The itinerary <em>TITULORECORRIDO</em> has been successfully created. Now you can add in works from the Collection browser
<em>TITULOOBRA</em> added to <em>TITULORECORRIDO</em> itinerary

Search

Explore the collection

Refine results
51 results
Two of a Kind
Drypoint, Etching, Aquatint on ivory laid paper. 1797 - 1799
Goya y Lucientes, Francisco de
Two of a Kind
Drypoint, Etching, Aquatint on ivory laid paper. 1797 - 1799
Goya y Lucientes, Francisco de

Capricho 5, Two of a Kind is part of The Caprichos. The subject matter was common in depictions of that period. At first glance, the preparatory drawing might seem to be a simple genre scene—a lady be [+]

They do not arrive in time
Drypoint, Etching, Wash, Burin on paper. 1812 - 1814
Goya y Lucientes, Francisco de
They do not arrive in time
Drypoint, Etching, Wash, Burin on paper. 1812 - 1814
Goya y Lucientes, Francisco de

Disasters of War, 52, They do not arrive in time.In this series of prints executed between 1810 and 1814 Goya offers a critical and personal vision of the consequences of the Spanish Peninsular War (1 [+]

He defends himself well
Drypoint, Etching, Burnisher, Burin on wove paper. 1814 - 1815
Goya y Lucientes, Francisco de
He defends himself well
Drypoint, Etching, Burnisher, Burin on wove paper. 1814 - 1815
Goya y Lucientes, Francisco de

Disasters of War, 78, He defends himself well. In this series of prints executed between 1810 and 1814 Goya offers a critical and personal vision of the consequences of the Spanish Peninsular War (180 [+]

They do not know the way
Drypoint, Etching, Burnisher, Burin on wove paper. 1814 - 1815
Goya y Lucientes, Francisco de
They do not know the way
Drypoint, Etching, Burnisher, Burin on wove paper. 1814 - 1815
Goya y Lucientes, Francisco de

Disasters of War, 70, They do not know the way.In this series of prints executed between 1810 and 1814 Goya offers a critical and personal vision of the consequences of the Spanish Peninsular War (180 [+]

Everything is topsy-turvy
Etching, Burin on wove paper. 1810 - 1814
Goya y Lucientes, Francisco de
Everything is topsy-turvy
Etching, Burin on wove paper. 1810 - 1814
Goya y Lucientes, Francisco de

Disasters of war, 42, Everything is topsy-turvy.In this series of prints executed between 1810 and 1814 Goya offers a critical and personal vision of the consequences of the Spanish Peninsular War (18 [+]

It’s no use crying out
Etching, Aquatint, Burnisher, Burin on ivory paper. 1812 - 1814
Goya y Lucientes, Francisco de
It’s no use crying out
Etching, Aquatint, Burnisher, Burin on ivory paper. 1812 - 1814
Goya y Lucientes, Francisco de

Disasters of War, 58, It’s no use crying out. Goya devoted many of the prints in the first part of The Disasters of War to scenes in which the civilian population is the innocent victim of soldiers´ e [+]

It’s a hard step!
Burnished wash, Drypoint, Etching, Burin on wove paper. 1810 - 1814
Goya y Lucientes, Francisco de
It’s a hard step!
Burnished wash, Drypoint, Etching, Burin on wove paper. 1810 - 1814
Goya y Lucientes, Francisco de

Execution scenes constitute one of the most outstanding thematic groups in the series. The significant number of prints depicting different versions of this form of repression and extreme violence—Dis [+]

This is what you were born for
Drypoint, Etching, Wash, Burin on wove paper. 1810 - 1814
Goya y Lucientes, Francisco de
This is what you were born for
Drypoint, Etching, Wash, Burin on wove paper. 1810 - 1814
Goya y Lucientes, Francisco de

In this series of prints executed between 1810 and 1814 Goya offers a critical and personal vision of the consequences of the Spanish Peninsular War (1808-14) that is remote from the propagandistic im [+]

He gets something out of it
Drypoint, Etching, Burin on ivory paper. 1814 - 1815
Goya y Lucientes, Francisco de
He gets something out of it
Drypoint, Etching, Burin on ivory paper. 1814 - 1815
Goya y Lucientes, Francisco de

Disasters of War, 40, He gets something out of it.In this series of prints executed between 1810 and 1814 Goya offers a critical and personal vision of the consequences of the Spanish Peninsular War ( [+]

What courage!
Drypoint, Etching, Aquatint, Burnisher, Burin on ivory paper. 1810 - 1814
Goya y Lucientes, Francisco de
What courage!
Drypoint, Etching, Aquatint, Burnisher, Burin on ivory paper. 1810 - 1814
Goya y Lucientes, Francisco de

Uno de los debates suscitados desde los primeros estudios de los Desastres hasta nuestros días ha sido el del origen temático de las estampas; si estaban basadas y representaban hechos concretos o si [+]

There was nothing to be done and he died
Etching, Aquatint, Wash, Burnisher, Burin on ivory paper. 1812 - 1814
Goya y Lucientes, Francisco de
There was nothing to be done and he died
Etching, Aquatint, Wash, Burnisher, Burin on ivory paper. 1812 - 1814
Goya y Lucientes, Francisco de

Disasters of War, 53, There was nothing to be done and he died.In this series of prints executed between 1810 and 1814 Goya offers a critical and personal vision of the consequences of the Spanish Pen [+]

No hay quien los socorra
Etching, Aquatint, Burnisher, Burin on wove paper. 1812 - 1814
Goya y Lucientes, Francisco de
No hay quien los socorra
Etching, Aquatint, Burnisher, Burin on wove paper. 1812 - 1814
Goya y Lucientes, Francisco de

Goya trató no tanto de dejar constancia de hechos concretos sino de captar la esencia de los mismos. Se sitúa de este modo en un plano contiguo a la acción, tomando parte en el suceso como nunca hasta [+]

Lads Making Ready
Etching, Aquatint, Burnisher, Burin on paper. 1799
Goya y Lucientes, Francisco de
Lads Making Ready
Etching, Aquatint, Burnisher, Burin on paper. 1799
Goya y Lucientes, Francisco de

Capricho 11, Lads Making Ready (G02099 / G00644) is part of the Caprichos. The subject matter was common in that period in compositions employed by Enlightenment critics. The print and drawing have di [+]

Folly of poverty
Drypoint, Etching, Aquatint, Burnisher, Burin on wove paper. 1815 - 1819
Goya y Lucientes, Francisco de
Folly of poverty
Drypoint, Etching, Aquatint, Burnisher, Burin on wove paper. 1815 - 1819
Goya y Lucientes, Francisco de

Disparates, 11, Folly of poverty. [+]

Of what ill will he die?
Drypoint, Etching, Aquatint, Burnisher, Burin on paper. 1799
Goya y Lucientes, Francisco de
Of what ill will he die?
Drypoint, Etching, Aquatint, Burnisher, Burin on paper. 1799
Goya y Lucientes, Francisco de

In the Caprichos, Goya assimilated different satirical traditions, some of which were learned and others popular, ranging from the literature of the Spanish Golden Age and moralising texts from the En [+]

Fierce Monster!
Drypoint, Etching, Burin on continuous paper. 1814 - 1815
Goya y Lucientes, Francisco de
Fierce Monster!
Drypoint, Etching, Burin on continuous paper. 1814 - 1815
Goya y Lucientes, Francisco de

This monster, whose morphology corresponds to no specific animal, is related to those from Disasters 71, 72, 73, 75 and 76, all of which symbolize the forces that oppressed Spain after 1814.In this se [+]

Appeals are in vain
Etching, Wash, Burnisher, Burin on wove paper. 1812 - 1814
Goya y Lucientes, Francisco de
Appeals are in vain
Etching, Wash, Burnisher, Burin on wove paper. 1812 - 1814
Goya y Lucientes, Francisco de

Disasters of War, 54, Appeals are in vain. In this series of prints executed between 1810 and 1814 Goya offers a critical and personal vision of the consequences of the Spanish Peninsular War (1808-14 [+]

They escape through the flames
Etching, Burin on ivory paper. 1810 - 1814
Goya y Lucientes, Francisco de
They escape through the flames
Etching, Burin on ivory paper. 1810 - 1814
Goya y Lucientes, Francisco de

Disasters of war, 41, They escape through the flames.In this series of prints executed between 1810 and 1814 Goya offers a critical and personal vision of the consequences of the Spanish Peninsular Wa [+]

Up