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Museo del Prado, View of the Main Gallery (Graphoscope)
Albumen on photographic paper, fabric / weave. 1882 - 1883
Laurent y Minier, Juan
Museo del Prado, View of the Main Gallery (Graphoscope)
Albumen on photographic paper, fabric / weave. 1882 - 1883
Laurent y Minier, Juan

On 24 February 1882, Alfonso Roswag y Nogier, the son-in-law of Jean Laurent and his partner in the firm J. Laurent y Cía., filed a patent application for a device called "the Graphoscope or re [+]

All Saints Church, Kingston upon Thames, Surrey
Albumen on continuous paper, photographic paper. Ca. 1858
Anonymous
All Saints Church, Kingston upon Thames, Surrey
Albumen on continuous paper, photographic paper. Ca. 1858
Anonymous

In the 19th century, there arises on the part of the Anglican Spanish Community the need to execute a church of new plant. Juan de Madrazo, prestigious member of the Anglican Church, receives the orde [+]

St Raphael’s Church, Kingston upon Thames, Surrey
Albumen on continuous paper, photographic paper. Ca. 1858
Anonymous
St Raphael’s Church, Kingston upon Thames, Surrey
Albumen on continuous paper, photographic paper. Ca. 1858
Anonymous

In the 19th century, there arises on the part of the Anglican Spanish Community the need to execute a church of new plant. Juan de Madrazo, prestigious member of the Anglican Church, receives the orde [+]

Platter with the story of Hermaphroditus and cameos of the Twelve Caesars
Gelatin / collodion on continuous paper, photographic paper. Ca. 1879
Laurent y Minier, Juan
Platter with the story of Hermaphroditus and cameos of the Twelve Caesars
Gelatin / collodion on continuous paper, photographic paper. Ca. 1879
Laurent y Minier, Juan

[+]

Shanklin Church
Albumen on continuous paper, photographic paper. Ca. 1858
Anonymous
Shanklin Church
Albumen on continuous paper, photographic paper. Ca. 1858
Anonymous

In the 19th century, there arises on the part of the Anglican Spanish Community the need to execute a church of new plant. Juan de Madrazo, prestigious member of the Anglican Church, receives the orde [+]

There are amours here too
Brush, Pencil, Grey-brown ink, Wash on laid paper, continuous red paper. 1814 - 1823
Goya y Lucientes, Francisco de
There are amours here too
Brush, Pencil, Grey-brown ink, Wash on laid paper, continuous red paper. 1814 - 1823
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

Good riddance
Brush, Bistre, Grey-brown ink, Wash on laid paper, continuous red paper. 1814 - 1823
Goya y Lucientes, Francisco de
Good riddance
Brush, Bistre, Grey-brown ink, Wash on laid paper, continuous red paper. 1814 - 1823
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

Unhappy mother!
Red chalk on laid paper. 1812 - 1814
Goya y Lucientes, Francisco de
Unhappy mother!
Red chalk on laid paper. 1812 - 1814
Goya y Lucientes, Francisco de

When Goya penciled his tiles on the complete set of prints that he gave to his friend, Ceán Bermúdez, each word was rigorously adapted to the composition and to the critical intentions w [+]

María Teresa de Madrazo y Madrazo
Watercolour on continuous paper. 1868
Fortuny, Mariano
María Teresa de Madrazo y Madrazo
Watercolour on continuous paper. 1868
Fortuny, Mariano

This watercolour is part of a group of works Fortuny painted shortly before returning to Rome in 1868 using the people around him as models. María Teresa was the only child born of the marriage [+]

Harvest of the Dead
Red chalk on laid paper, continuous paper. Ca. 1813
Goya y Lucientes, Francisco de
Harvest of the Dead
Red chalk on laid paper, continuous paper. Ca. 1813
Goya y Lucientes, Francisco de

A preparatory drawing for Disasters of the War, 63, Harvest of the Dead.In this series of prints executed between 1810 and 1814 Goya offers a critical and personal vision of the consequences of the Sp [+]

Female Nude
Pencil, Grey-brown ink, Wash on laid paper. 1645 - 1650
Cano, Alonso
Female Nude
Pencil, Grey-brown ink, Wash on laid paper. 1645 - 1650
Cano, Alonso

In this superb drawing acquired in 1997, two different and independent motives are overlapped. The main one is a nude woman on a bed, but arches and architectural elements have been drawn over it. The [+]

Landscape
Watercolour on continuous paper. Ca. 1850
Rigalt y Farriols, Luis
Landscape
Watercolour on continuous paper. Ca. 1850
Rigalt y Farriols, Luis

El catalán Luis Rigalt fue uno de los más destacados representantes del paisajismo español del siglo XIX y su producción pictórica abarcó prácticamente toda la centuria, evidenciándose en ella su evol [+]

Cartloads to the cemetery
Red chalk on laid paper. 1812 - 1814
Goya y Lucientes, Francisco de
Cartloads to the cemetery
Red chalk on laid paper. 1812 - 1814
Goya y Lucientes, Francisco de

A preparatory drawing for Disasters of War, 64, Cartloads to the cemetery. The term, “cartloads” refers not only to how the bodies were transported, but also to the quantity. Goya dedicated various pr [+]

Beggar in Asia who sets his head alight until they give him something
Brush, Bistre, Wash on laid paper, continuous red paper. 1814 - 1823
Goya y Lucientes, Francisco de
Beggar in Asia who sets his head alight until they give him something
Brush, Bistre, Wash on laid paper, continuous red paper. 1814 - 1823
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

If I am not mistaken, he is about to give up the habit
Brush, Bistre, Wash on laid paper, continuous red paper. 1814 - 1823
Goya y Lucientes, Francisco de
If I am not mistaken, he is about to give up the habit
Brush, Bistre, Wash on laid paper, continuous red paper. 1814 - 1823
Goya y Lucientes, Francisco de

Goya’s Album C exemplifies the complexity of his work. Made during the Peninsular War and the posterior repression under the reign of Ferdinand VII, it addresses subjects linked to many facets of that [+]

Trust
Red chalk, Red wash on laid paper, continuous paper. 1797 - 1798
Goya y Lucientes, Francisco de
Trust
Red chalk, Red wash on laid paper, continuous paper. 1797 - 1798
Goya y Lucientes, Francisco de

In Goya´s drawings, padlocks are a recurrent symbol of closed minds. Also, in the literature of the time, a padlock shutting a mouth was frequently used to express a lack of critical judgment, or the [+]

It will be the same
Pencil, Red chalk, Grey-brown wash on laid paper, continuous paper. 1810 - 1814
Goya y Lucientes, Francisco de
It will be the same
Pencil, Red chalk, Grey-brown wash on laid paper, continuous paper. 1810 - 1814
Goya y Lucientes, Francisco de

This is one of the six strange ink drawings that has been included in the group of preparatory drawings for the Disasters of War, although they are very different in conception, composition, technique [+]

Not even this way
Pencil, Red chalk, Grey-brown wash on laid paper, continuous paper. 1810 - 1814
Goya y Lucientes, Francisco de
Not even this way
Pencil, Red chalk, Grey-brown wash on laid paper, continuous paper. 1810 - 1814
Goya y Lucientes, Francisco de

A preparatory drawing for Disasters of War, 11, Not even this way.In this series of prints executed between 1810 and 1814 Goya offers a critical and personal vision of the consequences of the Spanish [+]

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