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The main scene occupies the foreground, though it is no longer set in the plane closest to the viewer as in the previous period, but slightly further back. As a result, the figures are smaller in size [+]
This is a singular example of David Teniers´ indoor scenes. The kitchen or tavern utensils so common in his other works are completed here with a magnificent show of diverse fruit and vegetables. This [+]
The saint holds a bunch of Madonna lilies in allusion to her purity and a garland of roses that recalls her name. Her attitude brings this depiction closer to the most characteristic models of Guido R [+]
En esta obra se aúnan los temas del descendimiento de la cruz y del llanto sobre Cristo muerto, asunto que, en una disposición asimétrica en diagonal, se presenta en primer término, buscando conmover [+]
According to the Book of Genesis (Gen. 1: 4, 3-12), Adam´s sons each made offerings to the Lord, who was pleased with Abel´s but not with Cain´s. Jealous of his brother, Cain slew Abel, suffering the [+]
Malombra, especialista en escenas de interiores, representó la recepción del dux Leonardo Donato al español Alonso de la Cueva, embajador en Venecia entre 1606 y 1618, y la ambientó en la Sala del Col [+]
This painting is the result of two acts carried out in different periods. First, Velázquez painted the surface occupied by the figures and the tapestry in the background. Later, in the 18th cen [+]
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The painting entered the Museum`s holdings as a work of the school of Jan Both, but it is listed as an original by the painter in the 1843 catalogue. In 1973 Valdivieso identifies it as one of the lan [+]
Genaro Pérez Villaamil (El Ferrol, 1807-Madrid, 1854) can be considered the most significant and influential Spanish Romantic landscape painter and an artist who had an intense interest, charac [+]
This painting is part of a series of pictures of the Royal Sites which includes five panoramas of El Escorial from different viewpoints. They are all unmistakably descriptive in nature as the emphasis [+]
Paolo Veronese`s Penitent Magdalene, 1583, reflects the change occurring in Venetian religious painting around 1580. On one hand, the new order of priorities imposed by the Council of Trent (1545-63) [+]
The Apostles sleep in the foreground, indifferent to the suffering of Christ who is attended by angels. One holds a chalice, prefiguring the Passion. The artist looked to Correggio (c. 1489-1534) in t [+]
As Lafuente Ferrari (1941) pointed out when publishing this work, it is a significant example of the passionately baroque tone of late 17th-century painting in Madrid. The same critic mentions the cle [+]
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Wearing a child´s dress of branched yellow fabric with silver adornments and the sash and cross of the Order of the Saint-Esprit, the future monarch rests his right hand on a small dog that stan [+]
This is one of the elegant hunting scenes Wouwerman painted in the early 1660s that reveal his extraordinary talent as landscape artist. In these works, rather than depicting a hunting scene set in fr [+]
Two nymphs and numerous cupids hold a garland that frames a medallion where an offering to Ceres is depicted. The goddess of the Earth and of agriculture is shown being crowned by Spring while allegor [+]
