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Seville Surrenders to the king, Saint Ferdinand
Oil on canvas. Second half of the XVIII century
Flipart, Charles-Joseph
Seville Surrenders to the king, Saint Ferdinand
Oil on canvas. Second half of the XVIII century
Flipart, Charles-Joseph

Ferdinand III bears a sword and the globe of the world in his hands while the kneeling Moorish king presents him the keys to the city, visible in the background. A lion appears on the left, and each k [+]

The Temptations of Saint Anthony
Oil on panel. 1520 - 1524
Massys, Quinten; Patinir, Joachim
The Temptations of Saint Anthony
Oil on panel. 1520 - 1524
Massys, Quinten; Patinir, Joachim

The format and the dimensions of this picture and the high horizon line allow for rendition of a large landscape, which displays what are generally regarded as the defining characteristics of Patinir` [+]

The Immaculate Conception
Pencil, Wash on paper. 1795 - 1798
Montaña Cantó, Pau
The Immaculate Conception
Pencil, Wash on paper. 1795 - 1798
Montaña Cantó, Pau

El corpus de la obra gráfica conocida de Pau Montaña se componía de sólo los dos dibujos originales conservados respectivamente en el Museu Nacional d´Art de Catalunya y en la Real Academia de San Fer [+]

Pietá
Pencil, Wash on paper. 1795 - 1798
Montaña Cantó, Pau
Pietá
Pencil, Wash on paper. 1795 - 1798
Montaña Cantó, Pau

El corpus de la obra gráfica conocida de Pau Montaña se componía de sólo los dos dibujos originales conservados respectivamente en el Museu Nacional d´Art de Catalunya y en la Real Academia de San Fer [+]

Menippus
Taille douce: etching and engraving on laid paper. 1791 - 1800
Esquivel de Sotomayor, Manuel; Bueno, León; Muntaner y Moner, Francisco
Menippus
Taille douce: etching and engraving on laid paper. 1791 - 1800
Esquivel de Sotomayor, Manuel; Bueno, León; Muntaner y Moner, Francisco

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company f [+]

Two of a Kind
Drypoint, Etching, Aquatint on ivory laid paper. 1797 - 1799
Goya y Lucientes, Francisco de
Two of a Kind
Drypoint, Etching, Aquatint on ivory laid paper. 1797 - 1799
Goya y Lucientes, Francisco de

Capricho 5, Two of a Kind is part of The Caprichos. The subject matter was common in depictions of that period. At first glance, the preparatory drawing might seem to be a simple genre scene—a lady be [+]

They do not arrive in time
Drypoint, Etching, Wash, Burin on paper. 1812 - 1814
Goya y Lucientes, Francisco de
They do not arrive in time
Drypoint, Etching, Wash, Burin on paper. 1812 - 1814
Goya y Lucientes, Francisco de

Disasters of War, 52, They do not arrive in time.In this series of prints executed between 1810 and 1814 Goya offers a critical and personal vision of the consequences of the Spanish Peninsular War (1 [+]

There is No Time Left
Drypoint, Etching, Wash, Burnisher, Burin on ivory paper. 1810 - 1814
Goya y Lucientes, Francisco de
There is No Time Left
Drypoint, Etching, Wash, Burnisher, Burin on ivory paper. 1810 - 1814
Goya y Lucientes, Francisco de

Rather than simply reflecting concrete events, Goya sought to capture their essence. He therefore placed himself alongside the action, taking part in a way that no previous artist ever had. This expla [+]

View of the church choir loft from the convent entrance, Royal Monastery of San Lorenzo de El Escorial
Taille douce: etching and engraving on wove paper. 1800 - 1809
Gómez de Navia, José; Maré, Cipriano; López Enguidanos, Tomás; Calcografía Nacional
View of the church choir loft from the convent entrance, Royal Monastery of San Lorenzo de El Escorial
Taille douce: etching and engraving on wove paper. 1800 - 1809
Gómez de Navia, José; Maré, Cipriano; López Enguidanos, Tomás; Calcografía Nacional

These are part of Colección de diferentes vistas del Magnífico Templo y Real Monasterio de San Lorenzo de El Escorial (Collectionof Different Views of the Magnificent Temple and Monaster [+]

Aesop
Taille douce: etching and engraving on continuous paper. 1796
Esquivel de Sotomayor, Manuel; Bueno, León; Muntaner y Moner, Francisco
Aesop
Taille douce: etching and engraving on continuous paper. 1796
Esquivel de Sotomayor, Manuel; Bueno, León; Muntaner y Moner, Francisco

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company f [+]

Cephalus and Procris
Taille douce: etching and engraving on continuous paper. 1791 - 1800
Patas, Jean-Baptiste; Martínez, Antonio; Calcografía Nacional
Cephalus and Procris
Taille douce: etching and engraving on continuous paper. 1791 - 1800
Patas, Jean-Baptiste; Martínez, Antonio; Calcografía Nacional

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active.The Company fo [+]

Saint Rose of Lima
Taille douce: etching and engraving on wove paper. 1793
Ametller, Blas; Salvador Carmona, Manuel; Gutiérrez, Genaro
Saint Rose of Lima
Taille douce: etching and engraving on wove paper. 1793
Ametller, Blas; Salvador Carmona, Manuel; Gutiérrez, Genaro

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company f [+]

Corridor adjacent to the apothecary, Royal Monastery of San Lorenzo de El Escorial
Taille douce: etching and engraving on wove paper. 1800 - 1809
Gómez de Navia, José; López Enguidanos, Tomás; Maré, Cipriano; Calcografía Nacional
Corridor adjacent to the apothecary, Royal Monastery of San Lorenzo de El Escorial
Taille douce: etching and engraving on wove paper. 1800 - 1809
Gómez de Navia, José; López Enguidanos, Tomás; Maré, Cipriano; Calcografía Nacional

These are part of Colección de diferentes vistas del Magnífico Templo y Real Monasterio de San Lorenzo de El Escorial (Collectionof Different Views of the Magnificent Temple and Monaster [+]

He defends himself well
Drypoint, Etching, Burnisher, Burin on ivory paper. 1814 - 1815
Goya y Lucientes, Francisco de
He defends himself well
Drypoint, Etching, Burnisher, Burin on ivory paper. 1814 - 1815
Goya y Lucientes, Francisco de

Disasters of War, 78, He defends himself well. In this series of prints executed between 1810 and 1814 Goya offers a critical and personal vision of the consequences of the Spanish Peninsular War (180 [+]

Allegory of the Foundation of the Order of Charles III
Taille douce: etching and engraving on wove paper. 1778
Salvador Carmona, Manuel
Allegory of the Foundation of the Order of Charles III
Taille douce: etching and engraving on wove paper. 1778
Salvador Carmona, Manuel

The print is based on a painting by Antonio González Velázquez. Charles III wears the habit of a master of his own Order, and is accompanied by the allegories of Merit and Virtue. Devout [+]

The Adoration of the Shepherds
Taille douce: etching and engraving on continuous paper. 1791
Morghen, Raffaello; Beratón, José
The Adoration of the Shepherds
Taille douce: etching and engraving on continuous paper. 1791
Morghen, Raffaello; Beratón, José

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company f [+]

Vulcan’s Forge
Taille douce: etching and engraving on continuous paper. 1798
Glairon-Mondet, e. J.; Alcántara, Francisco; Calcografía Nacional; Imprenta Real
Vulcan’s Forge
Taille douce: etching and engraving on continuous paper. 1798
Glairon-Mondet, e. J.; Alcántara, Francisco; Calcografía Nacional; Imprenta Real

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company f [+]

View of the orchard at noon, Royal Monastery of San Lorenzo de El Escorial
Taille douce: etching and engraving on laid paper. 1800 - 1809
Gómez de Navia, José; López Enguidanos, Tomás; Maré, Cipriano; Calcografía Nacional
View of the orchard at noon, Royal Monastery of San Lorenzo de El Escorial
Taille douce: etching and engraving on laid paper. 1800 - 1809
Gómez de Navia, José; López Enguidanos, Tomás; Maré, Cipriano; Calcografía Nacional

These are part of Colección de diferentes vistas del Magnífico Templo y Real Monasterio de San Lorenzo de El Escorial (Collectionof Different Views of the Magnificent Temple and Monaster [+]

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