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Venus, Adonis and Cupid
Pencil, Pencil ground, Grey-brown ink on paper. XVI century
Anonymous (Follower Of Cambiaso, Luca)
Venus, Adonis and Cupid
Pencil, Pencil ground, Grey-brown ink on paper. XVI century
Anonymous (Follower Of Cambiaso, Luca)

The Suidas connected this drawing with Cambiaso´s Venus and Adonis in the Galleria Borghese. Another studio version of the same composition, corresponding closely in outline to the Prado drawing but d [+]

Draped female figure
Brush, Grey-brown ink, White lead, Wash on brown paper. XVI century
Anonymous (Follower Of Ligozzi, Jacopo)
Draped female figure
Brush, Grey-brown ink, White lead, Wash on brown paper. XVI century
Anonymous (Follower Of Ligozzi, Jacopo)

The figure was perhaps intended for that of the Virgin or Mary Magdalen at the foot of the Crosss in the composition of the Crucifixion. [+]

Christ kneeling on the Cross
Pencil, Pencil ground, Grey-brown ink, Wash on paper. XVI century
Anonymous (Follower Of Cambiaso, Luca)
Christ kneeling on the Cross
Pencil, Pencil ground, Grey-brown ink, Wash on paper. XVI century
Anonymous (Follower Of Cambiaso, Luca)

It is hard for the viewer to make out the cross lying on the ground, its from only loosely indicated in brush and wash and the contours not picket out in pen and ink. Cambiaso´s own drawing of the com [+]

The Immaculate Conception
Brush, Mauve ink, White lead on dark toned paper. Early XVII century
Anonymous
The Immaculate Conception
Brush, Mauve ink, White lead on dark toned paper. Early XVII century
Anonymous

La Inmaculada se representa de frente, con las manos unidas, con la cabeza levemente alzada e inclinada a la izquierda.De comienzos de siglo XVII, quizás andaluza. (Texto extractado de Pérez Sánchez, [+]

The Virgin and Child
Brush, Pencil ground, Ink, Grey-brown wash, Red wash on yellow paper. XVII century
Anonymous
The Virgin and Child
Brush, Pencil ground, Ink, Grey-brown wash, Red wash on yellow paper. XVII century
Anonymous

La Virgen, sentada de perfil a la izquierda, acaricia al Niño, desnudo y en pie.La actitud y los modelos son de inspiración renacentista con fuerte eco veneciano. Probablemente madrileño. (Texto extra [+]

The Worship of the Golden Calf
Pencil ground, Grey wash, White lead on brown paper. Ca. 1600
Anonymous (Circle Of Tintoretto, Jacopo Robusti)
The Worship of the Golden Calf
Pencil ground, Grey wash, White lead on brown paper. Ca. 1600
Anonymous (Circle Of Tintoretto, Jacopo Robusti)

The composition of this drawing corresponds to the middle and lower sections of Tintoretto´s great canvas of The Worship of the Golden Calf, which hangs on the left-hand wall of the choir of the churc [+]

Saint Peter Nolasco
Brush, Chalk ground, Grey-brown wash on yellow laid paper. XVII century
Anonymous
Saint Peter Nolasco
Brush, Chalk ground, Grey-brown wash on yellow laid paper. XVII century
Anonymous

Dibujo en el que se representa al Santo en pie, de frente, con hábito mercedario y cruz patriarcal. A sus pies arrodillado un cautivo liberado. Al fondo, a la izquierda, un navío. Probablemente valenc [+]

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