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Ferdinand the Catholic
Oil on canvas. Ca. 1848
Montañés y Pérez, Bernardino
Ferdinand the Catholic
Oil on canvas. Ca. 1848
Montañés y Pérez, Bernardino

Ferdinand II of Aragon, called the Catholic (1452-1516). The Chronological Series of the Kings of Spain was a museum project planned in 1847 by José de Madrazo to adorn four of the new rooms at the Real Museo de Pinturas (Royal Museum of Paintings), then under his direction. At the height of the confrontation between the supporters of Isabella II and the Carlists, who denied the sovereign’s

Henry IV of Castile
Oil on canvas. Ca. 1848
Sainz, Francisco
Henry IV of Castile
Oil on canvas. Ca. 1848
Sainz, Francisco

The Chronological Series of the Kings of Spain was a museum project planned in 1847 by José de Madrazo to adorn four of the new rooms at the Real Museo de Pinturas (Royal Museum of Paintings), then under his direction. At the height of the confrontation between the supporters of Isabella II and the Carlists, who denied the sovereign’s right to occupy the throne because she was a woman, the

Ramiro I, rey de Asturias
Oil on canvas. 1852
Lozano, Isidoro
Ramiro I, rey de Asturias
Oil on canvas. 1852
Lozano, Isidoro

The Chronological Series of the Kings of Spain was a museum project planned in 1847 by José de Madrazo to adorn four of the new rooms at the Real Museo de Pinturas (Royal Museum of Paintings), then under his direction. At the height of the confrontation between the supporters of Isabella II and the Carlists, who denied the sovereign’s right to occupy the throne because she was a woman, the

Triptych with Episodes from the Life of Christ
Grisaille, Oil on oak panel. Ca. 1440
Master Of The Collins Hours
Triptych with Episodes from the Life of Christ
Grisaille, Oil on oak panel. Ca. 1440
Master Of The Collins Hours

The Triptych in the Museo del Prado labeled as Scenes from the Life of Christ is a pivotal work in the story of Valencian painting in the fifteenth century and in the transmission of the style and technique of Jan van Eyck to the Iberian Peninsula. The panel entered the Prado collection in 1931 from the convent of the Encarnación in Valencia, a Carmelite foundation established in 1502. It w

Fruela I of Asturias
Oil on canvas. 1854
Montañés y Pérez, Bernardino
Fruela I of Asturias
Oil on canvas. 1854
Montañés y Pérez, Bernardino

The Chronological Series of the Kings of Spain was a museum project planned in 1847 by José de Madrazo to adorn four of the new rooms at the Real Museo de Pinturas (Royal Museum of Paintings), then under his direction. At the height of the confrontation between the supporters of Isabella II and the Carlists, who denied the sovereign’s right to occupy the throne because she was a woman, the

Alfonso II of Asturias
Oil on canvas. 1852
Roca y Delgado, Mariano de la
Alfonso II of Asturias
Oil on canvas. 1852
Roca y Delgado, Mariano de la

The Chronological Series of the Kings of Spain was a museum project planned in 1847 by José de Madrazo to adorn four of the new rooms at the Real Museo de Pinturas (Royal Museum of Paintings), then under his direction. At the height of the confrontation between the supporters of Isabella II and the Carlists, who denied the sovereign’s right to occupy the throne because she was a woman, the

Ferdinand III of Castile
Oil on canvas. 1850
Múgica y Pérez, Carlos
Ferdinand III of Castile
Oil on canvas. 1850
Múgica y Pérez, Carlos

The Chronological Series of the Kings of Spain was a museum project planned in 1847 by José de Madrazo to adorn four of the new rooms at the Real Museo de Pinturas (Royal Museum of Paintings), then under his direction. At the height of the confrontation between the supporters of Isabella II and the Carlists, who denied the sovereign’s right to occupy the throne because she was a woman, the

The Annunciation, Saint Jerome and Saint John the Baptist
Oil on panel. XVI century
Maestro de la Santa Sangre
The Annunciation, Saint Jerome and Saint John the Baptist
Oil on panel. XVI century
Maestro de la Santa Sangre

Alfonso V of León
Oil on canvas. Ca. 1853
Fierros Álvarez, Dionisio
Alfonso V of León
Oil on canvas. Ca. 1853
Fierros Álvarez, Dionisio

The Chronological Series of the Kings of Spain was a museum project planned in 1847 by José de Madrazo to adorn four of the new rooms at the Real Museo de Pinturas (Royal Museum of Paintings), then under his direction. At the height of the confrontation between the supporters of Isabella II and the Carlists, who denied the sovereign’s right to occupy the throne because she was a woman, the

Ordoño II of León
Oil on canvas. 1853
Lozano, Isidoro
Ordoño II of León
Oil on canvas. 1853
Lozano, Isidoro

The Chronological Series of the Kings of Spain was a museum project planned in 1847 by José de Madrazo to adorn four of the new rooms at the Real Museo de Pinturas (Royal Museum of Paintings), then under his direction. At the height of the confrontation between the supporters of Isabella II and the Carlists, who denied the sovereign’s right to occupy the throne because she was a woman, the

Christ presented in the Temple
Oil on panel. 1533 - 1535
Correa de Vivar, Juan
Christ presented in the Temple
Oil on panel. 1533 - 1535
Correa de Vivar, Juan

This panel depicts a passage from the Gospel of Saint Luke (2, 26) in which Simeon blesses the Christ Child when he is presented in the temple. It is part of the altarpiece or seasonal altar of the Guisando Nativity (P00683–P00690). This is a structure frequently found in numerous Spanish monastic cloisters. It comes precisely from the Hieronymite monastery of Guisando (Ávila), which was ci

The Presentation of Jesus in the Temple
Mixed method on panel transferred to canvas. Ca. 1500
Master Of la Sisla
The Presentation of Jesus in the Temple
Mixed method on panel transferred to canvas. Ca. 1500
Master Of la Sisla

Mary, who is very richly dressed, is holding the Christ child above the altar; Joseph is at her side. Simeon is also in the room, along with some women, one of whom has a basket with two doves in it. The painting comes, together with five others of the same group (P-1254-P-1259), from the Hieronomite monastery of La Sisla (Toledo).

Roderic
Oil on canvas. 1853
Roca y Delgado, Mariano de la
Roderic
Oil on canvas. 1853
Roca y Delgado, Mariano de la

Roderic was the Visigothic king in Hispania (710 - 711). The Chronological Series of the Kings of Spain was a museum project planned in 1847 by José de Madrazo to adorn four of the new rooms at the Real Museo de Pinturas (Royal Museum of Paintings), then under his direction. At the height of the confrontation between the supporters of Isabella II and the Carlists, who denied the sovereign’s

Ferdinand I of León
Oil on canvas. 1855
Maffei Rosal, Antonio
Ferdinand I of León
Oil on canvas. 1855
Maffei Rosal, Antonio

The Chronological Series of the Kings of Spain was a museum project planned in 1847 by José de Madrazo to adorn four of the new rooms at the Real Museo de Pinturas (Royal Museum of Paintings), then under his direction. At the height of the confrontation between the supporters of Isabella II and the Carlists, who denied the sovereign’s right to occupy the throne because she was a woman, the

Usenda
Oil on canvas. Ca. 1853
Lozano, Isidoro
Usenda
Oil on canvas. Ca. 1853
Lozano, Isidoro

Queens Ermesinda and Adosinda (Usenda), respectively the daughter and granddaughter of Don Pelayo, played a crucial role during the Reconquest, recognised since the Middle Ages, as transmitters of dynastic rights in the Christian kingdom of Asturias. Isabella II gave them a place in the Chronological Series as titular or proprietary queens, which they apparently were not, in her efforts to shore u

Mauregatus of Asturias
Oil on canvas. 1853
Iglesias y Domínguez, Manuel
Mauregatus of Asturias
Oil on canvas. 1853
Iglesias y Domínguez, Manuel

The Chronological Series of the Kings of Spain was a museum project planned in 1847 by José de Madrazo to adorn four of the new rooms at the Real Museo de Pinturas (Royal Museum of Paintings), then under his direction. At the height of the confrontation between the supporters of Isabella II and the Carlists, who denied the sovereign’s right to occupy the throne because she was a woman, the

Saint James the Pilgrim
Oil on panel. 1455 - 1465
Baró, Bartomeu
Saint James the Pilgrim
Oil on panel. 1455 - 1465
Baró, Bartomeu

The image of the titular saint seated on a richly decorated Gothic throne was the central effigy of many Spanish late mediaeval altarpieces. Here we see a hieratic Saint James with his pilgrim’s attributes enthroned on a monumental cathedra in grisaille, adorned with lively marginalia. Kneeling at his feet, the figure of the donor may evoke a desire to go on a pilgrimage to Compostela or simply de

Alfonso X of Castile
Oil on canvas. Ca. 1857
Gimeno y Canencia, Eduardo
Alfonso X of Castile
Oil on canvas. Ca. 1857
Gimeno y Canencia, Eduardo

The Chronological Series of the Kings of Spain was a museum project planned in 1847 by José de Madrazo to adorn four of the new rooms at the Real Museo de Pinturas (Royal Museum of Paintings), then under his direction. At the height of the confrontation between the supporters of Isabella II and the Carlists, who denied the sovereign’s right to occupy the throne because she was a woman, the

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