The itinerary <em>TITULORECORRIDO</em> has been successfully created. Now you can add in works from the Collection browser
<em>TITULOOBRA</em> added to <em>TITULORECORRIDO</em> itinerary

Collection <Back
Search

Explore the collection

Refine results
145 results
The Extraction of the Stone of Madness
Oil on oak panel. 1501 - 1505
Bosch, Hieronymus
The Extraction of the Stone of Madness
Oil on oak panel. 1501 - 1505
Bosch, Hieronymus

In the centre of a rectangular surface Bosch incised a circle in which he depicted this scene of Extracting the stone of madness. The resulting image is a mirror that offers a reflection of folly and [+]

Angel's head
Red chalk on laid paper, brown paper. 1772
Goya y Lucientes, Francisco de
Angel's head
Red chalk on laid paper, brown paper. 1772
Goya y Lucientes, Francisco de

This is one of Goya´s earliest preserved drawing and one of the few known to have been a preparatory work for a painting, in this case for a fresco on the dome over the choir loft in the Basilica of t [+]

Saint John the Evangelist
Black chalk, Grey-brown wash on yellow laid paper. XVIII century
Maella, Mariano Salvador
Saint John the Evangelist
Black chalk, Grey-brown wash on yellow laid paper. XVIII century
Maella, Mariano Salvador

Dibujo preparatorio para una pechina muy ancha, de forma trapezoidal. En él se representa a San Juan Evangelista sentado sobre una nube en actitud de escribir sobre un libro que apoya en sus rodillas, [+]

Saint Leocadia before the Praetor
Black chalk, Grey-brown wash on yellow laid paper. 1775
Maella, Mariano Salvador
Saint Leocadia before the Praetor
Black chalk, Grey-brown wash on yellow laid paper. 1775
Maella, Mariano Salvador

Dibujo rematado en medio punto. En él nos encontramos a la derecha, sobre dos gradas, junto a una gran columna, el magistrado en su solio. Ante él, Santa Leocadia rechaza el sacrificio, a que la invit [+]

Life study
Charcoal, White chalk on brown paper. First half of the XVIII century
Bencovich, Federico
Life study
Charcoal, White chalk on brown paper. First half of the XVIII century
Bencovich, Federico

El modelo, sentado sobre una roca, de perfil hacia la izquierda sostiene una vara con su mano izquierda y hace un gesto de asombro con la derecha. Los cuatro estudios de academia (D03404, D03405, D034 [+]

Allegory of the House of Barberini
Black chalk, Pencil, Grey-brown wash, White lead on white paper. 1631
Cortona, Pietro Da (Pietro Berrettini)
Allegory of the House of Barberini
Black chalk, Pencil, Grey-brown wash, White lead on white paper. 1631
Cortona, Pietro Da (Pietro Berrettini)

This drawing depicts the story of the nymphs Florilla and Melissa, twin daughters of Heaven and the Earth, lovers of music (Florilla) and flowers (Melissa), the honeymaker. The young nymphs were respe [+]

The Pentecost
Black chalk, Pencil, Grey-brown wash on dark yellow paper. First third of the XVIII century
Procaccini, Andrea
The Pentecost
Black chalk, Pencil, Grey-brown wash on dark yellow paper. First third of the XVIII century
Procaccini, Andrea

Es apunte preparatorio para el óvalo del mismo tema que realizó Procaccini sobre la puerta de la sacristía nueva de Santa Maria dell Orto. En la Academia de San Fernando de Madrid se conserva una seri [+]

A Sybil
Black chalk, White chalk on brown paper. Ca. 1650
Anonymous
A Sybil
Black chalk, White chalk on brown paper. Ca. 1650
Anonymous

Dibujo que reprenda a una Sibila sentada sobre nubes, sostiene un libro en la mano derecha y alza la cabeza, tocada con un turbante. Es apunte boloñés de mediados del s. XVII, inspirado en las composi [+]

Judith with the Head of Holofernes
Black chalk, Grey-brown wash, White lead on grey paper. XVII century
Anonymous
Judith with the Head of Holofernes
Black chalk, Grey-brown wash, White lead on grey paper. XVII century
Anonymous

Dibujo en el que se representa a Judith, ricamente vestida, que sostiene la cabeza de Holofernes con la mano izquierda. Al fondo aparece la sirvienta. Se relaciona con la técnica de la xilografía al c [+]

The Martyrdom of Saint Stephen
Black chalk, Pencil, Grey-brown ink, Blue wash on yellow paper. XVII century
Zanchi, Antonio
The Martyrdom of Saint Stephen
Black chalk, Pencil, Grey-brown ink, Blue wash on yellow paper. XVII century
Zanchi, Antonio

Dibujo en el que se representa en el centro, arrodillado, el Santo rodeado de los sayones que le arrojan piedras. Mientras que en la parte superior es representada la Trinidad (Texto extractado de Men [+]

Saint Agnes
Red chalk on dark yellow paper. 1650 - 1660
Guercino (Giovanni Francesco Barbieri)
Saint Agnes
Red chalk on dark yellow paper. 1650 - 1660
Guercino (Giovanni Francesco Barbieri)

This drawing, formerly in the Spanish Royal Collection, was recognised as an autograph work by Guercino by Manuela Mena Marqués. The suggested date for it is around the 1650-60, when Guercino h [+]

The Judgement of Paris / Legs and Torso of a Nude Man
Pencil, Pencil ground, Red chalk, Grey-brown ink, Wash on yellow paper. Second half of the XVII century
Giordano, Luca (Copy Veronese, Paolo (Paolo Cagliari))
The Judgement of Paris / Legs and Torso of a Nude Man
Pencil, Pencil ground, Red chalk, Grey-brown ink, Wash on yellow paper. Second half of the XVII century
Giordano, Luca (Copy Veronese, Paolo (Paolo Cagliari))

The composition is that of a lost painting of the subject by Veronese, carried out for the Fondaco dei Turchi, Venice, the appearance of which is known from an engraving published in 1691. A painted v [+]

The Evangelist Saint Luke seated in a landscape and other studies
Pencil, Pencil ground, Grey-brown ink, Touches of chalk / pencil, White lead, Wash on dark yellow paper. 1580 - 1581
Veronese, Paolo (Paolo Cagliari)
The Evangelist Saint Luke seated in a landscape and other studies
Pencil, Pencil ground, Grey-brown ink, Touches of chalk / pencil, White lead, Wash on dark yellow paper. 1580 - 1581
Veronese, Paolo (Paolo Cagliari)

The pose of the Evangelist, seated on a mound in a landscape, with one leg astride the back of the ox, his attribute, recalls the painted figure of St. Luke in one of four irregularly shaped compartme [+]

Huntsman on Horseback Chasing a Stag in a Wood, Watched by a Maiden
Pencil, Pencil ground, Grey-brown ink, Wash on paper. Second third of the XVI century
Il Bergamasco
Huntsman on Horseback Chasing a Stag in a Wood, Watched by a Maiden
Pencil, Pencil ground, Grey-brown ink, Wash on paper. Second third of the XVI century
Il Bergamasco

The traditional attribution to Castello, which appears in an old inscription on the reverse of the mount, needs to be taken seriously. Not only is the pen work reminiscent of Castello´s handling of th [+]

Saint John the Baptist
Black chalk, Pencil, Red chalk, Grey-brown wash on dark yellow paper. XVII century
Tiarini, Alessandro
Saint John the Baptist
Black chalk, Pencil, Red chalk, Grey-brown wash on dark yellow paper. XVII century
Tiarini, Alessandro

Dibujo en el que se presenta San Juan Bautista de frente, con las manos juntas y la pierna derecha doblada y apoyada en una roca; en otra, el cordero dormido y en la parte superior Dios Padre (Texto e [+]

Ecce Homo
Pencil, Pencil ground, Grey-brown ink, Wash on dark yellow paper. First third of the XVII century
Ansaldo, Giovanni Andrea
Ecce Homo
Pencil, Pencil ground, Grey-brown ink, Wash on dark yellow paper. First third of the XVII century
Ansaldo, Giovanni Andrea

The old attribution to Ansaldo is unquestionably correct, and the economical pen-and-wash style corresponds precisely with that of his documented drawings in the same technique, for example the Birth [+]

Saint Bartholomew
Pencil, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous (Copy Raphael (Raffaello Sanzio))
Saint Bartholomew
Pencil, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous (Copy Raphael (Raffaello Sanzio))

This is copied from one of a seres of engravings of Twelve Apostles by Marco Dente da Ravenna, which is monogrammed R S (Raffaello Sanzio) as the inventor of the designs. The Prado drawing is derived [+]

Warrior with a shield
Pencil, Pencil ground, Red chalk, Grey-brown ink, Wash on brown paper. Second quarter of the XVI century
Romano, Giulio (Giovanni Francesco Penni)
Warrior with a shield
Pencil, Pencil ground, Red chalk, Grey-brown ink, Wash on brown paper. Second quarter of the XVI century
Romano, Giulio (Giovanni Francesco Penni)

This and the drawing D1807, Standing warrior, resting his foot on the head of a dragon, are companions and have remained together from at least as long ago as the late eighteenth century, when they we [+]

Up