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Danaë and the Shower of Gold
Oil on canvas. 1560 - 1565
Titian (Tiziano Vecellio)
Danaë and the Shower of Gold
Oil on canvas. 1560 - 1565
Titian (Tiziano Vecellio)

The first Poesie presented to Prince Philip were Danaë (1553, The Wellington Collection) and Venus and Adonis (1554, Museo del Prado, P422), versions of other previous works, but endowed with all [+]

Nativity
Oil on canvas. Ca. 1610
Cajés, Eugenio
Nativity
Oil on canvas. Ca. 1610
Cajés, Eugenio

Eugenio was the son of Tuscan painter Patricio Cajés, who came to Spain to work for Philip II at the monastery of El Escorial. His mother, Casilda de la Fuente, was Spanish. He began studying p [+]

The Adoration of the Shepherds
Oil on canvas. 1612
Lanchares, Antonio de
The Adoration of the Shepherds
Oil on canvas. 1612
Lanchares, Antonio de

Few works are known by the short-lived Lanchares, an artist of the Madrid school. Notable among his surviving paintings is this nocturnal depiction in which the artist reveals an extensive and very ea [+]

The Mystic Marriage of Saint Catherine
Oil on cork. 1578
Sánchez Coello, Alonso
The Mystic Marriage of Saint Catherine
Oil on cork. 1578
Sánchez Coello, Alonso

This is a rare and particularly fine example of one of Coello’s religious compositions, painted on cork for the Monastery of El Escorial. Accompanied by his mother Mary, the Christ Child appears to Sa [+]

The Death of Lucretia
Oil on canvas. Last third of the XVI century
Cambiaso, Luca (Attributed To)
The Death of Lucretia
Oil on canvas. Last third of the XVI century
Cambiaso, Luca (Attributed To)

The Roman patrician lady Lucretia killed herself after being raped by the son of the King of Rome, an act that brought about the fall of the monarchy and the proclamation of the Republic in 510 B. C. [+]

The Holy Family
Oil on canvas. Second half of the XVI century
Cambiaso, Luca
The Holy Family
Oil on canvas. Second half of the XVI century
Cambiaso, Luca

[+]

Ecce Homo
Pencil, Pencil ground, Grey-brown ink, Wash on dark yellow paper. First third of the XVII century
Ansaldo, Giovanni Andrea
Ecce Homo
Pencil, Pencil ground, Grey-brown ink, Wash on dark yellow paper. First third of the XVII century
Ansaldo, Giovanni Andrea

The old attribution to Ansaldo is unquestionably correct, and the economical pen-and-wash style corresponds precisely with that of his documented drawings in the same technique, for example the Birth [+]

The chariots of Apollo
Pencil, Pencil ground, Grey-brown ink, Wash on brown paper. XVI century
Il Bergamasco (Attributed To)
The chariots of Apollo
Pencil, Pencil ground, Grey-brown ink, Wash on brown paper. XVI century
Il Bergamasco (Attributed To)

The drawing´s style points more in the direction of Giovanni Battista Castello than Cambiaso. Typically, Castello´s line-work is more consistent in thickness, with fewer and less powerfully emphasized [+]

Justice, Fortitude and Temperance
Pencil, Grey-brown ink, Wash on dark yellow paper. 1550 - 1560
Cambiaso, Luca
Justice, Fortitude and Temperance
Pencil, Grey-brown ink, Wash on dark yellow paper. 1550 - 1560
Cambiaso, Luca

The composition, which shows the three Theological Virtues, was probably made with a painted composition in mind, though no such work survives. As Pérez Sánchez has argued, the style ind [+]

Dibujo para unas volutas con la forma de una arpía
Pencil, Pencil ground, Grey-brown ink on blue paper. Last third of the XVI century
Cambiaso, Luca
Dibujo para unas volutas con la forma de una arpía
Pencil, Pencil ground, Grey-brown ink on blue paper. Last third of the XVI century
Cambiaso, Luca

The fantastic creature in the present sheet resembles those appearing as crests of helmets in some ornamental suits of armor manufactured in Northern Italy in the middle of the sixteenth century, part [+]

Design for scrollwork in the form of a gryphon
Pencil, Pencil ground, Grey-brown ink on blue paper. Last third of the XVI century
Cambiaso, Luca
Design for scrollwork in the form of a gryphon
Pencil, Pencil ground, Grey-brown ink on blue paper. Last third of the XVI century
Cambiaso, Luca

[+]

Saint Anne, the Virgin and the Christ Child
Pencil, Grey-brown ink, White lead on paper. XVI century
Cambiaso, Luca (Attributed To)
Saint Anne, the Virgin and the Christ Child
Pencil, Grey-brown ink, White lead on paper. XVI century
Cambiaso, Luca (Attributed To)

This drawing may possibly be by Cambiaso himself, though stains and other damages to the sheet impair assessment of its quality. A studio version of the composition, in reverse and in pen and brown in [+]

Flagellation of Christ
Pencil, Pencil ground, Red chalk, Grey-brown ink, Wash on yellow paper. Early Finales del siglo XVI - XVII century
Tavarone, Lazzaro
Flagellation of Christ
Pencil, Pencil ground, Red chalk, Grey-brown ink, Wash on yellow paper. Early Finales del siglo XVI - XVII century
Tavarone, Lazzaro

Traditionally attributed to Luca Cambiaso (1527-1585). In a note on the modern museum matte, Pouncey gave the drawing to the late sixteenth-century Roman painter Cesare Nebbia (ca. 1536-1614). In anot [+]

Beheading of St. John the Baptist / A Variant Study for the Same Composition
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. First half of the XVII century
Benso, Giulio
Beheading of St. John the Baptist / A Variant Study for the Same Composition
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. First half of the XVII century
Benso, Giulio

Traditionally placed as the work of Luca Cambiaso (1527-1585), this drawing is characteristic of the exu­berant and rather chaotic style of drawing practiced by his distant follower Giulio Benso, [+]

St. Benedict enthroned, accompanied by St. John the Baptist and St, Luke and a monk
Pencil, Pencil ground, Grey-brown ink, Wash on paper. XVI century
Anonymous (Follower Of Cambiaso, Luca)
St. Benedict enthroned, accompanied by St. John the Baptist and St, Luke and a monk
Pencil, Pencil ground, Grey-brown ink, Wash on paper. XVI century
Anonymous (Follower Of Cambiaso, Luca)

This drawing is connected with Cambiaso´s altarpiece of St. Benedict enthroned between Saints John the Baptist and Luke, commissioned by Luca Spinola in 1562 for the family chapel in the now demolishe [+]

The Capture of Christ
Pencil, Pencil ground, Grey ink, Grey-brown ink, Wash on yellow paper. Third quarter of the XVI century
Cambiaso, Luca
The Capture of Christ
Pencil, Pencil ground, Grey ink, Grey-brown ink, Wash on yellow paper. Third quarter of the XVI century
Cambiaso, Luca

The drawing belongs to a collection, mostly by Cambiaso´s workshop, formerly preserved in an old album. According to Renaissance tradition, a painter needed to prove himself as an inventor of figure c [+]

Design for ornament in the form of a winged lionness
Pencil, Pencil ground, Grey-brown ink, Grey-brown wash on blue paper. XVI century
Cambiaso, Luca
Design for ornament in the form of a winged lionness
Pencil, Pencil ground, Grey-brown ink, Grey-brown wash on blue paper. XVI century
Cambiaso, Luca

[+]

The Virgin seated in profile on a throne, with the nude Christ on her lap
Pencil, Pencil ground, Grey-brown ink on paper. XVI century
Anonymous (Follower Of Cambiaso, Luca)
The Virgin seated in profile on a throne, with the nude Christ on her lap
Pencil, Pencil ground, Grey-brown ink on paper. XVI century
Anonymous (Follower Of Cambiaso, Luca)

This is a facsimile copy, omitting some of the lines found in the original, of a drawing in the Uffizi, Florence, published by the Suidas as by Luca Cambiaso (in. no. 876) [+]

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