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The Recovery of Saint Kitts Island
Oil on canvas. 1634
Castello, Félix
The Recovery of Saint Kitts Island
Oil on canvas. 1634
Castello, Félix

Saint Kitts, Nevis and Sint Eustatius, are Leeward Islands in the Lesser Antilles. After their occupation by the French and English in 1627, they became home bases for pirates. The Spanish expedition [+]

The Surrender of Jülich
Oil on canvas. 1634 - 1635
Leonardo, Jusepe
The Surrender of Jülich
Oil on canvas. 1634 - 1635
Leonardo, Jusepe

The capitulation of the Rhenish city of Jülich was one of the most outstanding events at the beginning of the Thirty Years War (1618-1648). Occupied by Maurice of Nassau’s French troops since 161 [+]

Federico Gonzaga, Ist Duke of Mantua
Oil on panel. 1529
Titian (Tiziano Vecellio)
Federico Gonzaga, Ist Duke of Mantua
Oil on panel. 1529
Titian (Tiziano Vecellio)

On 16 April 1529 Federico II Gonzaga, First Duke of Mantua (1500-1540), apologised to his uncle Alfonso d’Este for retaining Titian: perché ha conienzo un retratto mio qual molto desidero sii f [+]

The Victory at Fleurus
Oil on canvas. 1634
Carducho, Vicente
The Victory at Fleurus
Oil on canvas. 1634
Carducho, Vicente

This painting depicts the battle of Fleurus, near Brussels, which pitted troops from the Catholic League commanded by General Gonzalo Fernández de Córdoba against Protestant Union soldie [+]

An Artillery General
Oil on canvas. Ca. 1660
Rizi, Francisco
An Artillery General
Oil on canvas. Ca. 1660
Rizi, Francisco

The baton in the sitter’s right hand and the cannon indicate that he is an artillery general, while the insignia hanging from his neck denotes his membership of the Order of Calatrava. Stylistically t [+]

Naval Battle
Oil on panel. 1629 - 1630
Wieringen, Cornelis Claesz. Van
Naval Battle
Oil on panel. 1629 - 1630
Wieringen, Cornelis Claesz. Van

The scene depicts a battle waged off the coast between two Dutch and two English ships. Several people watch from the small rocks in the immediate foreground. The scene is framed on the right by a cli [+]

The Liberation of Brisach
Oil on canvas. 1634 - 1635
Leonardo, Jusepe
The Liberation of Brisach
Oil on canvas. 1634 - 1635
Leonardo, Jusepe

This canvas depicts the liberation of the city of Brisach on October 16, 1633, following its besiegement by the Protestant Count of the Rheingau, Otto Ludwig von Salms. Its liberation marked the culmi [+]

Naval Battle
Oil on canvas. 1660 - 1670
Anonymous
Naval Battle
Oil on canvas. 1660 - 1670
Anonymous

The painting may illustrate an episode from the Anglo-Dutch wars. Its condition makes it difficult to ascertain its authorship. The handling and arrangement of the clouds point to a late date, around [+]

The Sense of Touch
Oil on panel. 1618
Rubens, Peter Paul; Brueghel The Elder, Jan (Jan 'velvet' Brueghel)
The Sense of Touch
Oil on panel. 1618
Rubens, Peter Paul; Brueghel The Elder, Jan (Jan 'velvet' Brueghel)

This set of paintings on the five senses (Sight, Hearing, Smell, Taste, Touch) was one of the most successful collaborations of Peter Paul Rubens and Jan Brueghel “the Elder”. Rubens placed his figure [+]

The Defence of Cadiz against the English
Oil on canvas. 1634 - 1635
Zurbarán, Francisco de
The Defence of Cadiz against the English
Oil on canvas. 1634 - 1635
Zurbarán, Francisco de

The event depicted is Cadiz’s defense from the attack of an English fleet of one hundred ships and ten thousand men commanded by sir Henry Cecil, Viscount of Wimbledon, which occurred on November 1, 1 [+]

The Recapture of San Juan in Puerto Rico
Oil on canvas. 1634 - 1635
Cajés, Eugenio
The Recapture of San Juan in Puerto Rico
Oil on canvas. 1634 - 1635
Cajés, Eugenio

The event depicted here is the defense and recovery of Puerto Rico Bay in September 1625, after it was attacked by a Dutch squadron under the command of Admiral Boudewijn Hendrickszoon. The Dutch ente [+]

The Storming of Rheinfelden
Oil on canvas. 1634
Carducho, Vicente
The Storming of Rheinfelden
Oil on canvas. 1634
Carducho, Vicente

Bernardo Monanni, Secretary of the Florentine Embassy in Madrid, called this painting The Relief of the Three Cities on the Rhine by the Duke of Feria. He was undoubtedly influenced by the inscription [+]

Naval Battle off a rocky Coast
Oil on panel. 1626 - 1627
Vroom, Hendrick Cornelisz
Naval Battle off a rocky Coast
Oil on panel. 1626 - 1627
Vroom, Hendrick Cornelisz

This painting was listed in the Museum catalogues as an anonymous work from the Dutch school until 1920, although from 1885 onwards it was noted that Bredius ascribes it to Aert Anthonisz. van Antum ( [+]

Battle of Gibraltar, 25 April 1607
Oil on canvas. Ca. 1617
Willaerts, Adam
Battle of Gibraltar, 25 April 1607
Oil on canvas. Ca. 1617
Willaerts, Adam

The arrangement of the composition into parallel planes of colour and the overall stillness of the scene are consonant with Flemish Mannerist landscape painting, which employed a structure of parallel [+]

Philip II on Horseback
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Jollivet, Pierre-Jules -Lithographer- (After Rubens, Peter Paul); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
Philip II on Horseback
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Jollivet, Pierre-Jules -Lithographer- (After Rubens, Peter Paul); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

Philip II on Horseback
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Jollivet, Pierre-Jules -Lithographer- (After Rubens, Peter Paul); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de
Philip II on Horseback
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Jollivet, Pierre-Jules -Lithographer- (After Rubens, Peter Paul); Real Establecimiento Litográfico de Madrid; Madrazo y Agudo, José de

Es una litografía, sin encuadernar, de Pierre-Jules Jollivet (1794-1871) que reproduce el lienzo de Rubens (P01686) conservado en el Museo Nacional del Prado. Esta estampa se entregaba con el cuaderni [+]

The Surrender of Jülich
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Jollivet, Pierre-Jules -Lithographer- (After Leonardo, Jusepe); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Surrender of Jülich
Crayon lithography, Pen lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Jollivet, Pierre-Jules -Lithographer- (After Leonardo, Jusepe); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

Tabletop of don Rodrigo Calderon
African marble, White marble, Polychrome marble, Paragone, Lapis lazuli, Alabaster. Ca. 1600
Roman Sculptor
Tabletop of don Rodrigo Calderon
African marble, White marble, Polychrome marble, Paragone, Lapis lazuli, Alabaster. Ca. 1600
Roman Sculptor

This tabletop belonged to Rodrigo Calderon, secretary to Philip III, who seems to have acquired it by somewhat unethical means. Its decoration of military motifs suggests that it is related to the vic [+]

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