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Buffoon with Books
Oil on canvas. Ca. 1640
Velázquez, Diego Rodríguez de Silva y
Buffoon with Books
Oil on canvas. Ca. 1640
Velázquez, Diego Rodríguez de Silva y

One of the most distinguished components of Velázquez` oeuvre is his gallery of buffoons (or, as we would generally call them in English, jesters), dwarves, and other men of amusement who enter [+]

Table of the Seven Deadly Sins
Oil on poplar panel. 1505 - 1510
Bosch, Hieronymus
Table of the Seven Deadly Sins
Oil on poplar panel. 1505 - 1510
Bosch, Hieronymus

Two banderoles, one above and the other below the central circle, contain Latin texts from Deuteronomy (32: 28-29 and 20), warning against the wages of sin. The upper banderole, between the tondos of [+]

The Buffoon Juan de Austria
Oil on canvas. 1632
Velázquez, Diego Rodríguez de Silva y
The Buffoon Juan de Austria
Oil on canvas. 1632
Velázquez, Diego Rodríguez de Silva y

The sitter`s elaborate dress, the baton of command he holds in his right hand and the sword on which his left hand rest all indicate that he is a military figure. The military context in further sugge [+]

Perejón, Buffoon of the Count of Benavente and of the Grand Duke of Alba
Oil on canvas. Ca. 1560
Mor, Anthonis
Perejón, Buffoon of the Count of Benavente and of the Grand Duke of Alba
Oil on canvas. Ca. 1560
Mor, Anthonis

The doubts that existed regarding the dating of this work were increased when the sitter was identified. He is documented from 1544 in the accounts of Prince Philip (later Philip II) as Pero Hern&aacu [+]

Eugenia Martínez Vallejo, Naked
Oil on canvas. Ca. 1680
Carreño de Miranda, Juan
Eugenia Martínez Vallejo, Naked
Oil on canvas. Ca. 1680
Carreño de Miranda, Juan

After the death of Velázquez, Carreño showed himself to be the artist most worthy of continuing the depiction of monsters, jesters, and dwarves that inhabited the Spanish court. Inventor [+]

The Buffoon Barbarroja, Cristóbal de Castañeda y Pernia
Oil on canvas. 1633
Velázquez, Diego Rodríguez de Silva y
The Buffoon Barbarroja, Cristóbal de Castañeda y Pernia
Oil on canvas. 1633
Velázquez, Diego Rodríguez de Silva y

The model’s identity is known through the 1701 inventory of the Buen Retiro Palace, which lists a painting two-and-a-third rods high and one-and-a-half rods wide, which is another portrait of a buffoo [+]

The Buffoon Francisco Bazán
Oil on canvas. Ca. 1680
Carreño de Miranda, Juan
The Buffoon Francisco Bazán
Oil on canvas. Ca. 1680
Carreño de Miranda, Juan

Francisco Bazán was a buffoon at the court of Charles II between 1676 and 1689. Carreño, who was reaching the end of his career when he painted this work, depicts the sitter as if delive [+]

The Buffoon El Primo
Oil on canvas. 1644
Velázquez, Diego Rodríguez de Silva y
The Buffoon El Primo
Oil on canvas. 1644
Velázquez, Diego Rodríguez de Silva y

The chromatic complexity, fluid brushstroke, location of the sitter in an undefined space and his direct gaze make this one of the portraits of dwarves by Velázquez that most directly connects [+]

The Finding of Moses
Oil on canvas. Ca. 1580
Veronese, Paolo (Paolo Cagliari)
The Finding of Moses
Oil on canvas. Ca. 1580
Veronese, Paolo (Paolo Cagliari)

This scene from the Old Testament (Exodus II, 5-6) depicts the moment when the Pharaoh´s daughter and her ladies-in-waiting remove from the Nile River the basket in which baby Moses was placed by his [+]

The Buffoon Calabacillas
Oil on canvas. 1635 - 1639
Velázquez, Diego Rodríguez de Silva y
The Buffoon Calabacillas
Oil on canvas. 1635 - 1639
Velázquez, Diego Rodríguez de Silva y

One of the most unique and distinctive areas within Velázquez`s oeuvre is that of his portraits of buffoons, dwarves and individuals collectively known as hombres de placer (men of pleasure). T [+]

Eugenia Martínez Vallejo, Clothed
Oil on canvas. Ca. 1680
Carreño de Miranda, Juan
Eugenia Martínez Vallejo, Clothed
Oil on canvas. Ca. 1680
Carreño de Miranda, Juan

In the courts of Spain´s nobility, the sixteenthcentury fascination with oddities of the natural world persisted into the seventeenth and was manifested in, among other things, an interest in people w [+]

The Buffoon Calabacillas
Red chalk, Etching, Burin on wove paper. 1791 - 1800
Croutelle, Louis -Engraver- (After Velázquez, Diego Rodríguez de Silva y); Camarón y Meliá, Juan José
The Buffoon Calabacillas
Red chalk, Etching, Burin on wove paper. 1791 - 1800
Croutelle, Louis -Engraver- (After Velázquez, Diego Rodríguez de Silva y); Camarón y Meliá, Juan José

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active.The Company fo [+]

The Buffoon Calabacillas
Taille douce: etching and engraving on continuous paper. 1791 - 1800
Croutelle, Louis -Engraver- (After Velázquez, Diego Rodríguez de Silva y); Camarón y Meliá, Juan José
The Buffoon Calabacillas
Taille douce: etching and engraving on continuous paper. 1791 - 1800
Croutelle, Louis -Engraver- (After Velázquez, Diego Rodríguez de Silva y); Camarón y Meliá, Juan José

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company f [+]

Buffoon with books
Taille douce: etching and engraving on laid paper. 1792
Muntaner y Moner, Francisco -Engraver- (After Velázquez, Diego Rodríguez de Silva y); Bueno, León
Buffoon with books
Taille douce: etching and engraving on laid paper. 1792
Muntaner y Moner, Francisco -Engraver- (After Velázquez, Diego Rodríguez de Silva y); Bueno, León

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company f [+]

Buffoon with books
Taille douce: etching and engraving on laid paper. 1792
Muntaner y Moner, Francisco -Engraver- (After Velázquez, Diego Rodríguez de Silva y); Bueno, León
Buffoon with books
Taille douce: etching and engraving on laid paper. 1792
Muntaner y Moner, Francisco -Engraver- (After Velázquez, Diego Rodríguez de Silva y); Bueno, León

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company f [+]

El bufón el Primo
Taille douce: etching and engraving on laid paper. 1798
Ribera Gómez, Francisco -Engraver- (After Velázquez, Diego Rodríguez de Silva y); González Velázquez y Tolosa, Cástor
El bufón el Primo
Taille douce: etching and engraving on laid paper. 1798
Ribera Gómez, Francisco -Engraver- (After Velázquez, Diego Rodríguez de Silva y); González Velázquez y Tolosa, Cástor

Esta estampa está encuadernada en un álbum sobre obras de Velázquez del coleccionista Pennant (véase G02277). Reproduce la pintura de Diego Rodríguez de Silva y Velázquez que se conservaba en el Palac [+]

The Buffoon Calabacillas
Taille douce: etching and engraving on laid paper. 1791 - 1800
Croutelle, Louis -Engraver- (After Velázquez, Diego Rodríguez de Silva y); Camarón, José
The Buffoon Calabacillas
Taille douce: etching and engraving on laid paper. 1791 - 1800
Croutelle, Louis -Engraver- (After Velázquez, Diego Rodríguez de Silva y); Camarón, José

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company f [+]

The Buffoon Barbarroja, don Cristóbal de Castañeda y Pernia
Taille douce: etching and engraving on continuous paper. 1799
Croutelle, Louis -Engraver- (After Velázquez, Diego Rodríguez de Silva y); Camarón y Meliá, Juan José; Calcografía Nacional
The Buffoon Barbarroja, don Cristóbal de Castañeda y Pernia
Taille douce: etching and engraving on continuous paper. 1799
Croutelle, Louis -Engraver- (After Velázquez, Diego Rodríguez de Silva y); Camarón y Meliá, Juan José; Calcografía Nacional

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company f [+]

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