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Preparatory drawing for the etching Capricho 13. They are Hot (G02101). This work is one of twenty-six pen drawings that make up the Dreams series on which the Caprichos were based. Both the prelimina [+]
This preparatory drawing for the etching Capricho 11, Lads Making Ready (G02099 / G00644) is part of The Dreams, a series of twenty-six pen-and-ink drawings that serve as the basis for the Caprichos. [+]
Printer’s proof prior to the first edition Capricho 4, Mummy´s Boy (El de la rollona), before the replacement of the letter “y” with “ll” in “rollona”. Etching and burnished aquatint The word rollona [+]
Capricho 14, What a Sacrifice! is part of The Caprichos. The subject matter was common in that period as dreams were used to represent the world from the perspective of the artist’s imagination withou [+]
Capricho 19. The satirical tone that Goya employs in the Caprichos in which he criticises prostitution is applied to both the girls and their clients, the latter depicted as plucked chickens. The arti [+]
En esta escena Goya alude a conceptos como “moza de silla”, identificado con la práctica de la prostitución, o a expresiones tales como “sentar la cabeza”, en el sentido de volverse una persona juicio [+]
Capricho 68, Pretty teacher! [+]
Capricho 36, Bad Night is part of The Caprichos.The sense of social criticism can be grasped in Valentín Carderera’s manuscripts at the Museo del Prado, the Biblioteca Nacional and the 1791 and [+]
Capricho 4, Mummy´s Boy (El de la rollona). The word rollona used in the title refers to a strong, plump woman and was only used in the expression “el niño de la rollona”, which appears in vari [+]
Capricho 11, Lads Making Ready (G02099 / G00644) is part of the Caprichos. The subject matter was common in that period in compositions employed by Enlightenment critics. The print and drawing have di [+]
Capricho 40, Of what illness will he die? In the Caprichos, Goya assimilated different satirical traditions, some of which were learned and others popular, ranging from the literature of the Spanish G [+]
Prueba de estado de la estampa G02097 (1a edición). Aguada de tinta china y trazos a pluma en el cabello de la mujer y pechos. Mayor nitidez e intensidad tanto en los trazos de aguafuerte como en las [+]
Goya ha reproducido en esta estampa un Autillo o penitencia pública, y el sentido de su título, indica claramente que ha querido satirizar las actividades de la Inquisición y las costumbres que ésta e [+]
Estrecha relación entre el dibujo preparatorio a sanguina (D04211) y la estampa, tanto en lo formal como en la leyenda. La inscripción del dibujo explica el significado de la composición: las prostitu [+]
Los Caprichos is the most widely disseminated of Goya´s series of prints and consists of 80 plates. They were published in 1799, following a creative process that began in 1794 with two sets of drawin [+]
The etching Blow is Capricho number 69. The initial idea for Capricho 69, Blow, already appears in drawing 57 of Album B, and its descriptive title, Aunt Oilstains lights the Hearth, Witches to Gather [+]
Capricho 11, Lads Making Ready (G02099 / G00644) is part of Caprichos. The subject matter was common in that period in compositions employed by Enlightenment critics. The print and drawing have differ [+]
En la estampa se representa un hombre desesperado que clama al cielo, mientras sostiene en sus rodillas una mujer, al parecer muerta. Goya aborda el amor y muerte, asuntos que captaron la atención del [+]
