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Three figures enjoy tobacco in an expressive manner in the foreground while an onlooker leans through the window. Around a table in the background, another group of figures drinks or plays cards. This [+]
Of the artists who painted war scenes in the 17th century, none was as interested as David Teniers II in capturing images from behind the lines. With his customary tactile rigor, he depicts a plethora [+]
The foreground display of numerous military elements, banners, drums, cuirasses and weapons, leads to a genre painting showing some soldiers resting in the background. On the left of the composition, [+]
Elegantly dressed nobles with swords, capes and sunshades join the lower-class majos and majas on the banks of the river Manzanares and indulge in gambling, dancing and fishing. This is a sketch for a [+]
Pareja de la obra El sacamuelas (P7945) y pintado en el mismo año de 1844, presenta una clara relación con la obra homónima de Velázquez, que Alenza conoció en el Museo del Prado. En este lienzo, de t [+]
In the foreground of this canvas, a figure dressed in green holds in his hands what appears to be a pack of cards and looks directly at the viewer, as if to invite us to participate in the game. He is [+]
The doubts that existed regarding the dating of this work were increased when the sitter was identified. He is documented from 1544 in the accounts of Prince Philip (later Philip II) as Pero Hern&aacu [+]
Esta obra es parte de la serie de seis tablas con escenas de monos del Museo Nacional del Prado (P01805 a la P01810). El temario arranca del repertorio de Pieter Brueghel el Viejo y meter Van der Borg [+]
This work belongs to the so-called peasant interiors, one of the new genres of painting that emerged and developed in the Netherlandsin the early seventeenth century. In Houbraken and in early invento [+]
A cartoon for the tapestry to be hung in the Prince of Asturias´s quarters at the El Pardo Palace. Two Majos appear at the center of the composition, playing characteristic 18th-century Spanish [+]
Esta obra es parte de la serie de seis tablas con escenas de monos del Museo Nacional del Prado (P01805 a la P01810). El temario arranca del repertorio de Pieter Brueghel el Viejo y meter Van der Borg [+]
This tapestry cartoon represents a quarrel among men in front of a tavern which Goya calls the New Tavern. The area near Madrid now called “Ventas,” and tknown as “Ventas del Espíritu Santo” in [+]
In this moral work, the triumph of Death over mundane things is symbolized by a large army of skeletons razing the Earth. The background is a barren landscape in which scenes of destruction are still [+]
A group of Majos play cards in the country, under the shade of an awning hung in a tree. Behind them, another Majo makes signs to his companion, helping him with the game. Goya uses a new and very ric [+]
Visio Tondalii fue el título de un poema anónimo del siglo XII de contenido moralizante, impreso en Amberes en 1482, que es considerado como una de las fuentes literarias de la obra de El Bosco. [+]
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This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company f [+]
This table has the image of a painting of a seascape and its frame, back to front, as well as playing cards, various chips, a ruler, a hammer, a compass and other carpentry tools, two buckles, a key r [+]
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