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Immaculate Conception
Oil on canvas. Ca. 1660
Cerezo, Mateo
Immaculate Conception
Oil on canvas. Ca. 1660
Cerezo, Mateo

The Virgin’s facial type, the confident drawing and the forceful rendering of the spatial planes originally led this work to be attributed to Claudio Coello. But in 1986 more precise knowledge of the [+]

The Virgin and Child adored by Saint Louis, King of France
Oil on canvas. Ca. 1665
Coello, Claudio
The Virgin and Child adored by Saint Louis, King of France
Oil on canvas. Ca. 1665
Coello, Claudio

Surrounded by angels, the Holy Family, with Saint Elizabeth and the infant Saint John, receive Saint Louis, King of France. The background combines architecture and curtains. This work is organized li [+]

The Virgin and Child between the Theological Virtues and Saints
Oil on canvas. 1669
Coello, Claudio
The Virgin and Child between the Theological Virtues and Saints
Oil on canvas. 1669
Coello, Claudio

Various figures of Virtues and saints are grouped around the Virgin and Child, forming an extensive “sacra conversazione”. The infant Saint John the Baptist is easily recognisable, as are Saint Elizab [+]

Passage from the Life of Saint Francis
Oil on canvas. Second half of the XVII century
Cabezalero, Juan Martín
Passage from the Life of Saint Francis
Oil on canvas. Second half of the XVII century
Cabezalero, Juan Martín

On the shore, Saint Francis receives a young man dressed in a black habit, ruff collar and hat, whom Christ carries over the water. In the background: a boat and an embankment with two figures.This ca [+]

Water
Oil on canvas. 1675 - 1700
Anonymous
Water
Oil on canvas. 1675 - 1700
Anonymous

This canvas by a late 17th-century painter is part of a group of four works, all at the Museo del Prado (P191, P3196, P3197 and P3198), that express the idea of the Elements through motives drawn from [+]

Charles II
Oil on canvas. 1693
Giordano, Luca
Charles II
Oil on canvas. 1693
Giordano, Luca

Charles II is depicted in armour, wearing the emblem of the Golden Fleece and an ornate neck tie in the French style, an accessory he favoured when outside Madrid from around 1677. Despite these forma [+]

Saint Clare Driving Away the Infidels with the Eucharist
Oil on canvas. 1693
Arredondo, Isidoro
Saint Clare Driving Away the Infidels with the Eucharist
Oil on canvas. 1693
Arredondo, Isidoro

This painting is of considerable interest as there are very few surviving works by this artist, who was a fine example of the last generation of great decorators from Madrid. The architectural setting [+]

Saint Anthony of Padua
Oil on canvas. Second half of the XVII century
Coello, Claudio
Saint Anthony of Padua
Oil on canvas. Second half of the XVII century
Coello, Claudio

Vestido con el típico sayal de los franciscanos, sujeto por el rústico cordón con los tres nudos significativos de los votos de pobreza, castidad y obediencia. De San Antonio conocemos, a través de lo [+]

Fire
Oil on canvas. 1675 - 1700
Anonymous
Fire
Oil on canvas. 1675 - 1700
Anonymous

This canvas by a late 17th-century painter is part of a group of four works, all at the Museo del Prado (P191, P3196, P3197 and P3198), that express the idea of the Elements through motives drawn from [+]

The Assumption of the Virgin
Oil on canvas. Ca. 1700
Ribera, Juan Vicente de
The Assumption of the Virgin
Oil on canvas. Ca. 1700
Ribera, Juan Vicente de

Aparte de su interés formal y estético, es obra muy interesante desde un punto de vista iconográfico, ya que funde en uno solo el tema de la salida del sepulcro de la Virgen y su asunción o elevación [+]

The Immaculate Conception
Oil on canvas. Second half of the XVII century
Coello, Claudio
The Immaculate Conception
Oil on canvas. Second half of the XVII century
Coello, Claudio

This is a significant example of Claudio Coello’s style and one of his finest representations of the Immaculate Conception. It admirably associates grace and delicate modesty with the triumphal emphas [+]

The Coronation of the Quintana
Oil on canvas. 1859
López Piquer, Luis
The Coronation of the Quintana
Oil on canvas. 1859
López Piquer, Luis

This work shows politician, poet, playwright and tutor to Queen Elizabeth II, Manuel José Quntana (Madrid, April 11, 1772- Madrid, March 11, 1857) on the day of his coronation in the Senate as [+]

The Assumption of the Virgin
Pencil, Pencil ground, Grey-brown wash on paper. XVII century
Jiménez Donoso, José
The Assumption of the Virgin
Pencil, Pencil ground, Grey-brown wash on paper. XVII century
Jiménez Donoso, José

En la mitad inferior de la composición se disponen los Apóstoles, alrededor del sepulcro vacío; entre ellos puede distinguirse, a la izquierda, a San Pedro, que porta en su mano derecha las llaves del [+]

The Immaculate Conception
Pencil, Pencil ground, Ink, Squared-up on paper. 1719
Calleja, Manuel de la
The Immaculate Conception
Pencil, Pencil ground, Ink, Squared-up on paper. 1719
Calleja, Manuel de la

Nada se sabe del artista de este nombre que firma este dibujo en 1719. Se trata de un dibujo cuadriculado y sombreado a lápiz negro blando. La Virgen aparece erguida sobre el creciente de la luna, sob [+]

The Holy Family
Black chalk, Pencil, Reworked in ink on grey paper. Ca. 1670
Anonymous
The Holy Family
Black chalk, Pencil, Reworked in ink on grey paper. Ca. 1670
Anonymous

A la izquierda se representa a la Virgen que sostiene el seno para dar el pecho al Niño Jesús, que se vuelve hacia San José que está a la derecha en actitud adorante y con la vara florecida en la mano [+]

The Virgin and Child adored by Saint Louis, King of France
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
López, Juan Antonio; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Virgin and Child adored by Saint Louis, King of France
Crayon lithography, Printing on japon, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
López, Juan Antonio; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Juan Antonio López (activo en Madrid entre 1826 y 1840) que reproduce el lienzo el lienzo de Claudio Coello conservado en el Museo Nacional del Prado (P00661). Esta estampa se ent [+]

The Virgin and Child adored by Saint Louis, King of France
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
López, Juan Antonio; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Virgin and Child adored by Saint Louis, King of France
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
López, Juan Antonio; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Juan Antonio López (activo en Madrid entre 1826 y 1840) que reproduce el lienzo el lienzo de Claudio Coello conservado en el Museo Nacional del Prado (P00661). Esta estampa se ent [+]

The Virgin and Child adored by Saint Louis, King of France
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
López, Juan Antonio; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid
The Virgin and Child adored by Saint Louis, King of France
Crayon lithography, Scraper, Lithographic aquatint on wove paper. 1829 - 1832
López, Juan Antonio; Madrazo y Agudo, José de; Real Establecimiento Litográfico de Madrid

Es una litografía de Juan Antonio López (activo en Madrid entre 1826 y 1840) que reproduce el lienzo el lienzo de Claudio Coello conservado en el Museo Nacional del Prado (P00661). Esta estampa se ent [+]

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