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Seated Girl
Conté crayon, Charcoal on laid paper. 1894
Blay y Fábrega, Miguel
Seated Girl
Conté crayon, Charcoal on laid paper. 1894
Blay y Fábrega, Miguel

1894 fue para Miguel Blay un año de éxitos, en el que expuso en Barcelona y en Bilbao, entre otras ciudades, su obra Los primeros fríos. Disfrutó una parte del año en Olot y, echando de menos el ambie [+]

Life Study. Male Nude
Conté crayon on laid paper. 1891
Blay y Fábrega, Miguel
Life Study. Male Nude
Conté crayon on laid paper. 1891
Blay y Fábrega, Miguel

Este estudio del natural, realizado con la técnica más académica, cuenta en el reverso con una figura femenina desnuda abocetada, de mediana edad, sentada y girada hacia su izquierda, en un estudio de [+]

Sketch of a Sleeping Man
Conté crayon on laid paper. 1894
Blay y Fábrega, Miguel
Sketch of a Sleeping Man
Conté crayon on laid paper. 1894
Blay y Fábrega, Miguel

Este dibujo sigue la línea que pintores como Ramón Casas estaban desarrollando, con una agilidad y una espontaneidad marcadas por una personal manera de dibujar, con trazos seguros y rápidos de difere [+]

The Worst is to beg
Red chalk, Conté crayon on grey laid paper. 1812 - 1814
Goya y Lucientes, Francisco de
The Worst is to beg
Red chalk, Conté crayon on grey laid paper. 1812 - 1814
Goya y Lucientes, Francisco de

A preparatory drawing for the print Disasters of War, 55, The Worst is to beg. One of Goya’s most singular conceptual contributions in his series of prints, Disasters of War, is his manner of represen [+]

Seated Female Nude
Brown chalk, Conté crayon, Charcoal on laid paper. 1893
Blay y Fábrega, Miguel
Seated Female Nude
Brown chalk, Conté crayon, Charcoal on laid paper. 1893
Blay y Fábrega, Miguel

Estudio del natural realizado como un ejercicio de tipo académico, valorando el volumen y las características de una joven adolescente, sentada prácticamente de perfil, en el que modela perfectamente [+]

Preparatory Study for the Monument to Vasco Núñez de Balboa in Panama City
Conté crayon on laid paper. 1923 - 1924
Blay y Fábrega, Miguel
Preparatory Study for the Monument to Vasco Núñez de Balboa in Panama City
Conté crayon on laid paper. 1923 - 1924
Blay y Fábrega, Miguel

Este es un dibujo preparatorio para el grupo Atlantes soportando la bola del mundo, que Blay tituló Las Raíces, base del monumento a Vasco Núñez de Balboa en Panamá. Este se levantó por iniciativa del [+]

Landscape
Conté crayon on wove paper. 1831 - 1834
Ribera y Fieve, Carlos Luis de
Landscape
Conté crayon on wove paper. 1831 - 1834
Ribera y Fieve, Carlos Luis de

[+]

Landscape
Conté crayon on wove paper. 1831 - 1834
Ribera y Fieve, Carlos Luis de
Landscape
Conté crayon on wove paper. 1831 - 1834
Ribera y Fieve, Carlos Luis de

[+]

Naked woman
Indian ink, Conté crayon, Wash on laid paper. XIX century
Carderera y Solano, Valentín (After Goya y Lucientes, Francisco de)
Naked woman
Indian ink, Conté crayon, Wash on laid paper. XIX century
Carderera y Solano, Valentín (After Goya y Lucientes, Francisco de)

The drawings in this Album were in the possession of Valentín Carderera, who made these two copies of originals whose whereabouts are unknown. The naked young woman, similar to others in the Al [+]

Young woman sweeping
Indian ink, Conté crayon, Wash on laid paper. XIX century
Carderera y Solano, Valentín (After Goya y Lucientes, Francisco de)
Young woman sweeping
Indian ink, Conté crayon, Wash on laid paper. XIX century
Carderera y Solano, Valentín (After Goya y Lucientes, Francisco de)

Este dibujo copia el de Goya que se conserva en el Museo del Prado, D7360/1. Sobre el Álbum A de Goya, véase el comentario en, D04184. [+]

I saw it
Red chalk, Conté crayon on dark yellow laid paper. 1810 - 1815
Goya y Lucientes, Francisco de
I saw it
Red chalk, Conté crayon on dark yellow laid paper. 1810 - 1815
Goya y Lucientes, Francisco de

The value of Goya’s war images is largely determined by their plausibility. This makes them visual referents for what happens in war. Neither their status as narrative nor the esteem in which they are [+]

Wounded being evacuated from the battlefield
Red chalk, Conté crayon on ivory laid paper. Ca. 1811
Goya y Lucientes, Francisco de
Wounded being evacuated from the battlefield
Red chalk, Conté crayon on ivory laid paper. Ca. 1811
Goya y Lucientes, Francisco de

This drawing related to one of the Disasters of War was neither engraved nor published.In this series of prints executed between 1810 and 1814 Goya offers a critical and personal vision of the consequ [+]

Women Surprised by Soldiers
Red chalk, Conté crayon on ivory laid paper. Ca. 1812
Goya y Lucientes, Francisco de
Women Surprised by Soldiers
Red chalk, Conté crayon on ivory laid paper. Ca. 1812
Goya y Lucientes, Francisco de

Though related to Goya’s Disasters of War, this drawing was neither engraved nor published. Its composition is framed in red chalk and the corners are emphasized with touches of the same material. The [+]

The life drawing class, sketch of its lighting system and plan of its seating
Conté crayon, White chalk on paper. First half of the XIX century
Madrazo y Agudo, José de
The life drawing class, sketch of its lighting system and plan of its seating
Conté crayon, White chalk on paper. First half of the XIX century
Madrazo y Agudo, José de

[+]

Charity
Red chalk, Conté crayon on ivory laid paper. 1810
Goya y Lucientes, Francisco de
Charity
Red chalk, Conté crayon on ivory laid paper. 1810
Goya y Lucientes, Francisco de

A preparatory drawing for Disasters of War, 27, Charity. Once more, Goya eliminates any reference that could specifically identify the event being depicted in order to create an emotionally gripping s [+]

They escape through the flames
Red chalk, Conté crayon on ivory laid paper. 1810 - 1814
Goya y Lucientes, Francisco de
They escape through the flames
Red chalk, Conté crayon on ivory laid paper. 1810 - 1814
Goya y Lucientes, Francisco de

Preparatory drawing for Disasters of War, 41, They escape through the flames.In this series Goya offers a critical and personal vision of the consequences of the Spanish Peninsular War (1808-14) that [+]

Women Surprised by Soldiers
Red chalk, Conté crayon on ivory laid paper. Ca. 1812
Goya y Lucientes, Francisco de
Women Surprised by Soldiers
Red chalk, Conté crayon on ivory laid paper. Ca. 1812
Goya y Lucientes, Francisco de

Though related to Goya’s Disasters of War, this drawing was neither engraved nor published. Its composition is framed in red chalk and the corners are emphasized with touches of the same material. The [+]

Even worse
Red chalk, Conté crayon on ivory laid paper. 1810
Goya y Lucientes, Francisco de
Even worse
Red chalk, Conté crayon on ivory laid paper. 1810
Goya y Lucientes, Francisco de

A preparatory drawing for Even worse (Disasters of War, 22) G00693, G02352.In this series of prints executed between 1810 and 1814 Goya offers a critical and personal vision of the consequences of the [+]

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