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Saint James the Greater
Oil on canvas. 1631
Ribera, Jusepe de, lo Spagnoletto
Saint James the Greater
Oil on canvas. 1631
Ribera, Jusepe de, lo Spagnoletto

This work was, until recently, believed to depict Saint James. This was largely due to its description, by Friar Francisco de los Santos in his Descripción breve del Monasterio de S. Lorenzo el [+]

Pandora (?)
Pencil, Grey-brown wash on laid paper. Second half of the XVIII century
Paret y Alcázar, Luis
Pandora (?)
Pencil, Grey-brown wash on laid paper. Second half of the XVIII century
Paret y Alcázar, Luis

La composición del dibujo se enmarca en un óvalo. En él se representa en pie a Pandora, apoyada en una caja de forma de urna con la llave en la mano derecha, con la cabeza doblada, pensativa, sobre la [+]

The Banquet of Herod
Pencil, Pencil ground, Grey-brown ink, Wash on paper. Early Finales del siglo XVI - XVII century
Maganza, Alessandro
The Banquet of Herod
Pencil, Pencil ground, Grey-brown ink, Wash on paper. Early Finales del siglo XVI - XVII century
Maganza, Alessandro

Maganza´s work belongs to the mainstream of painting in the Veneto during the last years of the sixteenth century and the first decades of the seventeenth. His drawings, especially, reveal the i [+]

Pentecost
Pencil, Pencil ground, Grey-brown ink, Wash on paper. Second half of the XVI century
Paggi, Giovanni Battista (Attributed To)
Pentecost
Pencil, Pencil ground, Grey-brown ink, Wash on paper. Second half of the XVI century
Paggi, Giovanni Battista (Attributed To)

While in their collections, Brun´s (?) and Fernández Durán seem to have maintained the traditional attribution to Campi. In a note on the modern museum mount, Anna Forlani suggested the [+]

Two Standing Winged Angels
Pencil, Grey-brown ink on green paper. Second half of the XVI century
Anonymous
Two Standing Winged Angels
Pencil, Grey-brown ink on green paper. Second half of the XVI century
Anonymous

This is a good facsimile copy of a drawing formerly in the collection of Prof. Van Regteren Altena, Amsterdam. Another copy of the Amsterdam drawing is in the British Royal Collection, Windsor Castle. [+]

A dignitary kneeling before a Pope, receiving a chain of office and other rewards [The Painter, Architect and Writer Giorgio Vasari being Honored by Pope Pius V (?)]
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. 1570 - 1579
Zuccaro, Federico
A dignitary kneeling before a Pope, receiving a chain of office and other rewards [The Painter, Architect and Writer Giorgio Vasari being Honored by Pope Pius V (?)]
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. 1570 - 1579
Zuccaro, Federico

Gabriele Finaldi was the first to point out that the seated pope seems to be Pius V (Ghislieri), the Dominican, pro-Spanish pontiff who reigned from 1566 to 1572. As Cardinal Ghislieri, he held the of [+]

Nude youth, a cloak slung over his shoulder, wielding a club
Pencil, Grey-brown ink on yellow paper. XVI century
Anonymous
Nude youth, a cloak slung over his shoulder, wielding a club
Pencil, Grey-brown ink on yellow paper. XVI century
Anonymous

This is the companion to the drawing D01646. The execution of the hands and hair is especially characteristic of Ludovico Carracci´s style. [+]

Saints Nícholas of Bari, Francis, and Margaret of Antioch
Pencil, Grey-brown ink, Wash on paper. Early Segunda mitad del siglo XVI - XVII century
Malosso (Attributed To)
Saints Nícholas of Bari, Francis, and Margaret of Antioch
Pencil, Grey-brown ink, Wash on paper. Early Segunda mitad del siglo XVI - XVII century
Malosso (Attributed To)

[+]

Two Women Seeking Directions from a Man
Pencil, Grey-brown ink on paper. Second half of the XVI century
Anonymous
Two Women Seeking Directions from a Man
Pencil, Grey-brown ink on paper. Second half of the XVI century
Anonymous

Perhaps by a Spanish follower of Federico Zuccari who was accomplished at representing hunting scenes. [+]

The Surrender of Jülich
Pencil, Pencil ground, Grey-brown wash on yellow paper. 1634
Leonardo, Jusepe
The Surrender of Jülich
Pencil, Pencil ground, Grey-brown wash on yellow paper. 1634
Leonardo, Jusepe

Preparatorio para el grupo principal del lienzo pintado en 1634 para el Salón de Reinos del Buen Retiro, hoy en el Museo del Prado (P00858). Los dos generales a caballo son Ambrosio Spínola y Felipe M [+]

Saint Francis of Assisi in Ecstasy
Pencil, Pencil ground, Grey-brown ink, Reddish wash on yellow laid paper. XVII century
Schut, Cornelis
Saint Francis of Assisi in Ecstasy
Pencil, Pencil ground, Grey-brown ink, Reddish wash on yellow laid paper. XVII century
Schut, Cornelis

San Francisco se representa arrodillado con los brazos abiertos, eleva los ojos a un ángel niño que le muestra una esfera. En primer término una roca, y en ella una cruz de leño y libros. Fondo de pai [+]

Studies for a section of architectural decoration [Galleria Farnese(¿?)]
Pencil, Grey-brown ink, Wash on dark yellow paper. 1597 - 1601
Carracci, Annibale
Studies for a section of architectural decoration [Galleria Farnese(¿?)]
Pencil, Grey-brown ink, Wash on dark yellow paper. 1597 - 1601
Carracci, Annibale

Annibale Carracci established the early Baroque style in Italy with Caravaggio (1571-1610). Annibale`s naturalistic style was based on the Antique and on Raphael, and unlike Caravaggio`s sombre realis [+]

Nude Putti Making Music and Dancing
Pencil, Chalk ground, Grey-brown ink, Wash on yellow paper. Early XVII century
Pollini, Cesare Franchi (Attributed To)
Nude Putti Making Music and Dancing
Pencil, Chalk ground, Grey-brown ink, Wash on yellow paper. Early XVII century
Pollini, Cesare Franchi (Attributed To)

The gaiety and liveliness of the figures, the pictorial choice of media and the drawing´s lightness of touch suggest the work of Cesare Pollini, a little-known Umbrian painter and draftsman. Compariso [+]

Scenes from a Last Judgement
Pencil, Pencil ground, Red chalk, Grey-brown ink, Wash on yellow paper. Last quarter of the XVI century
Boscoli, Andrea (Attributed To)
Scenes from a Last Judgement
Pencil, Pencil ground, Red chalk, Grey-brown ink, Wash on yellow paper. Last quarter of the XVI century
Boscoli, Andrea (Attributed To)

The composition of the Prado drawing requires some explanation because of the smallness of scale of the numerous figures in relation to the overall size of the paper. Above ground level, in the left-h [+]

The Holy Family
Red chalk on brown paper. 1690 - 1699
Anonymous
The Holy Family
Red chalk on brown paper. 1690 - 1699
Anonymous

Dibujo que presenta en escena la Sagrada Familia, con las figuras de medio cuerpo, apoyadas en el alfeizar de una ventana y detrás un fondo de cortinajes. La obra es por la sequedad de los trazos y la [+]

The Immaculate Conception
Pencil, Grey-brown ink on yellow laid paper. XVIII century
Castillo, José del
The Immaculate Conception
Pencil, Grey-brown ink on yellow laid paper. XVIII century
Castillo, José del

Sentada sobre una nube, con las manos sobre el pecho y coronada de estrellas, aplasta con el pie derecho la serpiente que se enrosca junto al creciente de la luna. A su derecha un angel mancebo y otro [+]

Woman kneeling, with a large urn in front of her [The Magdalen (?)]
Pencil, Grey-brown ink, White lead, Wash on tinted paper. XVI century
Anonymous
Woman kneeling, with a large urn in front of her [The Magdalen (?)]
Pencil, Grey-brown ink, White lead, Wash on tinted paper. XVI century
Anonymous

The figure appears to derive from the circle of the Florentine Mannierist, Francesco Salviati (c. 1520-c. 1575), rather than from the School of Raphael. Especially redolent of Salviati´s invention is [+]

The Crowning with Thorns
Pencil, Red chalk, Grey-brown wash on white paper. 1601 - 1625
Anonymous
The Crowning with Thorns
Pencil, Red chalk, Grey-brown wash on white paper. 1601 - 1625
Anonymous

El dibujo representa a Cristo sentado en el centro y a ambos lados dos sayones que le colocan la corona de espinas mientras que al fondo dos personajes asisten a la escena. No es aceptable la antigua [+]

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