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Immaculate Conception
Oil on canvas. Ca. 1660
Cerezo, Mateo
Immaculate Conception
Oil on canvas. Ca. 1660
Cerezo, Mateo

The Virgin’s facial type, the confident drawing and the forceful rendering of the spatial planes originally led this work to be attributed to Claudio Coello. But in 1986 more precise knowledge of the [+]

The Assumption of the Virgin
Oil on canvas. Mid-XVIIcentury
Cabezalero, Juan Martín
The Assumption of the Virgin
Oil on canvas. Mid-XVIIcentury
Cabezalero, Juan Martín

The rather monumental conception of this composition was customary for this painter, but here it is due to the fact that he was drawing on a well-known print by Schelte a Boswert that had also been us [+]

The Mystic Marriage of Saint Catherine
Oil on canvas. 1660
Cerezo, Mateo
The Mystic Marriage of Saint Catherine
Oil on canvas. 1660
Cerezo, Mateo

The wheel by the figure’s feet, her palm of martyrdom and crown identify her as Saint Catherine who received the wedding ring from the Infant Christ in reward for her virtue. The basket in the foregro [+]

Kitchen Still Life
Oil on canvas. 1651
Anonymous
Kitchen Still Life
Oil on canvas. 1651
Anonymous

This attractive and singular mid-17th-century Spanish still life was originally thought to be by Antonio de Pereda, due to its similarity to two canvases at the Museo de Arte Antiga in Lisbon, which h [+]

The Judgement of a Soul
Oil on canvas. 1663 - 1664
Cerezo, Mateo
The Judgement of a Soul
Oil on canvas. 1663 - 1664
Cerezo, Mateo

The judgement of an individual soul is a subject rooted in popular religious theater. The oldest known depictions date from the 15th century and show an angel and a devil arguing over the possession o [+]

Still Life with Fruit and Game
Oil on canvas. 1651
Anonymous
Still Life with Fruit and Game
Oil on canvas. 1651
Anonymous

Unlike its pendant (P7762), which reflects a more urban setting, the present painting conveys a more rustic atmosphere. A roughly woven basket with fruit—especially grapes, which drape over the front— [+]

Still life with kitchenware and asparaguses
Oil on canvas. Ca. 1652
Arias, Ignacio
Still life with kitchenware and asparaguses
Oil on canvas. Ca. 1652
Arias, Ignacio

This still life´s composition and the elements depicted therein make it an excellent example of that genre´s peculiar evolution in the Madrid court during the central decades of the 17th c [+]

Kitchen Still Life
Oil on canvas. Ca. 1664
Cerezo, Mateo
Kitchen Still Life
Oil on canvas. Ca. 1664
Cerezo, Mateo

A profusion of cooking utensils and hearty meats -game birds fresh from the hunt and not yet dressed, a recently-killed lamb, a calf’s head, and other cuts- are laid out on a work surface, as if the p [+]

Penitent Magdalene
Oil on canvas. Second half of the XVII century
Cerezo, Mateo
Penitent Magdalene
Oil on canvas. Second half of the XVII century
Cerezo, Mateo

[+]

Cristo muerto, sostenido por las Marías
Pencil ground, Grey-brown wash on dark yellow paper. XVII century
Anonymous
Cristo muerto, sostenido por las Marías
Pencil ground, Grey-brown wash on dark yellow paper. XVII century
Anonymous

La Virgen desmayada es sostenida por San Juan, mientras la Magdalena (?), sujeta el cuerpo de Cristo, apoyado en el regazo de María. A la derecha las Marías restantes, sollozando.A pesar de la vieja a [+]

The Assumption of the Virgin
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Canon, Jean Louis; Cabezalero, Juan Martín (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Assumption of the Virgin
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Canon, Jean Louis; Cabezalero, Juan Martín (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de L. Canon que reproduce el lienzo de Juan Martín Cabezalero conservado en el Museo Nacional del Prado (P00658). Atribuida con anterioridad, según la letra de la estampa, a Mateo Ce [+]

The Assumption of the Virgin
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Canon, Jean Louis; Cabezalero, Juan Martín (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Assumption of the Virgin
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Canon, Jean Louis; Cabezalero, Juan Martín (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de L. Canon que reproduce el lienzo de Juan Martín Cabezalero conservado en el Museo Nacional del Prado (P00658). Atribuida con anterioridad, según la letra de la estampa, a Mateo Ce [+]

The Assumption of the Virgin
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Canon, Jean Louis; Cabezalero, Juan Martín (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Assumption of the Virgin
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
Canon, Jean Louis; Cabezalero, Juan Martín (After); Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Jean Louis Canon (1809-1892) que reproduce el lienzo de Juan Martín Cabezalero conservado en el Museo Nacional del Prado (P00658). Atribuida con anterioridad, según la letra de la [+]

The Immaculate Conception
Taille douce: etching and engraving on laid paper. Ca. 1770
Salvador Carmona, Juan Antonio; Corradi, Ángel
The Immaculate Conception
Taille douce: etching and engraving on laid paper. Ca. 1770
Salvador Carmona, Juan Antonio; Corradi, Ángel

Estampa de Juan Antonio Salvador Carmona según pintura de Mateo Cerezo en la antigua colección de Baltasar de la Puente, de Madrid, que no se conserva. Existen copias pintadas a partir de esta estampa [+]

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