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Paolo Domenico Finoglia was deeply involved in the creation of paintings for the History of Rome cycle at the Buen Retiro Palace. His participation includes this superb Triumph of Bacchus, a Gladiator [+]
Las figuras de esta obra, así como las de las obras P1371 a P1379, se atribuyen a Peeter Bout. [+]
Representación alegórica del triunfo del Amor que lleva a Júpiter con los brazos atados en una suntuosa carroza tirada por cuatro caballos blancos. Entre las figuras que acompañan a la carroza, a la d [+]
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This canvas depicts an equestrian event that took place at the Palace of Aranjuez in 1770. It was attended by Charles III and Princess María Luisa, his daughter-in-law, who are to be seen in th [+]
The inhabitants of Antwerp enjoy skating on the frozen water in the moats alongside the city walls. Divided into groups, some disguised and others elegantly dressed, the represent diverse attitudes an [+]
This view of Aranjuez Palace was painted in 1756, on the occasion of the celebration of the saint´s day of King Fernando VI (1713-1759). This work was one of a group of views of the Palace and of the [+]
Representación del sitio de Breda, que tuvo lugar entre el 12 de septiembre de 1624 y el 2 de junio de 1625. En primer plano aparece la visita de la infanta gobernadora al campo de batalla tras la vic [+]
Goya never actually painted the cartoon for this scene, which is one of his masterpieces, and the most popular of a series intended for the bedroom of the infantas in Madrid's El Pardo Palace. The pro [+]
This canvas was displayed on the ceiling of the Salon Rouge of the Duke and Duchess of Riánsares’ Paris mansion. The decoration of this hall, which was designed to receive visitors, glorified M [+]
This view of Aranjuez Palace was painted in 1756, on the occasion of the celebration of the saint´s day of King Fernando VI (1713-1759). This work was one of a group of views of the Palace and of the [+]
On August 29, 1626, King Philip IV’s painter, Vicente Carducho (ca. 1576-1638), signed a contract for the creation of a cycle of paintings to celebrate the founding of the Carthusian Order by Saint Br [+]
This painting entered the museum as a work by Claude Lorrain, but in 1843, it appeared in the catalog as an original by Jan Both, an attribution that has been maintained in posterior catalogs and is a [+]
This painting depicts the façade of Saint Peter’s as it was designed by the architect Carlo Maderno and before the re-modelling undertaken by Gian Lorenzo Bernini, who had the clock tower on th [+]
A la izquierda, el agua del Tajo y en su orilla, grupos descansando. Un guarda abre la puerta del paseo, sombreado por grandes árboles. En 1794, la obra se encontraba en la pieza de comer el príncipe, [+]
This work is a preparatory sketch for a tapestry of extraordinary dimensions -nearly eight metres in length and over three metres tall- intended for the bedchamber of the Prince and Princess of Asturi [+]
This cartoon, the pair to The Washerwomen (P-786), depicts three women and four elegantly dressed children with their dog on a country outing. Goya masterfully utilizes the figures in different planes [+]
This is the preparatory sketch for the cartoon of The Fight at the New Inn (P-770). It differs from the final composition in some respects, most importantly the name of the inn, which is “The Cock Inn [+]
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