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Amalia de Solms-Braunfels
Oil on canvas mounted on panel. 1631 - 1632
Dyck, Anthony Van
Amalia de Solms-Braunfels
Oil on canvas mounted on panel. 1631 - 1632
Dyck, Anthony Van

Amalia de Solms-Braunfels (1602-1675) was the wife of Federico Enrique de Nassau (1584-1647), Prince of Orange, also painted by Van Dyck (P01482). As first lady of the House of Nassau, she wears an el [+]

Isabella Farnese, Queen of Spain
Oil on canvas. 1723
Ranc, Jean
Isabella Farnese, Queen of Spain
Oil on canvas. 1723
Ranc, Jean

This is an official portrait of Queen Isabella Farnese (1692-1766), daughter of Eduardo II, Duke of Parma and second wife of Felipe V of Spain (1683-1746), whom she married in 1714. Shown three quarte [+]

Table with a cloth, salt cellar, gilt tazza, pie, jug, porcelain dish with olives, and roast fowl
Oil on panel. Ca. 1611
Peeters, Clara
Table with a cloth, salt cellar, gilt tazza, pie, jug, porcelain dish with olives, and roast fowl
Oil on panel. Ca. 1611
Peeters, Clara

This painting was first recorded in 1746 in the Spanish royal collection, together with Still life with Flowers, Gilt Goblet, Almonds, Dried Fruits, Sweets, Biscuits, Wine and a Pewter Flagon (P1620). [+]

The Andrians
Oil on canvas. 1523 - 1526
Titian (Tiziano Vecellio)
The Andrians
Oil on canvas. 1523 - 1526
Titian (Tiziano Vecellio)

Having delivered the Bacchus and Ariadne in 1523 Titian then painted The Andrians, also inspired by Philostratus (Imagines I, 25). The scene is set on the island of Andros, a place so favoured by Bacc [+]

Mercury and Argus
Oil on unlined canvas. Ca. 1659
Velázquez, Diego Rodríguez de Silva y
Mercury and Argus
Oil on unlined canvas. Ca. 1659
Velázquez, Diego Rodríguez de Silva y

Wearing his characteristic winged hat, and with a pan flute next to his left hand, Mercury stealthily approaches a shepherd he has lulled to sleep with the unlimited powers of his music. The latter is [+]

Charles III as a Boy in his Study
Oil on canvas. Ca. 1724
Ranc, Jean
Charles III as a Boy in his Study
Oil on canvas. Ca. 1724
Ranc, Jean

Dressed in blue, a Bourbon colour, Charles wears the Golden Fleece and the Order of the Saint-Esprit. The lily is a dynastic emblem while the jasmine, anemones, narcissi, pinks and roses are attribute [+]

Saint Augustine between Christ and the Virgin
Oil on canvas. Ca. 1664
Murillo, Bartolomé Esteban
Saint Augustine between Christ and the Virgin
Oil on canvas. Ca. 1664
Murillo, Bartolomé Esteban

While meditating on which of the two to focus his devotions, Christ on the cross and the Virgin appeared to Saint Augustine. Christ offered him the blood from the wound in his side, while Mary rewarde [+]

Joseph in the Pharaoh’s Palace
Oil on canvas. 1748
Amigoni, Jacopo
Joseph in the Pharaoh’s Palace
Oil on canvas. 1748
Amigoni, Jacopo

Joseph, Jacob’s favourite son, was envied by his brothers, who sold him as a slave to the Egyptians. The Pharoah eventually made Jacob the governor of all of Egypt, the moment depicted here by Amigoni [+]

Ferdinand VI as a Boy
Oil on canvas. Ca. 1723
Ranc, Jean
Ferdinand VI as a Boy
Oil on canvas. Ca. 1723
Ranc, Jean

Son of Philip V and María Luisa Gabriela de Saboya, Ferdinand VI (reigned 1746-59) became Prince of Asturias in 1724 and married María Bárbara de Braganza, Infanta of Portugal. He [+]

Neapolitan Landscape
Oil on canvas. 1874
Fortuny, Mariano
Neapolitan Landscape
Oil on canvas. 1874
Fortuny, Mariano

Visible behind the foreground rocks which attract the viewer’s attention are the bay of Naples in the distance and, closer at hand, the cluster of houses of the neighbouring town of Portici with the d [+]

The Agony in the Garden
Oil on panel. XVI century
Anonymous (Copy After Correggio (Antonio Allegri))
The Agony in the Garden
Oil on panel. XVI century
Anonymous (Copy After Correggio (Antonio Allegri))

[+]

Still Life with Chocolate Service
Oil on canvas. 1770
Meléndez, Luis Egidio
Still Life with Chocolate Service
Oil on canvas. 1770
Meléndez, Luis Egidio

When describing the work of this prolific painter of still lifes, it is frequently said that Luis Meléndez included only commonplace objects in his canvases; this painting, in fact, offers the [+]

Saint Cecilia
Oil on canvas. Ca. 1635
Poussin, Nicolas
Saint Cecilia
Oil on canvas. Ca. 1635
Poussin, Nicolas

Cecelia, patron saint of music, sits before a harpsichord that rests on a pedestal conceived as a sculpture, reading a score held by two child angels. She is wrapped in ocher robes that partially hide [+]

Saint James the Less
Oil on panel. 1610 - 1612
Rubens, Peter Paul
Saint James the Less
Oil on panel. 1610 - 1612
Rubens, Peter Paul

This is one of a series of twelve panels (P01646, P01647, P01648, P01649, P01650, P01651, P01652, P01653, P01654, P01655, P01656, P01657) that make up an apostolate that originally included a Savior o [+]

Saint Paul the Hermit
Oil on canvas. 1635 - 1640
Ribera, Jusepe de, lo Spagnoletto
Saint Paul the Hermit
Oil on canvas. 1635 - 1640
Ribera, Jusepe de, lo Spagnoletto

The thin naked torso, the cloth made from rushes, the skull and the book suggest that the figure in the painting is a hermit; the bread crust in the foreground tells us that it is Saint Paul, the firs [+]

Departure from the Inn
Oil on panel. Ca. 1660
Wouwerman, Philips
Departure from the Inn
Oil on panel. Ca. 1660
Wouwerman, Philips

The picture belongs to a group of scenes set inside a stable which Wouwerman began painting in 1655. This cycle is an exception in the painter`s output, which was mainly focused on outdoor scenes. Mos [+]

The Archduke Francis of Austria
Oil on canvas. 1770
Mengs, Anton Raphael
The Archduke Francis of Austria
Oil on canvas. 1770
Mengs, Anton Raphael

Francis of Austria (1768-1835) was the son of Leopold and Maria Luisa, Grand Duke and Duchess of Tuscany, and the grandson of Charles III of Spain. He was the last Holy Roman Emperor, becoming the fir [+]

The Moon. Diana with the Sign of Cancer
Oil on canvas. XVI century
Facchetti, Pietro (Copy After Raphael (Raffaello Sanzio))
The Moon. Diana with the Sign of Cancer
Oil on canvas. XVI century
Facchetti, Pietro (Copy After Raphael (Raffaello Sanzio))

In the foreground, Diana holds a bow in her left hand while extracting an arrow from her quiver with the right. The moon appears over her forehead, and behind her, a fragment of the Zodiac includes th [+]

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