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Charles III
Oil on canvas. Ca. 1765
Mengs, Anton Raphael
Charles III
Oil on canvas. Ca. 1765
Mengs, Anton Raphael

This image of King Charles III was paired with a portrait of his wife, Maria Amalia of Saxony (P2201), although the image of the queen was not painted in her presence. Instead, it was invented on the [+]

Olympus. The Battle of the Giants
Oil on canvas. 1767 - 1768
Bayeu, Francisco
Olympus. The Battle of the Giants
Oil on canvas. 1767 - 1768
Bayeu, Francisco

Francisco Bayeu, who came from minor nobility, trained in Zaragoza under José Luzán (who, years later, would also teach Francisco de Goya). However, a decisive change in the young Bayeu´ [+]

Tomás de Iriarte
Oil on canvas. Ca. 1785
Inza, Joaquín
Tomás de Iriarte
Oil on canvas. Ca. 1785
Inza, Joaquín

An in-depth study of Joaquín Inza is yet to be conducted that would allow us to gauge his role and importance in the panorama of Spanish art in the second half of the eighteenth century. Inza i [+]

The Virgin
Black chalk, White chalk on green paper. 1784 - 1788
Bayeu, Francisco
The Virgin
Black chalk, White chalk on green paper. 1784 - 1788
Bayeu, Francisco

Dibujo preparatorio para la figura principal en la parte superior central del Retablo del Sagrado Corazón de la Iglesia parroquial de Pedrola en Zaragoza. Se conserva un boceto preparatorio en la Cole [+]

Saint Bernard
Black chalk, White chalk on green paper. 1784 - 1788
Bayeu, Francisco
Saint Bernard
Black chalk, White chalk on green paper. 1784 - 1788
Bayeu, Francisco

Dibujo preparatorio para la figura de San Bernardo en segundo término en la parte inferior izquierda del Retablo del Sagrado Corazón de la Iglesia parroquial de Pedrola en Zaragoza. Se conserva un boc [+]

Anton Rafael Mengs
Pastel on paper. 1780 - 1792
Mengs, Anna María Teresa
Anton Rafael Mengs
Pastel on paper. 1780 - 1792
Mengs, Anna María Teresa

Este retrato se basa en un Autorretrato de Mengs regalado por el pintor a Bernardo de Iriarte, entonces oficial mayor de la Primera Secretaría de Estado, en cuya colección está documentado en 1776 por [+]

Life study
Black chalk, White chalk on grey paper. XVIII century
Salvador Carmona, Manuel
Life study
Black chalk, White chalk on grey paper. XVIII century
Salvador Carmona, Manuel

Estudio de un desnudo varonil en pie, casi de perfil, a la izquierda, acodado en un sillar, con la mano izquierda en la cadera. (Texto extractado de Pérez Sánchez, Alfonso E.: Catálogo de Dibujos. II. [+]

Grammar
Marble. 1753 - 1761
Carnicero, Gregorio
Grammar
Marble. 1753 - 1761
Carnicero, Gregorio

This relief or medallion and other three more (E000459, E000474 and E000472), are part of a set of twenty-eight (although a total of forty-four had been commissioned, not all of them were made). They [+]

The Siege of Sagunto
Marble. 1753 - 1761
Villanueva y Barbales, Juan de
The Siege of Sagunto
Marble. 1753 - 1761
Villanueva y Barbales, Juan de

This relief or medallion and other three more (E000459, E000474 and E000471), are part of a set of twenty-eight (although a total of forty-four had been commissioned, not all of them were made). They [+]

The Martyrdom of St. Vincent
Marble. 1753 - 1761
Adeva Pacheco, Manuel
The Martyrdom of St. Vincent
Marble. 1753 - 1761
Adeva Pacheco, Manuel

This relief or medallion and other three more (E000471, E000474 and E000472), are part of a set of twenty-eight (although a total of forty-four had been commissioned, not all of them were made). They [+]

The Council of Indies
Marble. 1753 - 1759
Padua, Juan Antonio
The Council of Indies
Marble. 1753 - 1759
Padua, Juan Antonio

The Consejo de Indias (Council of the Indies) was an official Spanish government body. In the eighteenth century the extent of its authority was reduced to that of the highest tier of justice. Alongsi [+]

The Cardinal-Infante Don Fernando de Austria, at the Battle of Nördlingen
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Jollivet, Pierre-Jules -Lithographer- (The Original Work, According To Inscriptions, Attributed To Dyck, Anthony Van); Rubens, Peter Paul (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Cardinal-Infante Don Fernando de Austria, at the Battle of Nördlingen
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1826 - 1829
Jollivet, Pierre-Jules -Lithographer- (The Original Work, According To Inscriptions, Attributed To Dyck, Anthony Van); Rubens, Peter Paul (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

The Company for the engraving of the paintings from the Royal Palaces was one of the Spanish Enlightenment’s major undertakings during the second half of the 18th century. It supervised the reproducti [+]

Africa
Taille douce: etching and engraving on continuous paper. Ca. 1786
Salvador Carmona, Juan Antonio -Engraver- (After Giordano, Luca); Calcografía Nacional
Africa
Taille douce: etching and engraving on continuous paper. Ca. 1786
Salvador Carmona, Juan Antonio -Engraver- (After Giordano, Luca); Calcografía Nacional

Estampa grabada por Juan Antonio Salvador Carmona que forma parte de una serie (G01573-G01576): Alegorías de las partes del mundo por la que recibió el título de Grabador de Cámara el 20 de febrero de [+]

Saint Matthew
Etching, Burin on continuous paper. 1789 - 1795
Salvador Carmona, Juan Antonio; Calcografía Nacional
Saint Matthew
Etching, Burin on continuous paper. 1789 - 1795
Salvador Carmona, Juan Antonio; Calcografía Nacional

La estampa grabada por Juan Antonio Salvador Carmona forma parte de una serie de 28, dedicada al cardenal Francisco de Lorenzana, arzobispo de Toledo. Título de la serie tomado del Catálogo de estampa [+]

Menippus
Taille douce: etching and engraving on laid paper. 1791 - 1800
Esquivel de Sotomayor, Manuel -Engraver- (After Velázquez, Diego Rodríguez de Silva y); Bueno, León; Muntaner y Moner, Francisco
Menippus
Taille douce: etching and engraving on laid paper. 1791 - 1800
Esquivel de Sotomayor, Manuel -Engraver- (After Velázquez, Diego Rodríguez de Silva y); Bueno, León; Muntaner y Moner, Francisco

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company f [+]

Mary Tudor, Queen of England, Second Wife of Philip II
Stipple engraving, Etching on laid paper. 1793
Vázquez, José -Engraver- (After Mor, Anthonis); Esteve, Agustín
Mary Tudor, Queen of England, Second Wife of Philip II
Stipple engraving, Etching on laid paper. 1793
Vázquez, José -Engraver- (After Mor, Anthonis); Esteve, Agustín

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company f [+]

View of the church choir loft from the convent entrance, Royal Monastery of San Lorenzo de El Escorial
Taille douce: etching and engraving on wove paper. 1800 - 1809
Gómez de Navia, José; Maré, Cipriano; López Enguidanos, Tomás; Calcografía Nacional
View of the church choir loft from the convent entrance, Royal Monastery of San Lorenzo de El Escorial
Taille douce: etching and engraving on wove paper. 1800 - 1809
Gómez de Navia, José; Maré, Cipriano; López Enguidanos, Tomás; Calcografía Nacional

These are part of Colección de diferentes vistas del Magnífico Templo y Real Monasterio de San Lorenzo de El Escorial (Collectionof Different Views of the Magnificent Temple and Monaster [+]

Aesop
Taille douce: etching and engraving on continuous paper. 1796
Esquivel de Sotomayor, Manuel -Engraver- (After Velázquez, Diego Rodríguez de Silva y); Bueno, León; Muntaner y Moner, Francisco
Aesop
Taille douce: etching and engraving on continuous paper. 1796
Esquivel de Sotomayor, Manuel -Engraver- (After Velázquez, Diego Rodríguez de Silva y); Bueno, León; Muntaner y Moner, Francisco

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company f [+]

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