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The Fight at the Cock Inn (Brawl at the Mesón del Gallo Inn)
Oil on canvas. 1777
Goya y Lucientes, Francisco de
The Fight at the Cock Inn (Brawl at the Mesón del Gallo Inn)
Oil on canvas. 1777
Goya y Lucientes, Francisco de

This is the preparatory sketch for the cartoon of The Fight at the New Inn (P-770). It differs from the final composition in some respects, most importantly the name of the inn, which is “The Cock Inn [+]

Self-Portrait
Oil on unlined canvas. 1795
Goya y Lucientes, Francisco de
Self-Portrait
Oil on unlined canvas. 1795
Goya y Lucientes, Francisco de

This Self-Portrait’s small size indicates that it was intended for private and intimate use, as a gift to someone of interest to Goya. It came from the heirs of Tomás de Berganza, a butler to t [+]

The Pottery Vendor
Oil on canvas. 1778 - 1779
Goya y Lucientes, Francisco de
The Pottery Vendor
Oil on canvas. 1778 - 1779
Goya y Lucientes, Francisco de

This canvas belongs to the series of 20 cartoons for tapestries commissioned from Goya by Anton Raphael Mengs in October 1777. They depict scenes from contemporary life and were designed for the bedch [+]

The Worst is to beg
Red chalk, Conté crayon on grey laid paper. 1812 - 1814
Goya y Lucientes, Francisco de
The Worst is to beg
Red chalk, Conté crayon on grey laid paper. 1812 - 1814
Goya y Lucientes, Francisco de

A preparatory drawing for the print Disasters of War, 55, The Worst is to beg. One of Goya’s most singular conceptual contributions in his series of prints, Disasters of War, is his manner of represen [+]

These, too
Red chalk on ivory paper. 1810 - 1814
Goya y Lucientes, Francisco de
These, too
Red chalk on ivory paper. 1810 - 1814
Goya y Lucientes, Francisco de

In this drawing and the They can still serve (D04244), Goya presents one of his harshest criticisms. At first glance, both seem to depict village people picking up the war wounded and carrying them to [+]

Is there no one to untie us?
Red chalk on laid paper. Ca. 1797
Goya y Lucientes, Francisco de
Is there no one to untie us?
Red chalk on laid paper. Ca. 1797
Goya y Lucientes, Francisco de

The duplicitous nature of relations between men and women is one of the principal themes of the Caprichos. In this case, Goya overtly condemns marriages of convenience that are not based on love: A ma [+]

What courage!
Red chalk on dark yellow laid paper. Ca. 1810
Goya y Lucientes, Francisco de
What courage!
Red chalk on dark yellow laid paper. Ca. 1810
Goya y Lucientes, Francisco de

In this drawing and the These, too (D04345), Goya presents one of his harshest criticisms. At first glance, both seem to depict village people picking up the war wounded and carrying them to the hospi [+]

They can still serve
Red chalk on ivory paper. 1810 - 1814
Goya y Lucientes, Francisco de
They can still serve
Red chalk on ivory paper. 1810 - 1814
Goya y Lucientes, Francisco de

In this drawing and the following one (D04245), Goya presents one of his harshest criticisms. At first glance, both seem to depict village people picking up the war wounded and carrying them to the ho [+]

This is how Useful Men Generally End Up
Brush, Bistre, Wash on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de
This is how Useful Men Generally End Up
Brush, Bistre, Wash on laid paper. 1808 - 1814
Goya y Lucientes, Francisco de

Many of the drawings from Album C depict people suffering the consequences of poverty. Beggars, the handicapped, alcoholics, the mentally ill and invalids appear throughout the first half of that albu [+]

Hush
Red chalk on dark yellow laid paper. Ca. 1797
Goya y Lucientes, Francisco de
Hush
Red chalk on dark yellow laid paper. Ca. 1797
Goya y Lucientes, Francisco de

Preparatory drawing for Capricho 28 (G02116) .The title, which is taken from the Caprichos, refers to the word used to impose silence, and in this case to the corrupt habits of aristocratic women who [+]

Monk drawing with a compass
Pencil on grey laid paper. 1824 - 1828
Goya y Lucientes, Francisco de
Monk drawing with a compass
Pencil on grey laid paper. 1824 - 1828
Goya y Lucientes, Francisco de

This drawing has rarely been exhibited and studied, but it is, nevertheless, one of the most beautiful due to its monumental and synthetic feel. Using only sharp crayon strokes, Goya defines the conto [+]

Fight till death between two stout men
Pencil on grey laid paper. 1824 - 1828
Goya y Lucientes, Francisco de
Fight till death between two stout men
Pencil on grey laid paper. 1824 - 1828
Goya y Lucientes, Francisco de

It is difficult to say whether here we are viewing a scene of amusement or an allegory of violence, as both characters appear to be laughing stupidly while one pines down the other by force and prepar [+]

Dream of Some Men Who Were Eating Us
Pencil, Iron gall ink on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de
Dream of Some Men Who Were Eating Us
Pencil, Iron gall ink on laid paper. 1796 - 1797
Goya y Lucientes, Francisco de

Preparatory drawing for the etching Capricho 13. They are Hot (G02101). This work is one of twenty-six pen drawings that make up the Dreams series on which the Caprichos were based. Both the prelimina [+]

Unhappy mother!
Red chalk on grey laid paper. 1812 - 1814
Goya y Lucientes, Francisco de
Unhappy mother!
Red chalk on grey laid paper. 1812 - 1814
Goya y Lucientes, Francisco de

When Goya penciled his tiles on the complete set of prints that he gave to his friend, Ceán Bermúdez, each word was rigorously adapted to the composition and to the critical intentions w [+]

Dream of consummate witches
Pencil, Iron gall ink, Black chalk lines on dark yellow laid paper. 1796 - 1797
Goya y Lucientes, Francisco de
Dream of consummate witches
Pencil, Iron gall ink, Black chalk lines on dark yellow laid paper. 1796 - 1797
Goya y Lucientes, Francisco de

This is a preparatory drawing for the etching Blow (G02157), which is Capricho 69. Together, the twenty-six pen-and-ink drawings that constitute the basis for The Caprichos are known as The Dreams. Th [+]

Who will win?
Indian ink, Wash on dark yellow laid paper. 1816 - 1820
Goya y Lucientes, Francisco de
Who will win?
Indian ink, Wash on dark yellow laid paper. 1816 - 1820
Goya y Lucientes, Francisco de

This work corresponds to Album E, one of seven albums or series of drawings that Goya created over the course of his life. This album is also known as the “black borders” album, due to the distinctive [+]

The butterfly bull. Fiesta in the air. They fly and fly
Black chalk, Lithographic crayon on grey laid paper. 1825 - 1828
Goya y Lucientes, Francisco de
The butterfly bull. Fiesta in the air. They fly and fly
Black chalk, Lithographic crayon on grey laid paper. 1825 - 1828
Goya y Lucientes, Francisco de

This drawing brings together several recurring themes found in his work: the impossible dream of flying, the duality of the bullfighting world between the festive and the tragic, and the scenes of abs [+]

Many have ended up like this
Black chalk, Brush, Bistre, Grey-brown ink, Iron gall ink, Wash on laid paper. 1810 - 1811
Goya y Lucientes, Francisco de
Many have ended up like this
Black chalk, Brush, Bistre, Grey-brown ink, Iron gall ink, Wash on laid paper. 1810 - 1811
Goya y Lucientes, Francisco de

This is one of a group of drawings from Album C -numbers 85 through 114- offering images of people tortured by the Inquisition. Their critical view is consistent with the ideas that Juan Antonio Llore [+]

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