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The Last Supper
Oil on canvas. 1593 - 1594
Carracci, Agostino
The Last Supper
Oil on canvas. 1593 - 1594
Carracci, Agostino

Together with his brother Annibale and his cousin Ludovico, Agostino Carracci founded the so-called Accademia degli Incamminati in Bologna. Its teachings promoted the study of nature and the work of t [+]

The Virgin and Child in Glory
Oil on canvas. Ca. 1680
Maratta, Carlo
The Virgin and Child in Glory
Oil on canvas. Ca. 1680
Maratta, Carlo

Turned to the left in a three-quarters view, the Virgin is depicted sitting on a throne of clouds resting on a crescent moon whose points face down. In her arms she holds the Christ child, who blesses [+]

The Assumption of the Virgin
Oil on canvas. Ca. 1587
Carracci, Annibale
The Assumption of the Virgin
Oil on canvas. Ca. 1587
Carracci, Annibale

The Assumption of the Virgin is narrated in a late legend, inspired by the Prophet Elias`s vision and by the Ascension of Christ. It was only declared an article of faith in 1950, after centuries duri [+]

Andromeda
Oil on canvas. Third quarter of the XVII century
Escalante, Juan Antonio de Frías y
Andromeda
Oil on canvas. Third quarter of the XVII century
Escalante, Juan Antonio de Frías y

Chained to a boulder, Andromeda occupies the left side of the composition, while the right opens onto a seascape from which a monster emerges to threaten the mythological heroine. This episode is from [+]

The Virgin and Child with the Infant Saint John the Baptist
Oil on panel. 1599 - 1600
Carracci, Annibale
The Virgin and Child with the Infant Saint John the Baptist
Oil on panel. 1599 - 1600
Carracci, Annibale

This late work whose composition recalls those of Raphael, is listed in the 1746 inventory of the La Granja Palace as a panel by Aníbal Caracho’s [sic.] hand, Our Lady sitting on the ground wit [+]

Saint Francis of Assisi in the Portiuncula
Oil on canvas. 1601 - 1603
Carracci, Ludovico
Saint Francis of Assisi in the Portiuncula
Oil on canvas. 1601 - 1603
Carracci, Ludovico

Saint Francis is one of the most venerated of all Christian saints. Born in 1182, he chose a religious life after a youth filled with empty pleasures and frolicking. He was followed by a considerable [+]

Half-lenght Composition, with Male Figures
Pencil, Grey-brown ink on yellow paper. Early Finales del siglo XVI - XVII century
Anonymous
Half-lenght Composition, with Male Figures
Pencil, Grey-brown ink on yellow paper. Early Finales del siglo XVI - XVII century
Anonymous

This drawing appears to be by Villena as other drawings, though it lacks and old inscription giving it to Villamena. The composition shows knowledge of the work of Agostino Carracci (1557-1602) and Pa [+]

Two Standing Winged Angels
Pencil, Grey-brown ink on green paper. Second half of the XVI century
Anonymous
Two Standing Winged Angels
Pencil, Grey-brown ink on green paper. Second half of the XVI century
Anonymous

This is a good facsimile copy of a drawing formerly in the collection of Prof. Van Regteren Altena, Amsterdam. Another copy of the Amsterdam drawing is in the British Royal Collection, Windsor Castle. [+]

Huntsman on Horseback Chasing a Stag in a Wood, Watched by a Maiden
Pencil, Pencil ground, Grey-brown ink, Wash on paper. Second third of the XVI century
Il Bergamasco
Huntsman on Horseback Chasing a Stag in a Wood, Watched by a Maiden
Pencil, Pencil ground, Grey-brown ink, Wash on paper. Second third of the XVI century
Il Bergamasco

The traditional attribution to Castello, which appears in an old inscription on the reverse of the mount, needs to be taken seriously. Not only is the pen work reminiscent of Castello´s handling of th [+]

Pietà
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. Mid-XVIcentury
Zuccaro, Taddeo
Pietà
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. Mid-XVIcentury
Zuccaro, Taddeo

Since this drawing was believed in the past to be a work of Michelangelo (1475-1564), it was clearly much revered by at least two of its previous owners, Céan Bermudez adn Brun (?), in spite of [+]

Study for Saint John the Evangelist
Black chalk on dark yellow paper. 1640 - 1644
Lanfranco, Giovanni Di Stefano
Study for Saint John the Evangelist
Black chalk on dark yellow paper. 1640 - 1644
Lanfranco, Giovanni Di Stefano

This study is a preparatory work for one of Giovanni Lanfranco`s frescoes in the church of Santi Apostoli, Naples, as first suggested by Alfonso E. Pérez Sánchez. Lanfranco, who was orig [+]

Studies for a section of architectural decoration [Galleria Farnese(¿?)]
Pencil, Grey-brown ink, Wash on dark yellow paper. 1597 - 1601
Carracci, Annibale
Studies for a section of architectural decoration [Galleria Farnese(¿?)]
Pencil, Grey-brown ink, Wash on dark yellow paper. 1597 - 1601
Carracci, Annibale

Annibale Carracci established the early Baroque style in Italy with Caravaggio (1571-1610). Annibale`s naturalistic style was based on the Antique and on Raphael, and unlike Caravaggio`s sombre realis [+]

Landscape with Rest on the Flight to Egypt
Pencil, Grey-brown ink on dark yellow paper. Ca. 1595
Reni, Guido
Landscape with Rest on the Flight to Egypt
Pencil, Grey-brown ink on dark yellow paper. Ca. 1595
Reni, Guido

Amidst the rocks, boulders, stunted trees and an expanse of water with a city in the background, the Virgin sits with the infant Christ on her legs; he reaches forward to the hand and gaze of the infa [+]

Saint Jerome
Pencil on dark yellow paper. XVII century
Anonymous
Saint Jerome
Pencil on dark yellow paper. XVII century
Anonymous

Copia de una de las pruebas inconclusas del grabado de Agostino Carracci (Bartsch, XVIII, 75), obra del periodo tardío de su producción. La plancha sin terminar fue concluida por su discípulo Francesc [+]

Draped figure wearing a laurel crown
Pencil, Grey-brown ink on yellow paper. XVI century
Anonymous
Draped figure wearing a laurel crown
Pencil, Grey-brown ink on yellow paper. XVI century
Anonymous

Traditionally attributed to Parmigianino (1503-1540). In a note on the modern museum matte, J. A. Gere wrote copy after Girolamo da Carpi (1981).The style certainly points to that of Girolamo da Carpi [+]

Sheet of studies with a happy and three lions rampant
Pencil, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous
Sheet of studies with a happy and three lions rampant
Pencil, Grey-brown ink, Wash on yellow paper. XVI century
Anonymous

An old attribution to Agostino Carracci (1557-1602) appears on the reserve of the sheet. In a note on the modern museum matte, Keith Andrews suggested Battista Franco?, to which comment Catherine Monb [+]

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