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This is an extremely spontaneous and lively preparatory study for a now lost, larger painting. Seated in an imaginary room in a palace are Philip V and his second wife Isabella Farnese. Around them ar [+]
In 1865 the Government of Isabel II commissioned Valeriano Domínguez Bécquer to capture the customs and costumes of Spain´s provinces. This work is part of that project whose anthropolog [+]
Towards the edges of two moulded stone shelves (P549, P550) rest two bronze vases with broad decorated bases and slender stems embraced, in one case by a group of tritons (P550) and, in the other by, [+]
A group of scholars discuss various questions in a room. Some are sitting around tables while others contemplate some of the many paintings and art objects scattered around the room. Depictions of dil [+]
The view is from the riverbank opposite the city, where several groups of people are spread out, enlivening the composition. In the background one can see Saragossa´s main buildings and Felipe IV ente [+]
This set of paintings on the five senses was one of the most successful collaborations of Peter Paul Rubens and Jan Brueghel “the Elder”. Rubens placed his figures in the magnificent courtly scenes cr [+]
This canvas and its companion, Taste, Hearing and Touch (P1404), represent the five senses embodied by female figures in palatial interiors. The sense of smell is conveyed by a woman holding flowers, [+]
This decoration of the front of a chest depicts the seven Liberal Arts, accompanied by an equal number of figures that represent the most relevant personages in each discipline. All are being crowned [+]
A bust depiction of three street musicians. The first plays a flute while the other two sing from sheet music held by one of them. The sketchy rendering and vigorous brushstrokes mark this as a prelim [+]
This work belongs to the so-called peasant interiors, one of the new genres of painting that emerged and developed in the Netherlandsin the early seventeenth century. In Houbraken and in early invento [+]
This canvas, like P7349, is one of a group of six preparatory designs for the tapestries made for the private room of the Princess of Asturias in the Royal Palace. In each canvas a putto holds symbols [+]
Towards the edges of two moulded stone shelves (P550, P549) rest two bronze vases with broad decorated bases and slender stems embraced, in one case by a group of tritons (P550) and, in the other by, [+]
In this complex allegory, Mars, the god of war, is rejected by his lover Venus, who symbolises the peace painted by Rubens (1577-1640). On the ground at the lower edge we see objects destroyed by war: [+]
The painting is one of the most celebrated of Jusepe de Ribera´s so-called ragged philosophers. Although born in Spain, the artist spent his entire professional life in Italy. He appears to have [+]
Goya bought this sketchbook during his two-year sojourn in Italy, between 1769 and 1771. A taccuino or aide-mémoire, it includes the earliest drawings made at the time, among them copies of pai [+]
En el centro, en pie, la Pintura; a la derecha, sentada de perfil, con el compás y la escuadra, la Arquitectura; al fondo, la Escultura.Es apunte que enlaza con el estilo de Novelli, en el trazado de [+]
The donkey is symbolic of ignorance. Goya here denounces miseducation through his criticism of a teaching system predicated on the incompetence of the teachers and the ineptitude of the students. The [+]
This drawing has rarely been exhibited and studied, but it is, nevertheless, one of the most beautiful due to its monumental and synthetic feel. Using only sharp crayon strokes, Goya defines the conto [+]
