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This work was, until recently, believed to depict Saint James. This was largely due to its description, by Friar Francisco de los Santos in his Descripción breve del Monasterio de S. Lorenzo el [+]
Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]
Manuel Millán, nicknamed El pelado from Ybides or Ibdes, a village in the Calatayud region, was a bloodthirsty Aragonese bandit from the second half of the seventeenth century. He was famous du [+]
Maganza´s work belongs to the mainstream of painting in the Veneto during the last years of the sixteenth century and the first decades of the seventeenth. His drawings, especially, reveal the i [+]
While in their collections, Brun´s (?) and Fernández Durán seem to have maintained the traditional attribution to Campi. In a note on the modern museum mount, Anna Forlani suggested the [+]
This is a good facsimile copy of a drawing formerly in the collection of Prof. Van Regteren Altena, Amsterdam. Another copy of the Amsterdam drawing is in the British Royal Collection, Windsor Castle. [+]
Gabriele Finaldi was the first to point out that the seated pope seems to be Pius V (Ghislieri), the Dominican, pro-Spanish pontiff who reigned from 1566 to 1572. As Cardinal Ghislieri, he held the of [+]
This is the companion to the drawing D01646. The execution of the hands and hair is especially characteristic of Ludovico Carracci´s style. [+]
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Perhaps by a Spanish follower of Federico Zuccari who was accomplished at representing hunting scenes. [+]
The drawing carries old attributions on the reverse of the mount to Nicolo dell´Abate and Pordenone. On the modern museum matte, A. Gere has noted it may be from the School of Perino del Vaga, p [+]
The Pillars of Hercules- Mount Abyla in the Atlas Range and Mount Calpe, otherwise of the Rock of Gibralter- were said to have been forced apart by Hercules to create the channel now know as the Strai [+]
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La imagen, vestida y coronada con amplísima corona de radios, va sobre una peana de molduras cóncavas y convexas y flanqueada por dos pilastras cajeadas, decoradas con placas y guirnaldas, sobre las c [+]
This preparatory drawing for number 69 of the Disasters of War, Nothing. The Event will tell, very freely presents the original idea, and does not belong to the group of red-chalk drawings for that fi [+]
Preparatorio para el grupo principal del lienzo pintado en 1634 para el Salón de Reinos del Buen Retiro, hoy en el Museo del Prado (P00858). Los dos generales a caballo son Ambrosio Spínola y Felipe M [+]
An old attribution to Agostino Carracci (1557-1602) appears on the reserve of the sheet. In a note on the modern museum matte, Keith Andrews suggested Battista Franco?, to which comment Catherine Monb [+]
Ante un paisaje de ciudad clásica, con pórticos, cúpulas y obeliscos, una figura femenina alada, vuela con espigas en la mano izquierda. En primer término, en el suelo, varios niños juegan con libros [+]
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