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Vessel similar to O38, except that the cover is missing. The precious stones on the jasper ring are complete, and the remaining cameos consist of a Roman-style bust of a crowned man and a woman’s head [+]
This table`s exquisitely made top is based on a painting by Charles-Joseph Flipart (1721-1797) which is also in the Prado (P07824). The central scene depicts figures in a port, of which the two in the [+]
This tabletop forms a pair with O00467. Both were made at the Royal Manufactory founded by Charles III in Naples in 1737. This piece of ebony furniture made by Gaspero Donnini has heads carved by Giov [+]
Two men play skittles among Roman ruins in a setting that recalls Venetian view paintings or vedute. The scene is framed by a border with fruit, musical and scientific instruments, books and a tray wi [+]
This is one of the first works made in the workshops which the Bourbon monarch Charles, future King of Spain, founded in Naples in 1737, employing Florentine craftsmen and directed by Francesco Ghingh [+]
The top of this rectangular table is inlaid with semiprecious stones on a touchstone background. Its chalcedony volutes are framed by interlaced flowers, fruit and leaves with birds and butterflies, a [+]
The touchstone top is inlaid with semiprecious stones and has molded corners and a lapis-lazuli border. The inlay is of flowers and fruits with birds, insects and volutes, all created with various typ [+]
Florentine Mosaic is a technique in which semiprecious stones are cut and assembled so that their different colors and grains form a pictorial composition. This term reflects the fact that the techniq [+]
Vessel made up of two pieces of hardstone and three enamelled gold mounts. The larger piece forms the deep boat-shaped bowl, with the front raised, leaves on the rim, and a volute at the rear. A high [+]
Vessel comprising pieces of agate with different patterns of veining, some possibly ancient, linked by adornments in different designs, in enamelled gold. The body is semi-spherical and is joined to t [+]
Vessel comprising four hardstone pieces and five enamelled gold mounts. The oblong bowl has a boat-shaped profile with gadroons at the ends. A leaf-shaped piece serving as a lip is joined to the body [+]
Oval platter made up of eighteen pieces of heliotrope joined by a gilt bronze frame and a recessed central body with cruciform motif around a central oval. Attached to the structure of the mounting ar [+]
Vessel made up of two pieces of chalcedony and an enamelled gold mount. The body is formed by a deep hemispherical base and a smaller lid of the same shape surmounted by a delicate pyramidal openwork [+]
This vessel had a pair, now lost (I1416), which must have been very similar and by the same hand as O37, the work of the silversmith Pierre Ladoyreau or Ladoireau, who made part of the silver furnishi [+]
The pair of a vessel stolen in 1918, this is one of the few pieces which still preserve work by Pierre Ladoyreau or Ladoireau, one of the great master craftsmen of the 17th century in France, who desi [+]
Described in the 1689 inventory of the Dauphin’s Cabinet as a vase “in the antique style”, this is an example of the prevailing fashion in the 1680s. The decoration of enamelled leaves in the adornmen [+]
Vessel made up of three pieces of heliotrope and four gold mounts. The bowl has an oblong mouth and four broad gadroons separated by four narrower ones. It opens out towards the middle to become sligh [+]
