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A portrait of a Venetian soldier wearing armor. He holds a baton in his right hand and his weapons in his left. Turned, he extends his arm toward the viewer, thus opening a third dimension in this com [+]
Utilising an almost photographic, frontal composition that enhances the naturalism of the image, Mariano Nani here depicts with great descriptive effectiveness the catch from a day’s hunting, which ha [+]
The girl’s unspecific appearance suggests that it is not a portrait. It may be an allegory of the senses or of virtue. The canvas dates from the latter part of Reni’s career when he considerably reduc [+]
Pintura de devoción privada en la que Giordano presenta a San Pedro arrepentido derramando lágrimas de aflicción, después de haber negado a Cristo por tres veces. Con la mirada elevada al cielo, las m [+]
A portrait of Marco Grimani (d. 1583), a Venetian senator and contemporary of Tintoretto. In keeping with the artist´s customary portrait compositions, the sitter appears slightly turned, over a black [+]
Dressed in camel skins, Saint John the Baptist baptizes Christ in the River Jordan. According to the New Testament, the Holy Ghost descended at that very moment in the form of a dove —depicted in the [+]
Stylistically very close to Titian, this well painted canvas is not in fact by his hand. The sitter’s elevated social status is indicated by his carefully painted clothes while the inscription states [+]
This canvas is one of a series of twelve still lifes that were listed among the artist’s possessions in 1812. Since his early years Goya included still-life elements in his canvases but there is no re [+]
This colossal head may be that of a giant, a figure taken from classical mythology in which such characters are described as being rough and primitive beings, possessed of remarkable strength and terr [+]
The son of actors, Isidoro Máiquez was born in Cartagena in 1768. Supported by the Duke and Duchess of Osuna, he studied in Paris with the celebrated thespian Francisco José Talma (1763- [+]
The mural paintings that decorated the house known as “la Quinta del Sordo,” where Goya lived have come to be known as the Black Paintings, because he used so many dark pigments and blacks in them, an [+]
Seated and seen from behind, a boy plays with a goldfinch. The bird’s mate is perched high up on a branch of the slender tree, its sinuous line emphasising the verticality of the composition.This cart [+]
The mural paintings that decorated the house known as “la Quinta del Sordo,” where Goya lived have come to be known as the Black Paintings, because he used so many dark pigments and blacks in them, an [+]
Dressed in yellow clothes that symbolize autumn, a young man sitting on a stone offers a cluster of black grapes to a lady. A boy is eager to reach the offered fruit, which is reserved for the adults. [+]
An intense snowfall serves as Goya´s interpretation of winter, which is the subject of this composition. Along with this everyday representation, however, Goya introduces a social theme, as he often d [+]
Two boys are playing in front of a tree. One looks up as he grasps a branch as if about to shake it firmly while the other, in the background, has a basket, possibly for the fruit or birds’ eggs colle [+]
By 1599, Francisco Pacheco had already begun work on his Libro de descripción de verdaderos retratos de ilustres y memorables varones (Book of Descriptions of True Portraits of Illustrious and [+]
This episode, which illustrates Hercules’s death, was narrated in great detail by Baltasar de Victoria, who tells how the hero killed Nessus the centaur for having attempted to rape Hercules’s bride, [+]
