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The Assumption and Coronation of the Virgin
Oil on panel. 1602 - 1603
Reni, Guido
The Assumption and Coronation of the Virgin
Oil on panel. 1602 - 1603
Reni, Guido

En el centro, la Virgen coronada por dos angelitos, rodeada por la corte celestial. Abajo, ángeles músicos en las esquinas. El tema, para el cual se conocen algunos dibujos, fue muy trabajado por Guid [+]

The Last Supper
Oil on canvas. 1593 - 1594
Carracci, Agostino
The Last Supper
Oil on canvas. 1593 - 1594
Carracci, Agostino

Together with his brother Annibale and his cousin Ludovico, Agostino Carracci founded the so-called Accademia degli Incamminati in Bologna. Its teachings promoted the study of nature and the work of t [+]

The Agony in the Garden
Oil on canvas. Ca. 1590
Carracci, Ludovico
The Agony in the Garden
Oil on canvas. Ca. 1590
Carracci, Ludovico

The Apostles sleep in the foreground, indifferent to the suffering of Christ who is attended by angels. One holds a chalice, prefiguring the Passion. The artist looked to Correggio (c. 1489-1534) in t [+]

The Virgin and Child with the Infant Saint John the Baptist
Oil on panel. 1599 - 1600
Carracci, Annibale
The Virgin and Child with the Infant Saint John the Baptist
Oil on panel. 1599 - 1600
Carracci, Annibale

This late work whose composition recalls those of Raphael, is listed in the 1746 inventory of the La Granja Palace as a panel by Aníbal Caracho’s [sic.] hand, Our Lady sitting on the ground wit [+]

The Assumption of the Virgin
Oil on canvas. Ca. 1587
Carracci, Annibale
The Assumption of the Virgin
Oil on canvas. Ca. 1587
Carracci, Annibale

The Assumption of the Virgin is narrated in a late legend, inspired by the Prophet Elias`s vision and by the Ascension of Christ. It was only declared an article of faith in 1950, after centuries duri [+]

The Agony in the Garden
Oil on unlined canvas. 1616 - 1620
Procaccini, Giulio Cesare
The Agony in the Garden
Oil on unlined canvas. 1616 - 1620
Procaccini, Giulio Cesare

In the Garden of Gethsemane an angel comforts Christ before his crucifixion, while the three Apostles slumber nearby. Procaccini was the most renowned member of a Bolognese family of artists which had [+]

Saint Francis of Assisi in the Portiuncula
Oil on canvas. 1601 - 1603
Carracci, Ludovico
Saint Francis of Assisi in the Portiuncula
Oil on canvas. 1601 - 1603
Carracci, Ludovico

Saint Francis is one of the most venerated of all Christian saints. Born in 1182, he chose a religious life after a youth filled with empty pleasures and frolicking. He was followed by a considerable [+]

Saint Agnes
Red chalk on dark yellow paper. 1650 - 1660
Guercino (Giovanni Francesco Barbieri)
Saint Agnes
Red chalk on dark yellow paper. 1650 - 1660
Guercino (Giovanni Francesco Barbieri)

This drawing, formerly in the Spanish Royal Collection, was recognised as an autograph work by Guercino by Manuela Mena Marqués. The suggested date for it is around the 1650-60, when Guercino h [+]

Nude youth, a cloak slung over his shoulder, wielding a club
Pencil, Grey-brown ink on yellow paper. XVI century
Anonymous (Circle Of Carracci, Ludovico)
Nude youth, a cloak slung over his shoulder, wielding a club
Pencil, Grey-brown ink on yellow paper. XVI century
Anonymous (Circle Of Carracci, Ludovico)

This is the companion to the drawing D01646. The execution of the hands and hair is especially characteristic of Ludovico Carracci´s style. [+]

Abraham receiving the three angels
Pencil, Grey-brown ink, White lead, Wash on dark yellow paper. XVI century
Anonymous (Circle Of Carracci, Ludovico)
Abraham receiving the three angels
Pencil, Grey-brown ink, White lead, Wash on dark yellow paper. XVI century
Anonymous (Circle Of Carracci, Ludovico)

The drawing was placed in Brun´s (?) collection as by the Ferrarese Benvenuti Tisi, called Garofalo (1481-1559). Both the composition and handling however reveal the influence of Ludovico Carracci, an [+]

Study of a prophet / Human figure with a child
Pencil, Grey-brown ink on dark yellow paper. Ca. 1627
Guercino (Giovanni Francesco Barbieri)
Study of a prophet / Human figure with a child
Pencil, Grey-brown ink on dark yellow paper. Ca. 1627
Guercino (Giovanni Francesco Barbieri)

This drawing was first identified by Manuela Mena Marqués as a preparatory study for Prophet Jeremiah, one of a group of six prophets painted in fresco by Guercino for the cupola of Piacenza’s [+]

Studies for a section of architectural decoration [Galleria Farnese(¿?)]
Pencil, Grey-brown ink, Wash on dark yellow paper. 1597 - 1601
Carracci, Annibale
Studies for a section of architectural decoration [Galleria Farnese(¿?)]
Pencil, Grey-brown ink, Wash on dark yellow paper. 1597 - 1601
Carracci, Annibale

Annibale Carracci established the early Baroque style in Italy with Caravaggio (1571-1610). Annibale`s naturalistic style was based on the Antique and on Raphael, and unlike Caravaggio`s sombre realis [+]

Saint Peter healing the lame
Pencil, Pencil ground, Grey-brown ink, Wash on dark yellow paper. Ca. 1606
Cardi, Ludovico
Saint Peter healing the lame
Pencil, Pencil ground, Grey-brown ink, Wash on dark yellow paper. Ca. 1606
Cardi, Ludovico

A decisive breakthrough in the career of the Tuscan painter Lodovico Cigoli came with his contribution to a series of six paintings required for the new altars for St Peter’s Basilica in Rome. Accordi [+]

The Virgin and Child enthroned appearing to ten saints
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. 1607 - 1610
Carracci, Ludovico
The Virgin and Child enthroned appearing to ten saints
Pencil, Pencil ground, Grey-brown ink, Wash on yellow paper. 1607 - 1610
Carracci, Ludovico

The traditional attribution to Poccetti (1548-1612) is unconvincing, if one compares the conception and execution of the present study with that of the especially fine Poccetti drawing (D01745). Indee [+]

The Annunciation
Pencil ground, Grey-brown ink, Wash on grey paper. Late XVI century
Faccini, Pietro (Attributed To)
The Annunciation
Pencil ground, Grey-brown ink, Wash on grey paper. Late XVI century
Faccini, Pietro (Attributed To)

Traditionally attributed to Tintoretto, Manuela Mena Marqués, who commented on the drawing´s excellent quality, rightly suggested in could be from the Bolognese School. The beautifully modulate [+]

Nude youth, seen from the rear, wielding a club
Pencil, Grey-brown ink on yellow paper. XVI century
Anonymous (Circle Of Carracci, Ludovico)
Nude youth, seen from the rear, wielding a club
Pencil, Grey-brown ink on yellow paper. XVI century
Anonymous (Circle Of Carracci, Ludovico)

This and D01647 drawing are clearly companions. Although formerly placed as after Parmigianino, the style points rather to Ludovico Carraci and his following on whom Parmigianino´s highly wrought tech [+]

The Holy Family with the Infant Saint John the Baptist
Pencil, Red chalk, Grey-brown wash on tinted paper. First third of the XVII century
Cavedone, Giacomo
The Holy Family with the Infant Saint John the Baptist
Pencil, Red chalk, Grey-brown wash on tinted paper. First third of the XVII century
Cavedone, Giacomo

Es dibujo de notable calidad y perfección, de escuela boloñesa del primer tercio del siglo XVII, cuyos modelos y técnicas lo enlazan claramente con el modo de hacer de Cavedone, a quien sin duda ha de [+]

The penitent Saint Jerome
Red chalk on grey paper. XVII century
Guercino (Giovanni Francesco Barbieri)
The penitent Saint Jerome
Red chalk on grey paper. XVII century
Guercino (Giovanni Francesco Barbieri)

En el dibujo aparece San Jerónimo sentado sobre unas rocas, semidesnudo, con un crucifijo entre las manos y meditando entre sus escritos. Estilísticamente corresponde a los dibujos fechados en la déca [+]

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