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Earthly Paradise
Oil on canvas. XVI century
Bassano (Workshop Of)
Earthly Paradise
Oil on canvas. XVI century
Bassano (Workshop Of)

This is a painting of rather mediocre quality for which the artists drew on several ricordi from the stock at the family bottega. To cite an example, the horse and pair of dogs on the right specifical [+]

Pastores con su rebaño
Oil on canvas. First half of the XVIII century
Bonay, Francisco
Pastores con su rebaño
Oil on canvas. First half of the XVIII century
Bonay, Francisco

[+]

The Garden of Earthly Delights Triptych
Grisaille, Oil on oak panel. 1490 - 1500
Bosch, Hieronymus
The Garden of Earthly Delights Triptych
Grisaille, Oil on oak panel. 1490 - 1500
Bosch, Hieronymus

The Garden of Earthly Delights is Bosch’s most complex and enigmatic creation. For Falkenburg the overall theme of The Garden of Earthly Delights is the fate of humanity, as in The Haywain (P02052), a [+]

Departure from the Inn
Oil on panel. Ca. 1660
Wouwerman, Philips
Departure from the Inn
Oil on panel. Ca. 1660
Wouwerman, Philips

The picture belongs to a group of scenes set inside a stable which Wouwerman began painting in 1655. This cycle is an exception in the painter`s output, which was mainly focused on outdoor scenes. Mos [+]

Still Life with Animals
Oil on canvas. 1680 - 1690
Hondecoeter, Melchior D´
Still Life with Animals
Oil on canvas. 1680 - 1690
Hondecoeter, Melchior D´

The painting featured here is an example of the characteristic compositions with poultry in which D`Hondecoeter specialised. This type of painting was brought to Utrecht in 1619 by Roeland Savery (157 [+]

The Adoration of the Shepherds
Oil on canvas. 1612 - 1614
Maíno, Fray Juan Bautista
The Adoration of the Shepherds
Oil on canvas. 1612 - 1614
Maíno, Fray Juan Bautista

On 14 February 1612 Juan Bautista Maíno signed the contract to execute the paintings for the monastery church of San Pedro Mártir in Toledo. Maíno agreed to a period of eight mont [+]

Expulsion of the Merchants from the Temple
Oil on canvas. Ca. 1568
Bassano, Jacopo (Jacopo Dal Ponte)
Expulsion of the Merchants from the Temple
Oil on canvas. Ca. 1568
Bassano, Jacopo (Jacopo Dal Ponte)

Although for this first version Jacopo borrowed elements from early works such as the young man peeking his head round the column, which appears in the 1536 La fornace ardente (Bassano del Grappa, Mus [+]

The Finding of Moses
Oil on canvas. 1639 - 1640
Claude (Lorrain, Byname Of Claude Gellée)
The Finding of Moses
Oil on canvas. 1639 - 1640
Claude (Lorrain, Byname Of Claude Gellée)

A broad landscape is the setting for Moses’s rescue from the Nile River by the Egyptian Pharaoh’s daughter and her retinue. In the foreground, a shepherd sleeps, indifferent to the events taking place [+]

Landscape with Shepherds
Oil on panel. Early Segunda mitad del siglo XVII - XVIII century
Boudewijns, Adriaen Fransz
Landscape with Shepherds
Oil on panel. Early Segunda mitad del siglo XVII - XVIII century
Boudewijns, Adriaen Fransz

Paisaje con grupos de pastores y caminantes; a la derecha, un río o laguna con barcas y pescadores; fondo montañoso con vista de un pueblo fortificado. Las figuras de esta obra (así como las de las ob [+]

The Adoration of the Shepherds
Oil on panel. 1625
Wtewael, Joachim
The Adoration of the Shepherds
Oil on panel. 1625
Wtewael, Joachim

This Adoration of the Shepherds, signed and dated 1625, was executed in the final stage in Wtewael`s career. The intellectual approach to the scene (St Luke 2:15-18), which derives its emotive force f [+]

May (Gemini)
Oil on canvas. S XVI - XVII century
Bassano, Francesco
May (Gemini)
Oil on canvas. S XVI - XVII century
Bassano, Francesco

Although there is no extant set of the twelve months of the year painted by Jacopo, it is possible that he invented this series. Certainly, the inventory taken in Bassano del Grappa following his deat [+]

Lupercalia
Oil on canvas. Ca. 1635
Camassei, Andrea
Lupercalia
Oil on canvas. Ca. 1635
Camassei, Andrea

Lupercalia was a festival involving sacrifices to the two deities associated, respectively, with fecundity and childbirth: Pan and Lucina. As part of the celebrations, the men whipped their wives to m [+]

Landscape with Shepherds near Roman Ruins
Oil on copperplate. 1622 - 1623
Poelenburch, Cornelis Van
Landscape with Shepherds near Roman Ruins
Oil on copperplate. 1622 - 1623
Poelenburch, Cornelis Van

During the years he spent in Rome, Van Poelenburch began painting scenes of this kind with small-or medium-sized figures, in which the presence of ruins is so powerful that they could almost be said t [+]

Southern Landscape with Shepherds beneath a Ruined Arch
Oil on canvas. Ca. 1647
Asselijn, Jan
Southern Landscape with Shepherds beneath a Ruined Arch
Oil on canvas. Ca. 1647
Asselijn, Jan

This scene belongs to the type of Italianate landscape which Asselijn cultivated in Holland based on drawings and sketches made from the life during his stay in Rome. Blankert (1965) dates the work to [+]

Sacrifice to Bacchus
Oil on canvas. Ca. 1634
Stanzione, Massimo
Sacrifice to Bacchus
Oil on canvas. Ca. 1634
Stanzione, Massimo

While it is first listed in 1666 at the Alcázar, where it hung alongside Ribera’s Fable of Bacchus or Teoxenia (of which only three fragments have survived: two at the Museo del Prado and one i [+]

Landscape with Travellers and a Shepherd
Oil on canvas. 1635 - 1636
Swanevelt, Herman Van
Landscape with Travellers and a Shepherd
Oil on canvas. 1635 - 1636
Swanevelt, Herman Van

This painting is identified in the early catalogues of the Museum`s holdings with the landscape listed in the 1766 inventory of the collection of Isabella Farnese in the palace of La Granja, which, in [+]

Two Cows in a Meadow
Oil on panel. 1652
Potter, Paulus
Two Cows in a Meadow
Oil on panel. 1652
Potter, Paulus

Two Cows in a Meadow is one of Paulus Potter`s characteristic cabinet paintings featuring domestic animals, which were generally much more accomplished than his large compositions. They may be interpr [+]

Crossing the Pass
Oil on canvas. 1639 - 1641
Both, Jan
Crossing the Pass
Oil on canvas. 1639 - 1641
Both, Jan

The present painting may be considered a companion piece to the previous work on account of its format, size, compositional scheme and subject matter. It entered the Museum`s holdings as an original w [+]

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