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Saint Ambrose
Etching, Burin on continuous paper. 1789 - 1795
Salvador Carmona, Juan Antonio; Calcografía Nacional
Saint Ambrose
Etching, Burin on continuous paper. 1789 - 1795
Salvador Carmona, Juan Antonio; Calcografía Nacional

La estampa grabada por Juan Antonio Salvador Carmona forma parte de una serie de 28, dedicada al cardenal Francisco de Lorenzana, arzobispo de Toledo. Título de la serie tomado del Catálogo de estampa [+]

Saint John the Baptist
Etching, Burin on continuous paper. 1789 - 1795
Calcografía Nacional; Salvador Carmona, Juan Antonio
Saint John the Baptist
Etching, Burin on continuous paper. 1789 - 1795
Calcografía Nacional; Salvador Carmona, Juan Antonio

La estampa grabada por Juan Antonio Salvador Carmona forma parte de una serie de 28, dedicada al cardenal Francisco de Lorenzana, arzobispo de Toledo. Título de la serie tomado del Catálogo de estampa [+]

Saint Mark
Etching, Burin on continuous paper. 1789 - 1795
Salvador Carmona, Juan Antonio; Calcografía Nacional
Saint Mark
Etching, Burin on continuous paper. 1789 - 1795
Salvador Carmona, Juan Antonio; Calcografía Nacional

La estampa grabada por Juan Antonio Salvador Carmona forma parte de una serie de 28, dedicada al cardenal Francisco de Lorenzana, arzobispo de Toledo (véase G1630). Título de la serie tomado del Catál [+]

Saint Bartholomew
Etching, Burin on continuous paper. 1789 - 1795
Salvador Carmona, Juan Antonio; Calcografía Nacional
Saint Bartholomew
Etching, Burin on continuous paper. 1789 - 1795
Salvador Carmona, Juan Antonio; Calcografía Nacional

La estampa grabada por Juan Antonio Salvador Carmona forma parte de una serie de 28, dedicada al cardenal Francisco de Lorenzana, arzobispo de Toledo. Título de la serie tomado del Catálogo de estampa [+]

Ecce Homo
Etching, Burin on wove paper. 1778 - 1788
Salvador Carmona, Juan Antonio -Engraver- (After Titian (Tiziano Vecellio)); Calcografía Nacional
Ecce Homo
Etching, Burin on wove paper. 1778 - 1788
Salvador Carmona, Juan Antonio -Engraver- (After Titian (Tiziano Vecellio)); Calcografía Nacional

Estampa grabada por Juan Antonio Salvador Carmona que reproduce el óleo de Ticiano conservado en el Museo Nacional del Prado (P437). Felipe II emparejó este Ecce-Homo con la Dolorosa con las manos abi [+]

The Virgin Dolorosa with her Hands apart
Etching, Burin on wove paper. 1778 - 1788
Salvador Carmona, Juan Antonio -Engraver- (After Titian (Tiziano Vecellio)); Calcografía Nacional
The Virgin Dolorosa with her Hands apart
Etching, Burin on wove paper. 1778 - 1788
Salvador Carmona, Juan Antonio -Engraver- (After Titian (Tiziano Vecellio)); Calcografía Nacional

Estampa grabada por Juan Antonio Salvador Carmona que reproduce el óleo de Ticiano conservado en el Museo Nacional del Prado (P444). Felipe II emparejó esta Mater Dolorosa con el Ecce Homo (P437) en s [+]

St. Jude Thaddeus
Etching, Burin on continuous paper. 1789 - 1795
Salvador Carmona, Juan Antonio; Calcografía Nacional
St. Jude Thaddeus
Etching, Burin on continuous paper. 1789 - 1795
Salvador Carmona, Juan Antonio; Calcografía Nacional

La estampa grabada por Juan Antonio Salvador Carmona forma parte de una serie de 28, dedicada al cardenal Francisco de Lorenzana, arzobispo de Toledo. Título de la serie tomado del Catálogo de estampa [+]

Saint Paul
Etching, Burin on continuous paper. 1789 - 1795
Salvador Carmona, Juan Antonio; Calcografía Nacional
Saint Paul
Etching, Burin on continuous paper. 1789 - 1795
Salvador Carmona, Juan Antonio; Calcografía Nacional

La estampa grabada por Juan Antonio Salvador Carmona forma parte de una serie de 28, dedicada al cardenal Francisco de Lorenzana, arzobispo de Toledo. Título de la serie tomado del Catálogo de estampa [+]

Saint Matthew
Etching, Burin on continuous paper. 1789 - 1795
Salvador Carmona, Juan Antonio; Calcografía Nacional
Saint Matthew
Etching, Burin on continuous paper. 1789 - 1795
Salvador Carmona, Juan Antonio; Calcografía Nacional

La estampa grabada por Juan Antonio Salvador Carmona forma parte de una serie de 28, dedicada al cardenal Francisco de Lorenzana, arzobispo de Toledo. Título de la serie tomado del Catálogo de estampa [+]

The Holy Family with a Bird
Etching, Burin on continuous paper. 1786 - 1788
Salvador Carmona, Juan Antonio -Engraver- (After Murillo, Bartolomé Esteban); Calcografía Nacional
The Holy Family with a Bird
Etching, Burin on continuous paper. 1786 - 1788
Salvador Carmona, Juan Antonio -Engraver- (After Murillo, Bartolomé Esteban); Calcografía Nacional

Estampa grabada por Juan Antonio Salvador Carmona que reproduce el óleo de Murillo conservado en el Museo Nacional del Prado (P960). Rodríguez Moñino dice que grabó la estampa entre 1786 y 1788 (Rodrí [+]

Hieronymus Bosch
Burin on laid paper. Ca. 1565
Cort, Cornelis; Diericx, Volcxken
Hieronymus Bosch
Burin on laid paper. Ca. 1565
Cort, Cornelis; Diericx, Volcxken

[+]

Ulysses’ Fight with Irus
Burin on laid paper. 1589
Cornelisz. Van Haarlem, Cornelis; Müller, Jan Harmansz; Goltzius, Heindrick
Ulysses’ Fight with Irus
Burin on laid paper. 1589
Cornelisz. Van Haarlem, Cornelis; Müller, Jan Harmansz; Goltzius, Heindrick

This work illustrates an episode from the Odyssey in which young Irus challenges Ulysses to a fight, which the latter wins in presence of the inhabitants of Ithaca. Ulysses stands with his back to the [+]

The Buffoon Calabacillas
Red chalk, Etching, Burin on wove paper. 1791 - 1800
Croutelle, Louis -Engraver- (After Velázquez, Diego Rodríguez de Silva y); Camarón y Meliá, Juan José
The Buffoon Calabacillas
Red chalk, Etching, Burin on wove paper. 1791 - 1800
Croutelle, Louis -Engraver- (After Velázquez, Diego Rodríguez de Silva y); Camarón y Meliá, Juan José

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active.The Company fo [+]

They do not arrive in time
Drypoint, Etching, Wash, Burin on paper. 1812 - 1814
Goya y Lucientes, Francisco de
They do not arrive in time
Drypoint, Etching, Wash, Burin on paper. 1812 - 1814
Goya y Lucientes, Francisco de

Disasters of War, 52, They do not arrive in time.In this series of prints executed between 1810 and 1814 Goya offers a critical and personal vision of the consequences of the Spanish Peninsular War (1 [+]

There is No Time Left
Drypoint, Etching, Wash, Burnisher, Burin on ivory paper. 1810 - 1814
Goya y Lucientes, Francisco de
There is No Time Left
Drypoint, Etching, Wash, Burnisher, Burin on ivory paper. 1810 - 1814
Goya y Lucientes, Francisco de

Rather than simply reflecting concrete events, Goya sought to capture their essence. He therefore placed himself alongside the action, taking part in a way that no previous artist ever had. This expla [+]

The carnivorous vulture
Etching, Burnisher, Burin on ivory paper. 1814 - 1815
Goya y Lucientes, Francisco de
The carnivorous vulture
Etching, Burnisher, Burin on ivory paper. 1814 - 1815
Goya y Lucientes, Francisco de

Disasters of War, 76, The carnivorous vulture.In this series of prints executed between 1810 and 1814 Goya offers a critical and personal vision of the consequences of the Spanish Peninsular War (1808 [+]

He defends himself well
Drypoint, Etching, Burnisher, Burin on ivory paper. 1814 - 1815
Goya y Lucientes, Francisco de
He defends himself well
Drypoint, Etching, Burnisher, Burin on ivory paper. 1814 - 1815
Goya y Lucientes, Francisco de

Disasters of War, 78, He defends himself well. In this series of prints executed between 1810 and 1814 Goya offers a critical and personal vision of the consequences of the Spanish Peninsular War (180 [+]

They do not know the way
Drypoint, Etching, Burnisher, Burin on ivory paper. 1814 - 1815
Goya y Lucientes, Francisco de
They do not know the way
Drypoint, Etching, Burnisher, Burin on ivory paper. 1814 - 1815
Goya y Lucientes, Francisco de

Disasters of War, 70, They do not know the way.In this series of prints executed between 1810 and 1814 Goya offers a critical and personal vision of the consequences of the Spanish Peninsular War (180 [+]

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