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Apparition of the Virgin to a Community of Dominicans
Oil on panel. 1493 - 1499
Berruguete, Pedro
Apparition of the Virgin to a Community of Dominicans
Oil on panel. 1493 - 1499
Berruguete, Pedro

In response to Satan’s attacks on the early Dominicans, a procession is established in honour of the Virgin in which the "Salve Regina" is sung. In this panel, which was executed for the altarpiece of [+]

Life study
Charcoal, White chalk on brown paper. First half of the XVIII century
Bencovich, Federico
Life study
Charcoal, White chalk on brown paper. First half of the XVIII century
Bencovich, Federico

El modelo, sentado sobre una roca, de perfil hacia la izquierda sostiene una vara con su mano izquierda y hace un gesto de asombro con la derecha. Los cuatro estudios de academia (D03404, D03405, D034 [+]

The Visitation
Pencil, Grey-brown wash on yellow laid paper. XVII century
Anonymous (Copy Cano, Alonso)
The Visitation
Pencil, Grey-brown wash on yellow laid paper. XVII century
Anonymous (Copy Cano, Alonso)

Delante de un fondo arquitectónico la Virgen y Santa Isabel tienden las manos la una hacia la otra mientras Zacarías, a la sombra de la puerta situada a la derecha, y San José, a la izquierda, las con [+]

Execution of Torrijos and his Companions on the Beach at Málaga
Pencil, Charcoal, White chalk on paper. 1886 - 1887
Gisbert Pérez, Antonio
Execution of Torrijos and his Companions on the Beach at Málaga
Pencil, Charcoal, White chalk on paper. 1886 - 1887
Gisbert Pérez, Antonio

Given the painting’s complexity and the number of figures, Gisbert studied its composition in this preliminary drawing. Its dimensions, which are larger than normal for a work of this type, allowed hi [+]

The crucified Christ
Charcoal, White chalk on grey paper. First half of the XVIII century
Milani, Aureliano (Attributed To)
The crucified Christ
Charcoal, White chalk on grey paper. First half of the XVIII century
Milani, Aureliano (Attributed To)

Perteneciente a la escuela boloñesa este dibujo presenta una figura de medio cuerpo, con la cabeza apoyada sobre el hombro y la mirada baja. El dibujo enlaza, indudablemente, con el estilo de Giuseppe [+]

The Virgin and Child
Blue chalk, Brown chalk, Red chalk, Charcoal, White chalk on white paper. XVIII century
Anonymous
The Virgin and Child
Blue chalk, Brown chalk, Red chalk, Charcoal, White chalk on white paper. XVIII century
Anonymous

Dibujo con representación de la Virgen y el Niño relacionado con el estilo de los artistas venecianos del siglo XVIII (Texto extractado de Mena Marqués, M.: Catálogo de dibujos. VII. Dibujos italianos [+]

Last Supper
Pencil, White lead, Charcoal on grey paper. Late XVI century
Anonymous
Last Supper
Pencil, White lead, Charcoal on grey paper. Late XVI century
Anonymous

This is a copy after a prototype by either Tintoretto (1560-1635), or Veronés (1528-1588), or by a member of their respective circles. [+]

The Annunciation
Red chalk, Grey-brown wash, Squared-up, Charcoal on yellow laid paper. Ca. 1620
Cajés, Eugenio
The Annunciation
Red chalk, Grey-brown wash, Squared-up, Charcoal on yellow laid paper. Ca. 1620
Cajés, Eugenio

A la izquierda, la Virgen María arrodillada de frente, junto al reclinatorio que en parte cubre el manto. A la derecha, casi de perfil, el ángel arrodillado con las manos cruzadas sobre el pecho.Prepa [+]

Head of a Woman
Charcoal, Blurred / softened / rubbed on dark yellow laid paper. XVII century
Carreño de Miranda, Juan
Head of a Woman
Charcoal, Blurred / softened / rubbed on dark yellow laid paper. XVII century
Carreño de Miranda, Juan

[+]

Saint Paul
Pencil, Grey-brown wash, Charcoal on dark yellow paper. XVIII century
Fontebasso, Francesco
Saint Paul
Pencil, Grey-brown wash, Charcoal on dark yellow paper. XVIII century
Fontebasso, Francesco

San Pablo, de medio cuerpo y de frente; el libro y la espada en las manos.Éste (D01372) junto a otros tres dibujos, (D01374, D01371 y D01373) son cuatro esplendidos estudios anónimos para una figura d [+]

Saint Joseph with the Christ Child in a Cradle
Pencil, Grey-brown ink on yellow paper. Ca. 1645
Cano, Alonso
Saint Joseph with the Christ Child in a Cradle
Pencil, Grey-brown ink on yellow paper. Ca. 1645
Cano, Alonso

In this indoor scene, Saint Joseph appears at the left of the composition, kneeling beside the infant Jesus’ cradle and leaning on a cross-shaped crook. The drawing has been cropped on both sides and [+]

The Annunciation
Pencil, Pencil ground, Grey-brown wash on yellow paper. 1645
Cano, Alonso
The Annunciation
Pencil, Pencil ground, Grey-brown wash on yellow paper. 1645
Cano, Alonso

La delicada belleza que Cano podía lograr a cualquier escala es claramente evidente en este dibujo de composición acabada. El ángel Gabriel acaba de aparecerse a la Virgen, y se ha posado en tierra co [+]

Saint Dominic Blessing a Pilgrim
Pencil, Pencil ground, Grey-brown wash on paper attached to canvas, yellow laid paper. XVII century
Cano, Alonso
Saint Dominic Blessing a Pilgrim
Pencil, Pencil ground, Grey-brown wash on paper attached to canvas, yellow laid paper. XVII century
Cano, Alonso

El dibujo corresponde al periodo de madurez del pintor, en el que acumulaba ya toda su larga experiencia y conocimientos como dibujante, como se desprende del inteligente uso de las aguadas, es decir, [+]

Boy with two sheep
Touches of white chalk, Charcoal on tinted paper. XVII century
Cavedone, Giacomo
Boy with two sheep
Touches of white chalk, Charcoal on tinted paper. XVII century
Cavedone, Giacomo

In Bruns´s (?) collection as by the Venetian Jacopo Bassano (c. 1510-1592). P. Pouncey´s seems to be the recent anonymous hand that has noted on the modern museum mount: Cavedone? While the figures re [+]

Saint Paul
Grey wash, Charcoal on dark yellow paper. XVIII century
Fontebasso, Francesco
Saint Paul
Grey wash, Charcoal on dark yellow paper. XVIII century
Fontebasso, Francesco

San Pablo, de medio cuerpo y de frente, alza la cabeza, la mirada elevada al cielo y la boca entreabierta.Éste (D01373) junto a otros tres dibujos, (D01374, D01372 y D01371) son cuatro esplendidos est [+]

Portrait of a Boy
Charcoal on laid paper. 1893
Blay y Fábrega, Miguel
Portrait of a Boy
Charcoal on laid paper. 1893
Blay y Fábrega, Miguel

Estudio de cabeza infantil de un joven campesino olotense que lleva la característica barretina. Se trata de un dibujo de sombras intensas, de estilo austero y líneas claras y precisas. Muestra una gr [+]

The Sacrifice of Isaac
Pencil, Pencil ground, Grey-brown ink, Wash on yellow laid paper. 1650 - 1652
Cano, Alonso
The Sacrifice of Isaac
Pencil, Pencil ground, Grey-brown ink, Wash on yellow laid paper. 1650 - 1652
Cano, Alonso

Several pieces of paper have been glued to the original support by the artist in order to correct the original lines of certain parts of the composition (the angel’s shoulder and Abraham’s head). Isaa [+]

Sketch of a Standing Boy
Charcoal on blue laid paper. 1903
Blay y Fábrega, Miguel
Sketch of a Standing Boy
Charcoal on blue laid paper. 1903
Blay y Fábrega, Miguel

En este apunte se aprecia la espontaneidad y la gran capacidad de observación de Blay, que utiliza aquí una técnica muy cercana a los dibujos modernistas, de trazos descriptivos, muy largos y lineales [+]

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