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Nativity
Oil on canvas. Ca. 1610
Cajés, Eugenio
Nativity
Oil on canvas. Ca. 1610
Cajés, Eugenio

Eugenio was the son of Tuscan painter Patricio Cajés, who came to Spain to work for Philip II at the monastery of El Escorial. His mother, Casilda de la Fuente, was Spanish. He began studying p [+]

The Recapture of Bahía de Todos los Santos
Oil on canvas. 1634 - 1635
Maíno, Fray Juan Bautista
The Recapture of Bahía de Todos los Santos
Oil on canvas. 1634 - 1635
Maíno, Fray Juan Bautista

The Recapture of Bahía de Todos los Santos was commissioned from Maíno towards the end of 1634. The artist was still working on it on 24 March 1635, date on which he received the first 1 [+]

Philip III on Horseback
Oil on canvas. Ca. 1635
Velázquez, Diego Rodríguez de Silva y
Philip III on Horseback
Oil on canvas. Ca. 1635
Velázquez, Diego Rodríguez de Silva y

This was one of the paintings decorating the Hall of Realms at Madrid´s Buen Retiro Palace, where various discourses (territorial, mythological, military, and so on) combined to make up the decoration [+]

The Fable of Leda
Oil on canvas. 1604
Cajés, Eugenio
The Fable of Leda
Oil on canvas. 1604
Cajés, Eugenio

This companion to The Rape of Ganymede (P119) is Eugenio Cajés’s copy of one of Antonio Corregio’s most famous and important paintings, which was in Spain’s Royal Collections. It presents an er [+]

The Adoration of the Magi
Oil on canvas. 1631
Núñez del Valle, Pedro
The Adoration of the Magi
Oil on canvas. 1631
Núñez del Valle, Pedro

Within Núñez del Valle’s relatively small surviving output, this composition, which is one of his most typical and best known, reveals both his affinities with Caravaggio’s tenebrist sty [+]

The Adoration of the Shepherds
Oil on canvas. 1612
Lanchares, Antonio de
The Adoration of the Shepherds
Oil on canvas. 1612
Lanchares, Antonio de

Few works are known by the short-lived Lanchares, an artist of the Madrid school. Notable among his surviving paintings is this nocturnal depiction in which the artist reveals an extensive and very ea [+]

The Adoration of the Magi
Oil on canvas. Ca. 1625
Cajés, Eugenio
The Adoration of the Magi
Oil on canvas. Ca. 1625
Cajés, Eugenio

[+]

The Virgin and Child with Angels
Oil on canvas. 1618
Cajés, Eugenio
The Virgin and Child with Angels
Oil on canvas. 1618
Cajés, Eugenio

In this work Cajés combines Caravaggesque tenebrism with Correggio’s soft, fleshy Mannerism. The resulting painting, with its gentle, delicate appearance, reveals the artist’s clear assimilatio [+]

The Assumption of the Virgin
Oil on canvas. 1603
Cajés, Eugenio
The Assumption of the Virgin
Oil on canvas. 1603
Cajés, Eugenio

Obra muy significativa del gusto de Cajés por su colorido refinado, las formas de sus figuras son aún manieristas siendo su técnica libre y suelta. El rompimiento luminoso, en el que sitúa la corona d [+]

Saint Ildefonso receiving the Chasuble
Oil on panel. Ca. 1600
Cajés, Eugenio
Saint Ildefonso receiving the Chasuble
Oil on panel. Ca. 1600
Cajés, Eugenio

For more than twenty years Eugenio Cajés was court painter, focusing primarily on the production of religious works executed in a delicate style with soft lines and gentle, impassive faces. Thi [+]

The Rape of Ganymede
Oil on canvas. 1604
Cajés, Eugenio
The Rape of Ganymede
Oil on canvas. 1604
Cajés, Eugenio

This companion to The Fable of Leda (P120), whose original version is at the Kunsthistorisches Museum in Vienna, shows Jupiter transformed into an eagle to ravish young Ganymede. It is one of a series [+]

The Recapture of San Juan in Puerto Rico
Oil on canvas. 1634 - 1635
Cajés, Eugenio
The Recapture of San Juan in Puerto Rico
Oil on canvas. 1634 - 1635
Cajés, Eugenio

The event depicted here is the defense and recovery of Puerto Rico Bay in September 1625, after it was attacked by a Dutch squadron under the command of Admiral Boudewijn Hendrickszoon. The Dutch ente [+]

Christ carrying the Cross, contemplated by Mary and the Christian Soul
Oil on canvas. 1630 - 1650
Diriksen, Felipe
Christ carrying the Cross, contemplated by Mary and the Christian Soul
Oil on canvas. 1630 - 1650
Diriksen, Felipe

This is the only work in the Prado by Diriksen, a royal archer and a painter with a small oeuvre. His style, based on soft, fluid brushstrokes and contrasting illumination, suggests Eugenio Cajé [+]

The Annunciation
Red chalk, Grey-brown wash, Squared-up, Charcoal on yellow laid paper. Ca. 1620
Cajés, Eugenio
The Annunciation
Red chalk, Grey-brown wash, Squared-up, Charcoal on yellow laid paper. Ca. 1620
Cajés, Eugenio

A la izquierda, la Virgen María arrodillada de frente, junto al reclinatorio que en parte cubre el manto. A la derecha, casi de perfil, el ángel arrodillado con las manos cruzadas sobre el pecho.Prepa [+]

The Apostle James
Black chalk, Red chalk, Squared-up on dark toned laid paper. Ca. 1629
Cajés, Eugenio
The Apostle James
Black chalk, Red chalk, Squared-up on dark toned laid paper. Ca. 1629
Cajés, Eugenio

Dibujo en el que se representa al apóstol de media figura, de frente, apoyado en el bordón, con la mirada alzada.Preparatorio para la figura correspondiente en la Asunción de la Virgen de la Iglesia d [+]

The Immaculate Conception
Black chalk, Grey-brown wash, Squared-up, White lead on yellow paper. Ca. 1628
Cajés, Eugenio
The Immaculate Conception
Black chalk, Grey-brown wash, Squared-up, White lead on yellow paper. Ca. 1628
Cajés, Eugenio

La Virgen María, bajo la advocación de la Inmaculada Concepción, aparece representada de frente, situada sobre la luna, en actitud contemplativa. A ambos lados, en el rompimiento de gloria, se represe [+]

The Adoration of the Magi
Black chalk, Red chalk, Squared-up on yellow laid paper. First third of the XVII century
Cajés, Eugenio
The Adoration of the Magi
Black chalk, Red chalk, Squared-up on yellow laid paper. First third of the XVII century
Cajés, Eugenio

En la escena se representa, a la derecha, a la Virgen, de perfil, con el Niño y ante ella Melchor, de rodillas y con el cuerpo erguido, le ofrece una gran copa. A sus espaldas, arrodillado, Gaspar y e [+]

Saint Sebastian
Pencil ground, Ink, Grey-brown wash on yellow laid paper. First third of the XVII century
Cajés, Eugenio
Saint Sebastian
Pencil ground, Ink, Grey-brown wash on yellow laid paper. First third of the XVII century
Cajés, Eugenio

Dibujo en el que se representa al santo atado a un tronco, con la cabeza alzada. De estilo muy próximo a Cajés, será suyo o de discípulo muy inmediato. (Texto extractado de Pérez Sánchez, A. E., Catál [+]

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