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Ecce Homo
Oil on panel. 1560 - 1570
Morales, Luis de
Ecce Homo
Oil on panel. 1560 - 1570
Morales, Luis de

Jesus is shown half-length, crowned with thorns and with a haggard face, parted lips, prominent cheekbones, and moist eyes raised in an attitude of submission to the divine will. His hair, beard, mous [+]

Saint John the Baptist
Oil on panel. Ca. 1566
Morales, Luis de
Saint John the Baptist
Oil on panel. Ca. 1566
Morales, Luis de

It is not known when or how these two paintings -Saint John the Baptist and Saint Juan de Ribera (P947)- came to be the property of Luisa Enríquez, but their common provenance has never been se [+]

The Flight into Egypt
Oil on canvas. Ca. 1670
Moreno, José
The Flight into Egypt
Oil on canvas. Ca. 1670
Moreno, José

The Flight into Egypt was a popular subject with Madrid painters of the second half of the seventeenth century who made use of the episode’s potential for expressing tenderness and intimacy in a natur [+]

Infernal Landscape
Oil on panel. Ca. 1565
Anonymous
Infernal Landscape
Oil on panel. Ca. 1565
Anonymous

After Bosch’s death, his style remained very successful both in the Netherlands and in Italy and Spain. This picture, painted nearly half a century after his death, is an example of the many that were [+]

Landscape with Hermit bound in Chains
Oil on canvas. 1634 - 1639
Swanevelt, Herman Van
Landscape with Hermit bound in Chains
Oil on canvas. 1634 - 1639
Swanevelt, Herman Van

This painting entered the Museum`s holdings as a copy of a work by Jan Both, described as Saint Francis in Penitence and listed as the companion piece to Landscape with Saint Francis in Meditation. It [+]

Carnival in Rome
Oil on canvas. 1653
Miel, Jan
Carnival in Rome
Oil on canvas. 1653
Miel, Jan

Acquired by Philip V for the Royal Palace of La Granja de San Idelfonso, where it appeared in a 1727 inventory, Carnival in Rome, 1653, is one of the best known paintings by Flemish artist Jan Miel. I [+]

View of Paris from the Trocadero
Oil on canvas. 1883
Rico y Ortega, Martín
View of Paris from the Trocadero
Oil on canvas. 1883
Rico y Ortega, Martín

In 1883 Rico received the most significant commissions of his career: two views of Venice for the Marquis of Casa Riera and this panoramic view of Paris for Josefa de Manzanedo e Intentas, II Marchion [+]

Saint Juan de Ribera
Oil, Tempera on panel. Ca. 1566
Morales, Luis de
Saint Juan de Ribera
Oil, Tempera on panel. Ca. 1566
Morales, Luis de

It is not known when or how these two paintings -Saint Juan de Ribera and Saint John the Baptist (P950)- came to be the property of Luisa Enríquez, but their common provenance has never been se [+]

View of Toledo
Oil on canvas. 1900 - 1905
Arredondo y Calmache, Ricardo
View of Toledo
Oil on canvas. 1900 - 1905
Arredondo y Calmache, Ricardo

Toledo was one of the cities that attracted the interest of artists and writers, from the romantics to the Generation of 1898. It possessed a rich and varied past, from its pre-Roman origins to its st [+]

Portrait of a Humanist
Oil on panel. Ca. 1540
Scorel, Jan Van (Attributed To)
Portrait of a Humanist
Oil on panel. Ca. 1540
Scorel, Jan Van (Attributed To)

Although this panel is not documented, it has been attributed to Scorel since its attribution by Hoogewerff in 1923.The artist depicts the unknown humanist half-length in front of a landscape. Scorel’ [+]

A Sybil
Oil on canvas. Ca. 1632
Velázquez, Diego Rodríguez de Silva y
A Sybil
Oil on canvas. Ca. 1632
Velázquez, Diego Rodríguez de Silva y

The first known reference to this work dates from 1746, when an inventory of paintings at the La Granja Palace was drawn up. There, it is attributed to Velázquez and identified as a likeness of [+]

Federico Gonzaga, Ist Duke of Mantua
Oil on panel. 1529
Titian (Tiziano Vecellio)
Federico Gonzaga, Ist Duke of Mantua
Oil on panel. 1529
Titian (Tiziano Vecellio)

On 16 April 1529 Federico II Gonzaga, First Duke of Mantua (1500-1540), apologised to his uncle Alfonso d’Este for retaining Titian: perché ha conienzo un retratto mio qual molto desidero sii f [+]

The Holy Family with a Lamb
Oil on panel. 1507
Raphael (Raffaello Sanzio)
The Holy Family with a Lamb
Oil on panel. 1507
Raphael (Raffaello Sanzio)

In 1504, after training with Perugino, Raphael moved from Perugia to Florence, where he remained for four years to absorb the work of Leonardo and Michelangelo. His gradual mastery of classicism is vi [+]

View of the Gardens of the Villa Medici, Rome
Oil on canvas. Ca. 1630
Velázquez, Diego Rodríguez de Silva y
View of the Gardens of the Villa Medici, Rome
Oil on canvas. Ca. 1630
Velázquez, Diego Rodríguez de Silva y

A masterpiece in the history of Western landscape painting, in which Velázquez set out his idea of landscape without any narrative excuse to justify it, this Roman scene and its companion work [+]

Gaspar de Guzmán, Count-Duke of Olivares, on Horseback
Oil on canvas. Ca. 1636
Velázquez, Diego Rodríguez de Silva y
Gaspar de Guzmán, Count-Duke of Olivares, on Horseback
Oil on canvas. Ca. 1636
Velázquez, Diego Rodríguez de Silva y

Along with Philip IV and Velázquez, the third name intimately associated with the Buen Retiro Palace is Gaspar de Guzmán, Count-Duke of Olivares (1587-1645). When Philip IV took the thro [+]

Old Woman tearing at her Hair
Oil on oak panel. After 1553
Massys, Jan (Circle Of)
Old Woman tearing at her Hair
Oil on oak panel. After 1553
Massys, Jan (Circle Of)

On the reverse of this portrait is an old inscription in ink reading ‘MAESTRO QUINTIN’. Bosque attributed it to that artist in his catalogue, although emphasising the difference of technique between t [+]

Adam and Eve
Oil on canvas. Ca. 1550
Titian (Tiziano Vecellio)
Adam and Eve
Oil on canvas. Ca. 1550
Titian (Tiziano Vecellio)

The painting is a faithful visualisation of Genesis 30, 9-19 in which Eve is blamed for accepting the forbidden fruit (although the type of fruit is not stated, Titian follows tradition and opts for a [+]

Two Bunches of Grapes with a Fly
Oil on canvas. 1630 - 1644
Pret, Miguel de (Attributed To)
Two Bunches of Grapes with a Fly
Oil on canvas. 1630 - 1644
Pret, Miguel de (Attributed To)

Like its companion (P7906), this piece was acquired by the Museo del Prado with an attribution to Fernández el Labrador (doc. 1629-1657), a painter specialized in depictions of grapes. However, [+]

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