo -Lithographer- (After Veronese, Paolo (Paolo Cagliari)); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
The Finding of Moses
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Guglielmi, Paolo -Lithographer- (After Veronese, Paolo (Paolo Cagliari)); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

Ford of a River
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Parboni, Aquiles -Lithographer- (After Claude (Lorrain, Byname Of Claude Gellée)); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
Ford of a River
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Parboni, Aquiles -Lithographer- (After Claude (Lorrain, Byname Of Claude Gellée)); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

Ford of a River
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Parboni, Aquiles -Lithographer- (After Claude (Lorrain, Byname Of Claude Gellée)); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Ford of a River
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Parboni, Aquiles -Lithographer- (After Claude (Lorrain, Byname Of Claude Gellée)); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

Mary with Child
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Guglielmi, Augusto -Lithographer- (The Original Work, According To Inscriptions, Attributed To Not Identified); Orley, Bernard Van (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Mary with Child
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Guglielmi, Augusto -Lithographer- (The Original Work, According To Inscriptions, Attributed To Not Identified); Orley, Bernard Van (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Augusto Guglielmi (activo en Madrid entre 1829 y 1837) que reproduce un lienzo de Bernard van Orley (P01932) cuya autoría era desconocida en el siglo XIX tal y como figura en la e [+]

The Finding of Moses
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Guglielmi, Paolo -Lithographer- (After Veronese, Paolo (Paolo Cagliari)); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Finding of Moses
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Guglielmi, Paolo -Lithographer- (After Veronese, Paolo (Paolo Cagliari)); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

The Finding of Moses
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Guglielmi, Paolo -Lithographer- (After Veronese, Paolo (Paolo Cagliari)); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Finding of Moses
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Guglielmi, Paolo -Lithographer- (After Veronese, Paolo (Paolo Cagliari)); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

The Virgin and Child with the Infant Saint John the Baptist
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on ivory paper. 1832 - 1837
Guglielmi, Augusto -Lithographer- (The Original Work, According To Inscriptions, Attributed To Not Identified); Orley, Bernard Van (After); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
The Virgin and Child with the Infant Saint John the Baptist
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on ivory paper. 1832 - 1837
Guglielmi, Augusto -Lithographer- (The Original Work, According To Inscriptions, Attributed To Not Identified); Orley, Bernard Van (After); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

Es una litografía de Augusto Guglielmi (activo en Madrid entre 1829 y 1837) que reproduce un lienzo de Bernard van Orley (P01932) cuya autoría era desconocida en el siglo XIX tal y como figura en la e [+]

The Vision of Saint Peter Nolasco
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Legrand, Luis Carlos -Lithographer- (After Zurbarán, Francisco de); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Vision of Saint Peter Nolasco
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Legrand, Luis Carlos -Lithographer- (After Zurbarán, Francisco de); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Luis Carlos Legrand (activo en Madrid entre 1829 y 1858) que reproduce el óleo de Francisco de Zurbarán conservado en el Museo Nacional del Prado (P01236). Esta estampa se entrega [+]

The Vision of Saint Peter Nolasco
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Legrand, Luis Carlos -Lithographer- (After Zurbarán, Francisco de); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Vision of Saint Peter Nolasco
Crayon lithography, Pen lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Legrand, Luis Carlos -Lithographer- (After Zurbarán, Francisco de); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Luis Carlos Legrand (activo en Madrid entre 1829 y 1858) que reproduce el óleo de Francisco de Zurbarán conservado en el Museo Nacional del Prado (P01236). Esta estampa se entrega [+]

The Vision of Saint Peter Nolasco
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Legrand, Luis Carlos -Lithographer- (After Zurbarán, Francisco de); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Vision of Saint Peter Nolasco
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1832 - 1837
Legrand, Luis Carlos -Lithographer- (After Zurbarán, Francisco de); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Luis Carlos Legrand (activo en Madrid entre 1829 y 1858) que reproduce el óleo de Francisco de Zurbarán conservado en el Museo Nacional del Prado (P01236). Esta estampa se entrega [+]

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