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Museo del Prado, View of the Main Gallery (Graphoscope)
Albumen on photographic paper. 1882 - 1883
Laurent y Minier, Juan
Museo del Prado, View of the Main Gallery (Graphoscope)
Albumen on photographic paper. 1882 - 1883
Laurent y Minier, Juan

On 24 February 1882, Alfonso Roswag y Nogier, the son-in-law of Jean Laurent and his partner in the firm J. Laurent y Cía., filed a patent application for a device called "the Graphoscope or re [+]

Unhappy mother!
Red chalk on grey laid paper. 1812 - 1814
Goya y Lucientes, Francisco de
Unhappy mother!
Red chalk on grey laid paper. 1812 - 1814
Goya y Lucientes, Francisco de

When Goya penciled his tiles on the complete set of prints that he gave to his friend, Ceán Bermúdez, each word was rigorously adapted to the composition and to the critical intentions w [+]

María Teresa de Madrazo y Madrazo
Watercolour on continuous paper. 1868
Fortuny, Mariano
María Teresa de Madrazo y Madrazo
Watercolour on continuous paper. 1868
Fortuny, Mariano

This watercolour is part of a group of works Fortuny painted shortly before returning to Rome in 1868 using the people around him as models. María Teresa was the only child born of the marriage [+]

Harvest of the Dead
Red chalk on grey laid paper, continuous paper. Ca. 1813
Goya y Lucientes, Francisco de
Harvest of the Dead
Red chalk on grey laid paper, continuous paper. Ca. 1813
Goya y Lucientes, Francisco de

A preparatory drawing for Disasters of the War, 63, Harvest of the Dead.In this series of prints executed between 1810 and 1814 Goya offers a critical and personal vision of the consequences of the Sp [+]

Female Nude
Pencil, Grey-brown ink, Wash on laid paper. 1645 - 1650
Cano, Alonso
Female Nude
Pencil, Grey-brown ink, Wash on laid paper. 1645 - 1650
Cano, Alonso

In this superb drawing acquired in 1997, two different and independent motives are overlapped. The main one is a nude woman on a bed, but arches and architectural elements have been drawn over it. The [+]

Landscape
Watercolour on continuous paper. Ca. 1850
Rigalt y Farriols, Luis
Landscape
Watercolour on continuous paper. Ca. 1850
Rigalt y Farriols, Luis

El catalán Luis Rigalt fue uno de los más destacados representantes del paisajismo español del siglo XIX y su producción pictórica abarcó prácticamente toda la centuria, evidenciándose en ella su evol [+]

Cartloads to the cemetery
Red chalk on grey laid paper. 1812 - 1814
Goya y Lucientes, Francisco de
Cartloads to the cemetery
Red chalk on grey laid paper. 1812 - 1814
Goya y Lucientes, Francisco de

A preparatory drawing for Disasters of War, 64, Cartloads to the cemetery. The term, “cartloads” refers not only to how the bodies were transported, but also to the quantity. Goya dedicated various pr [+]

This is the truth
Drypoint, Etching, Aquatint, Burnisher on continuous cream paper. 1814 - 1815
Goya y Lucientes, Francisco de
This is the truth
Drypoint, Etching, Aquatint, Burnisher on continuous cream paper. 1814 - 1815
Goya y Lucientes, Francisco de

The ruin of post-war Spain and the return to Fernando VII’s pre-constitutional tenets left no room at all for hope. All that Goya could do was to present what he considered that situation’s antithesis [+]

Fierce Monster!
Drypoint, Etching, Burin on continuous cream paper. 1814 - 1815
Goya y Lucientes, Francisco de
Fierce Monster!
Drypoint, Etching, Burin on continuous cream paper. 1814 - 1815
Goya y Lucientes, Francisco de

This monster, whose morphology corresponds to no specific animal, is related to those from Disasters 71, 72, 73, 75 and 76, all of which symbolize the forces that oppressed Spain after 1814.In this se [+]

Saint Bartholomew
Taille douce: etching and engraving on continuous paper. 1798
Audouin, Pierre -Engraver- (After Ribera, Jusepe de, lo Spagnoletto); Ribault, Jean François; Bueno, León; Calcografía Nacional; Ingouf, François-Robert
Saint Bartholomew
Taille douce: etching and engraving on continuous paper. 1798
Audouin, Pierre -Engraver- (After Ribera, Jusepe de, lo Spagnoletto); Ribault, Jean François; Bueno, León; Calcografía Nacional; Ingouf, François-Robert

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company f [+]

The Holy Family with the Oak Tree
Taille douce: etching and engraving on continuous paper. 1791 - 1800
Carattoni, Girolamo -Engraver- (After Romano, Giulio (Giovanni Francesco Penni)); Bueno, León
The Holy Family with the Oak Tree
Taille douce: etching and engraving on continuous paper. 1791 - 1800
Carattoni, Girolamo -Engraver- (After Romano, Giulio (Giovanni Francesco Penni)); Bueno, León

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company f [+]

El Niño de Vallecas
Taille douce: etching and engraving on continuous paper. 1792
Vázquez, Bartolomé -Engraver- (After Velázquez, Diego Rodríguez de Silva y); Vázquez, Antonio
El Niño de Vallecas
Taille douce: etching and engraving on continuous paper. 1792
Vázquez, Bartolomé -Engraver- (After Velázquez, Diego Rodríguez de Silva y); Vázquez, Antonio

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company f [+]

Saint Paul the Hermit
Taille douce: etching and engraving on continuous paper. 1797
Criere, Philippe -Engraver- (After Ribera, Jusepe de, lo Spagnoletto); Esteve, Agustín; Calcografía Nacional
Saint Paul the Hermit
Taille douce: etching and engraving on continuous paper. 1797
Criere, Philippe -Engraver- (After Ribera, Jusepe de, lo Spagnoletto); Esteve, Agustín; Calcografía Nacional

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company f [+]

The Adoration of the Shepherds
Taille douce: etching and engraving on continuous paper. 1791
Morghen, Raffaello -Engraver- (After Mengs, Anton Raphael); Beratón, José
The Adoration of the Shepherds
Taille douce: etching and engraving on continuous paper. 1791
Morghen, Raffaello -Engraver- (After Mengs, Anton Raphael); Beratón, José

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company f [+]

Menippus
Taille douce: etching and engraving on continuous paper. 1791 - 1800
Esquivel de Sotomayor, Manuel -Engraver- (After Velázquez, Diego Rodríguez de Silva y); Bueno, León; Muntaner y Moner, Francisco
Menippus
Taille douce: etching and engraving on continuous paper. 1791 - 1800
Esquivel de Sotomayor, Manuel -Engraver- (After Velázquez, Diego Rodríguez de Silva y); Bueno, León; Muntaner y Moner, Francisco

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company f [+]

Hapless Mother!
Drypoint, Etching, Aquatint, Burnisher on ivory paper. 1812 - 1814
Goya y Lucientes, Francisco de
Hapless Mother!
Drypoint, Etching, Aquatint, Burnisher on ivory paper. 1812 - 1814
Goya y Lucientes, Francisco de

When Goya penciled his tiles on the complete set of prints that he gave to his friend, Ceán Bermúdez, each word was rigorously adapted to the composition and to the critical intentions w [+]

Aesop
Taille douce: etching and engraving on continuous paper. 1796
Esquivel de Sotomayor, Manuel -Engraver- (After Velázquez, Diego Rodríguez de Silva y); Bueno, León; Muntaner y Moner, Francisco
Aesop
Taille douce: etching and engraving on continuous paper. 1796
Esquivel de Sotomayor, Manuel -Engraver- (After Velázquez, Diego Rodríguez de Silva y); Bueno, León; Muntaner y Moner, Francisco

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company f [+]

Santa Margarita de Cortona
Stipple engraving, Etching on continuous paper. 1794
Vázquez, Bartolomé -Engraver- (After Zurbarán, Francisco de); Bueno, León
Santa Margarita de Cortona
Stipple engraving, Etching on continuous paper. 1794
Vázquez, Bartolomé -Engraver- (After Zurbarán, Francisco de); Bueno, León

This print is part of a series published by the Company for the engraving of paintings from the Royal Palaces, although it was only published after that institution was no longer active. The Company f [+]

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