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The Kitchen
Oil on panel. 1643
Teniers The Younger, David
The Kitchen
Oil on panel. 1643
Teniers The Younger, David

This is a singular example of David Teniers´ indoor scenes. The kitchen or tavern utensils so common in his other works are completed here with a magnificent show of diverse fruit and vegetables. This converts the right part of the composition into a still life. On the left, a character shells mussels, a traditional foodstuff in the Low Countries, while another group works beside the fireplace. Th

The Temptations of Saint Anthony the Abbot
Oil on panel. 1647
Teniers The Younger, David
The Temptations of Saint Anthony the Abbot
Oil on panel. 1647
Teniers The Younger, David

The Bowling Game
Oil on panel. Ca. 1645
Teniers The Younger, David
The Bowling Game
Oil on panel. Ca. 1645
Teniers The Younger, David

As part of his many genre scenes, Teniers frequently depicted players of skittles or other peasant games, such as bocce, which were very popular entertainment in seventeenth-century Flanders. The compositional scheme used by Teniers is similar to other works by him. At one end, the volumes of the houses serve as a backdrop for the scene, at the other, separated here by an earthen mound, the perspe

Landscape with Gypsies
Oil on canvas. 1641 - 1645
Teniers The Younger, David
Landscape with Gypsies
Oil on canvas. 1641 - 1645
Teniers The Younger, David

At the foot of several rocks that border a path, a group of three gypsies and a child wait while another gypsy tells his fortune to a peasant. On the other side of the path, a peasant couple contemplates the scene. The setting opens up in the centre towards distant mountains. The clouds appear to repeat the morphology of the rocks, the mountains and the tree branches that close the scene on the le

Village Feast
Oil on copperplate. 1640 - 1650
Teniers The Younger, David
Village Feast
Oil on copperplate. 1640 - 1650
Teniers The Younger, David

Some peasants dance to the sound of a bagpiper in front of a house in what is one of many examples of genre scenes painted by this artist. Teniers based this work on the esthetics and certain compositional schemes by Jan Brueghel “the Elder” (1568-1625), repeating the same idyllic vision of peasant life, which was also omnipresent in Flemish literature at that time. Some of the charact

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