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The monumental dimensions of the bronze head, compatible with a statue approximately 3.5 m high, as well as its individualized features suggests a portrait rather than a mythological image. Schrö [+]
This sort of English painted enamel object was first made around 1725, but little is known of the early production, in part because this was a very modest craft. It reached its zenith between 1753 and [+]
In May 1847, Don José de Madrazo, director of the Royal Museum of Painting and Sculpture –now the Prado Museum–, acquired this silver writing desk for his office for 320 réis. It is made [+]
Normalmente, bajo el nombre de cajas de rapé son englobadas todas las series de cajitas primorosamente trabajadas en metal, porcelana u otra materia, que se fabricaron sobre todo durante el siglo XVII [+]
Este portapaz y su pareja (O3394) en origen servían para ser besados durante la celebración de la Misa. Inicialmente, ambos tenían como efigie en la calle central un tema religioso, en este caso la re [+]
In this medallion and his partner (O3392) the idealised king and queen are depicted according to the conventions of painted portraits, their faces in half-profile against a plain background with a lar [+]
A vessel made up of six pieces of rock crystal and six gold mounts enamelled in opaque white and translucent red. The ovate body is decorated with helicoidal gadroons and darts on the base, and the sa [+]
A vessel formed by four pieces of rock crystal and a gold mount. Seen from the front, the sides rise parallel to each other, while emerging on one side is a fold that forms the spout. The upper plane [+]
This footed tray is a presentation salver that forms a pair with O-60 of the Dauphin’s Treasure. Both are made from a single piece of lapis lazuli. It has a round, flat-bottomed bowl, low sides and a [+]
The vessel, similar to O44, is formed by three fragments of agate and five enamelled gold mounts. The body is an ancient piece of stone with a broad gold mount on the edge decorated with an enamelled [+]
An ovate vessel in the form of an urn. It has a smooth pyriform body with a double moulding on the shoulder, a neck with a concave profile, and a round mouth. The moulded cover has the form of a cupol [+]
A vessel formed by a large and voluminous body in the shape of a ship’s hull, a small unadorned foot and a stem with a knop, a spout at the prow, balusters, and a kind of forecastle, somewhat damaged. [+]
Vessel similar to O38, except that the cover is missing. The precious stones on the jasper ring are complete, and the remaining cameos consist of a Roman-style bust of a crowned man and a woman’s head [+]
A jug comprising various pieces of crystal and six adornments in gilded silver. The glass case of a reliquary, possibly Rhenish, has been used for the body, to which a base has been added, decorated w [+]
An oval salver or tray made up of seven pieces of rock crystal, identical in structure to O104. There are variations in the decorative composition, the work of the same Milanese workshop, recognisable [+]
A tall-footed cup whose bowl has the form of a ship’s hull with a pointed prow and a slightly raised stern, while below are a balustroid stem and a tortoise for a foot, all formed by three pieces of r [+]
Vessel made up of two pieces of hardstone and three enamelled gold mounts. The larger piece forms the deep boat-shaped bowl, with the front raised, leaves on the rim, and a volute at the rear. A high [+]
Vessel made up of three pieces of agate and six enamelled gold mounts. The boat-shaped bowl is decorated externally with a carved band of interlaced ovals separated by five-pointed fleurons. Running a [+]
