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All parts of this extraordinarily meticulous work are related to each other from a formal and iconographic standpoint. The Virgin appears in the foreground, where she occupies a considerable portion o [+]
This scene is related to a passage from the life of Saint Francis in which rose bushes sprang up where his blood had fallen to the ground during one of his sessions of penance The resulting flowers we [+]
Sobre una tosca mesa de madera, descrita táctilmente con los pequeños detalles de la calidad del material, visibles en nudos y muescas, aparecen desordenadamente situadas unas cuantas “peritas de San [+]
Surrounded by angels, the Holy Family, with Saint Elizabeth and the infant Saint John, receive Saint Louis, King of France. The background combines architecture and curtains. This work is organized li [+]
Within the large series of paintings dedicated to the history of Rome, this work and Meleager’s Hunt (P2320) belong to a small group of scenes from mythology and the history of Antiquity. This is undo [+]
Although for this first version Jacopo borrowed elements from early works such as the young man peeking his head round the column, which appears in the 1536 La fornace ardente (Bassano del Grappa, Mus [+]
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A handsome dandy gallantly offers fruit to a seated lady accompanied by her maid. This seductive, erotic gesture arouses the young woman’s emotions while in the background a cloaked majo jealously obs [+]
The two canvases P382 y P384 are by the same artist and were probably intended as a pair. Their meaning can be gleaned from L’arte de Cenni (1616), the most important treatise on gestures of its day, [+]
On 14 February 1612 Juan Bautista Maíno signed the contract to execute the paintings for the monastery church of San Pedro Mártir in Toledo. Maíno agreed to a period of eight mont [+]
Eugenio was the son of Tuscan painter Patricio Cajés, who came to Spain to work for Philip II at the monastery of El Escorial. His mother, Casilda de la Fuente, was Spanish. He began studying p [+]
A panoramic view of the Agujas mountain range near Corbera (Valencia). Encouraged by the realism that Europe was bringing to the fore through landscape painters like Carlos de Haes, this work was a cl [+]
La reina en pie, viste de traje gris con abanico en la mano izquierda; corona y cetro sobre un bufete. Doña María figura retratada de frente, mirando al espectador, ligeramente ladeado el rostro, apoy [+]
The colours of the Virgin’s tunic and cloak, her loose hair, hands crossed on her breast, her devoted gaze raised to heaven and the presence of the moon are elements of the imagery of the Immaculate C [+]
This painting was presented at the National Exhibition of Fine Arts in 1866. It depicts the Great Captain´s encounter with the body of his adversary after the famous battle for the control of the King [+]
This set of mural paintings that adorned the interior of the early eleventh-century Mozarabe church of San Baudelio in Casillas de Berlanga was taken off the walls and exported to the United States in [+]
In 1724, Antonio Palomino, who had been Juan Carreño de Miranda’s disciple, included his teacher’s biography in his Parnaso español pintoresco y laureado. Their close relationship makes [+]
Margaret of Austria married Philip III in 1599 after Philip II chose her from among the women of the Austria-Styria family. The marriage was planned to coincide with that of infanta Isabel Clara Eugen [+]
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