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Ferdinand III bears a sword and the globe of the world in his hands while the kneeling Moorish king presents him the keys to the city, visible in the background. A lion appears on the left, and each k [+]
The format and the dimensions of this picture and the high horizon line allow for rendition of a large landscape, which displays what are generally regarded as the defining characteristics of Patinir` [+]
El corpus de la obra gráfica conocida de Pau Montaña se componía de sólo los dos dibujos originales conservados respectivamente en el Museu Nacional d´Art de Catalunya y en la Real Academia de San Fer [+]
El corpus de la obra gráfica conocida de Pau Montaña se componía de sólo los dos dibujos originales conservados respectivamente en el Museu Nacional d´Art de Catalunya y en la Real Academia de San Fer [+]
Capricho 5, Two of a Kind is part of The Caprichos. The subject matter was common in depictions of that period. At first glance, the preparatory drawing might seem to be a simple genre scene—a lady be [+]
Disasters of War, 52, They do not arrive in time.In this series of prints executed between 1810 and 1814 Goya offers a critical and personal vision of the consequences of the Spanish Peninsular War (1 [+]
Rather than simply reflecting concrete events, Goya sought to capture their essence. He therefore placed himself alongside the action, taking part in a way that no previous artist ever had. This expla [+]
These are part of Colección de diferentes vistas del Magnífico Templo y Real Monasterio de San Lorenzo de El Escorial (Collectionof Different Views of the Magnificent Temple and Monaster [+]
These are part of Colección de diferentes vistas del Magnífico Templo y Real Monasterio de San Lorenzo de El Escorial (Collectionof Different Views of the Magnificent Temple and Monaster [+]
These are part of Colección de diferentes vistas del Magnífico Templo y Real Monasterio de San Lorenzo de El Escorial (Collectionof Different Views of the Magnificent Temple and Monaster [+]
These are part of Colección de diferentes vistas del Magnífico Templo y Real Monasterio de San Lorenzo de El Escorial (Collectionof Different Views of the Magnificent Temple and Monaster [+]
Disasters of War, 58, It’s no use crying out. Goya devoted many of the prints in the first part of The Disasters of War to scenes in which the civilian population is the innocent victim of soldiers´ e [+]
Disasters of War, 40, He gets something out of it.In this series of prints executed between 1810 and 1814 Goya offers a critical and personal vision of the consequences of the Spanish Peninsular War ( [+]
This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active.The Company fo [+]
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Disasters of War, 53, There was nothing to be done and he died.In this series of prints executed between 1810 and 1814 Goya offers a critical and personal vision of the consequences of the Spanish Pen [+]
Prueba de estado de la estampa G02097 (1a edición). Aguada de tinta china y trazos a pluma en el cabello de la mujer y pechos. Mayor nitidez e intensidad tanto en los trazos de aguafuerte como en las [+]
Disasters of War, 75, Charlatans’ show.In this series of prints executed between 1810 and 1814 Goya offers a critical and personal vision of the consequences of the Spanish Peninsular War (1808-14) th [+]
